79 Royalty-Free Audio Tracks for "Pause"

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto). As there is no pause between the last two movements, it is suggested that Image:Beethoven - Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll and IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit.ogg be used instead of this one.

This loop was made with beepbox! :).

Voice over: "in this chaotic world, all i see is [pause] destruction".

Walking up concrete stairs with a pause to a park bench.

Broken сd/dvd printer recordered at my office. Here is the sound of internal elements of device and retractable disc slot. Recording until pause is original sound. After pause is the same sound processed with gross beat plugin in fl studio 12.

Steel handcuff recorded with rode ntg2, closing ratchet with slight pause then close a bit more.

Another pause signal downloaded by 'the seal' boise/id. There is need of a simultaneous intergalactic voice translator.

Recorded with sony xperia z3+ in the pause between to sets in gothenburg conserhall. Orchestra tuning up.

Pause or time signal from a planet in our solar system. We can hear their broadcastings but we have no clue were the planet is.

After clicking on pause, this sound persists in the headphones. . . Don't know why. . . But it sounds interesting.

This was recorded at six o'clock in the evening, the bell rings out its melody and then strikes 6 times to mark the time after a short pause.

A sound made in audacity. 500hz tone, lasting 0,5 seconds, 0,5 pause, repeated 4 times, with a bit of reverb. Could be used as some sort of alert or alarm. Loop friendly.

Dialling the number 0 on an old rotary phone. This recording has a slight pause inbetween dialling, and letting go, allowing for more freedom to tweak the timing yourself. Click here for the rest of my rotary phone samples. For those that need it, below is a diagram showing both the european (inner numbers), and american (outer numbers) numbering systems. The highlighted numbers is the current recorded sound. Audio filename follows american type (outer numbers on diagram, from 1 to 0). .

This is a recording of a synthesized sound that has a vintage radio feel. These are three separates sounds with a small pause between them. Synthesized using a free vst synthesizer.

This tone was generated using audacity. In the base there is a 45hz sinusoid. Then a new sinusoid tone of 207hz is added for about 5s. After a pause of about 5s a second sinusoid of 208hz is added for 5s.

Unlocking the safety frontdoor with keys needs more than one turn. Then closing and locking it again. The second unlock has a pause before the mechanism finally unlocks the door. At the end the door is getting locked from the inside with keys.

A machine punching tooth spaces in a band saw with a crank punch while the band coil is advancing. There is a pause where no punches are made. The machine is punching hundreds of teeth per minute. Recorded with a rode nt4 microphone and the edirol r44 recorder.

I combined a lot of fx from this site to make a huge explosion with a large aftermath and ringing in the ears- to make it a more 'cinematic' moment, i have a build up in reverse to the moment, a pause, then the explosion. Rubble and glass fall as the listeners' ears ring from the explosion.

Nano/opto-électroniquecours 4 (part 2)09/11/2012. Slijd 3. 35) (00:00)slijd 3. 35 bis) (16:40)slijd 3. 37) (17:26)slijd 3. 38) (un peu avant 26:00)slijd 3. 39) (34:34)slijd 3. 40) (37:21)slijd 3. 41) (39:34)slijd 3. 44) (41. 36) pour infoslijd 3. 45) (42:30). Pause 45:10.

Electronique physiquecours 5 (part 1)09/11/2012. Rappels (00:00)vrai début cours) (8:12)slijd 3. 6-3. 7) (36:09)slijd 3. 8) (37:21)slijd 3. 9) (débute avant 42:00)slijd 3. 10) (47:26)slijd 3. 11) (52:06)reprise après un long blanc) (57:20)slijd ?) définition des quasi niveaux de fermi (58:10). Pause (1:08:31).

Nano/opto-électroniquecours 4 (part 1)09/11/2012. Calcul du rendement d'une led (00:00)slijd 3. 26) (brièvement 10:20)slijd 3. 28) (19:48)slijd 3. 29)slijd 3. 30)slijd 3. 31-32) manquants, il doit nous les donnerslijd 3. 33)slijd 3. 34) (45:36)slijd 3. 35) (48:33)(il revient sur slijd 3. 33)puis slijd 3. 35) (50:04). Pause 55:06.

Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .

Got a can of sriracha peas for my birthday. Accidentally plucked the pull-tab. Sounded good. Made everyone pause what was on tv so i could pluck it a bunch. Ate about 3-4 peas. I don't like sriracha. Much less on dry peas. My stomach got upset. Those few peas colored my burps for about an hour. The can lid was the real present all along. Incidentally captured: chair squeaks (funnily in time with the plucking), "hurry up", "(he's) documenting the sound", chuckling, "is that good enough?".

would you get the door? i have a package coming that needs to be signed-for. . (chuckle) "sure. ". (pause) "are you dressed?" heh. Of course he changed his tune, but i was already headed for the stairs. Yep. Sure did. I didn’t step outside, though. Figured it was safer to let ‘em in…. Here’s a quick tip: when you’re holding the little computer thingie and signing, your hands are occupied. The thing kept rejecting my signature. Like, five times. Also if the package is on the floor, how you pick it up calls for considered forethought. I'd already sidestepped, um, all of that. Since when do two guys deliver one package?.

Microsystèmescours 525/10/2012. Chapter 4 – process integrationpage 106 – 0 minpage 111 – 2min20page 112 – 5min20page 121 – 13min30page 118 – 14min50page 484 – 17min03page 488 - 21min 23page 489 - 23min08page 123 - 23min43page 120 – 33min58page 124 – 35min03page 126 - 41min02. Pause. Chapter 5 – lumped modeling with circuit elementsslijd mitpage 1-2-3 – 44min58page 4 – 48min14page 5- 50min14page 6 -51min59page 7 – 54min54page 9 – 56min39page 10 – 59min26page 11 - 62min13page 12 – 63min48page 13 – 65min48page 14 – 67min13page 15 – 69min03page 16 – 69min43page 17 – 70min13page 18 – 71min18page 19 – 73min03page 20 – 74min48page 21 – 78min02page 22 – 78min22page 23 – 78min42effort e(t) <-> flot f(t)intégré par rapport au temps =>moment généralisé p(t) <-> déplacement généralisé q(t). Page 24 – 82min32page 25 – 86min02page 26 – 86min52page 27 – 88min29page 28 – 89min19page 29 – 90min02page 30 – 92min22page 31 – 93min02page 32 – 94min07page 33 – 95min34page 34 – 100min22page 35 – 101min49page 36,37,… – finmemristor -.

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

Things may be closed but tennis courts still work, and she was dressed for it. The hallway we walked through after, was empty. A lot of them are lately, we used this one. "after" was that once she finished, the visible front door gave her pause. I wasn't done, so we continued with her chest on a desk in the first open room we came to. More daylight in there, too. From the hallway we wouldn't have been seen. I decided not to tell her about the mixed-gender group of five that gathered at the window for a while, nearly two meters away to intently watch us making more of these sweet penis-in-vagina sounds, gathered by my phone, edited in audacity. Her ass was up high and her sunlit, flexing pink point of penetration very visible to our audience, and it didn't take me much longer. Sadly. Tried to make it last. I was wearing my lowered shorts and a bit of a smile. If she'd had a mask on, it would have been the only thing.

This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".

This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piéton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piéton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.