70 Royalty-Free Audio Tracks for "Shape"

Garcello note shape.

Garcello note shape.

Garcello note shape.

Garcello note shape.

Toddler “girl” saying circle.

Fs1r yamaha formant acid.

Sine. Shape 1. 452. Relative frequency 210. 7. 60hz b-2-2.

Loud chainsaws carving wood sculptures at the evergreen state fair in washington state.

Triple osc soundshape. Fx: echo and phaser.

Using a sharpie marker pen to write and scribble on a piece of paper. Writing, a few dots to punctuate writing a sentence, drawing a heart then scribbling inside the heart shape to fill it in. Scribbling different speeds. Recorded on a zoom h1.

Creaking, crunching bones; stretching skin; muscles and sinew contracting and reshaping. If you ever read any of the animorphs books, that's sort of what i was going from here. Mixed from the following files:https://freesound. Org/people/humanoide9000/sounds/329744/https://freesound. Org/people/kyles/sounds/453849/.

Me saying "i do believe everything is ship shape and bristol fashion" in a british accent, "queens english" "upper class" and old fashioned.

A triple osc with reverb, delay and echo. It may be possible that there are some clics and bugs. . . Sorry for that. This one was pretty hard to records properly.

Bass notes created with the aethereal vst. Effects: asio sound card bugs, echo, reverb. After recording, the shape has been inverted.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

After clicking on pause, this sound persists in the headphones. . . Don't know why. . . But it sounds interesting.

Sound made with the alienspaceweaver vst. Effects: reverb, delay, echo.

Tripe osc soundshapeevery bass note cames with his higher pitched brother. Effects: echo, reverb and maybe my usual asio soundcard bugs.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

Deep notes created with a osc, shaped with the "aetereal" and "alienspace weaver" vst's. Effects: echo, reverb.

Bass shape made with a 3 osc. Fx filters: echo, reverb. "crisp" effects are my current asio bugs with gives a special effect.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

Signpost. 2 oscillators, reverb. Created with psychic modulation (aethereal). Mixed in audacity.

Free improvisation on a triple osc. . . Subnotes. Effects: asio driver bugs, compressor, a little reverb.

Under the title "New Britain", "Amazing Grace" appears in a 1847 publication of Southern Harmony in shape notes. Created by Hyacinth (talk) 07:03, 6 December 2011 (UTC) using Sibelius 5.

Made with aeterial vst. 2 oscillators, reverb, chorus sfx.

Cinematic Stops and starts shape an interesting contour, opening a sense of hopelessness. Source: Kevin MacLeod - Kevin MacLeod

Cinematic Stops and starts shape an interesting contour, opening a sense of hopelessness. Source: Kevin MacLeod - Kevin MacLeod

A continuous and slow pencil sliding on paper sound. I drew a circle shape and then a line.

A breaking glass sound. Originally created as a sfx sample for a song. A combination of snippets from two separate public domain breaking glass recordings, plus envelope shape manipulation in audacity.

A heavily detuned guitar, played noisily, chopped up and reconstituted into the vague shape of a drum solo by a very lazy "machine learning" script.

Ben burtt style retro laser gun blast made from hitting a long fence wire. This recording is unprocessed so you can shape it how you want.

Atari 2600 (vcs) cartridges being shuffled, handled, and toppled. Rest assured they're still in fine shape. Thanks for listening. No attribution needed.

Recorded in home studio, you can use this effect free for your works. The sound is press a plastic bottle and letting it go back to its shape.

The rather elusive razor waveform, as it is commonly called due to its peculiar shape, from the commodore 64's sid chip, acheivable only by activating the outputs of any two waveforms on the oscillator section.

I am a non-smoker and usually never cough. I hate people who are always coughing. I could go days on end without needing to cough. My lungs are in great shape. I am faking it here.

Ben burtt style retro laser gun blast made from hitting a long fence wire. I left more of the tail resonance on this one. This recording is unprocessed so you can shape it yourself.

I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.

A clown in the piazza san lorenzo from genova is surrounded by children playing with long, thin and flexible balloons, one child is asking the clown to shape a balloon as a white gun.

Noises that i made with a synth. They pretty dry sounding didn't add much to them just basic eq with a low cut and sometimes different shapes to shape them a bit. Thats it just some "raw noises".

A recording of the crowd at charing cross station. Not much that seperates them from other crowds, but the shape of the space might change the dynamic of the sound a bit. Not sure. Recorded on an iphone.

It's a strange sound a candle was making while lit. I've pushed three burnt-off matches as a replacement for the wick, and they created such a shape of flame, that was "pumping" creating a strange buzzing sound. Recorded with a zoom h2.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.