83 Royalty-Free Audio Tracks for "Shape"

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

A very old production. A simple dark ambient track, slow, brooding. It can be the dark cold regions of space, or the cobweb-filled but lifeless corners in the cellar of a haunted mansion. Mostly vst synthesizers, lots of reverb effects and eq's to shape the sound.

My girlfriend brushing her teeth with an electric tooth brush. The fundamental pitch of the toothbrush motor is just near b2. The mouth shape adds the first few upper harmonics (a la throat singing). Make a pad or pull into a granular synth!. Recorded with an akg c214 into an ni audio kontrol 1.

Bonshō von japan (large bell in the temples of the mountains) recorded in march 2017 in hida no sato village near takayama. Nice spectrum shape. My regret is that tourist ruined the take but it's fine. Recorded with zoom h4n, front microphone. Licence creative commons, feel free to use.

Create chirp 1 use audacity:. • file→new. • generate→tone. . . - waveform: sine- frequency (hz): 1500- amplitude: 1- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape paste 0. 02s silence.

This song is a poetic reflection on life, where rivers symbolize human strength and connections. It tells a story of loss, betrayal, and the struggle to reclaim oneself, showing how water, even in a land scorched to ashes, can bring life and restore hope. It’s a tale of challenges that shape us and the resilience we must find to move forward.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

Several spitting noises recorded with the aim of getting a realistic sound and nothing besides spitting. I actually spit (not dry spitting) into a plastic bag. The impact on the plastic bag can be heard, but it isn't too bad. The first half is p-spitting and the second half is t-spitting (shape mouth is held in). A little bit of horking and squishing as well. Recorded with a shure sm58 in a treated room.

Create chirp 0 use audacity:. • file→new. • generate→chirp. . . - waveform: sine- startfrequency: 500amplitude: 1- endfrequency: 1100amplitude: 1- interpolation: linear- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. • effect→change speed…- speed muliplier: 2. 000. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape, paste 0. 02s silence.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Sound of a guiro in the shape of toad. It’s a little instrument for children. Sound recorded with a zoom h4n pro. Son d’un petit guiro en bois pour les enfants, en forme de crapaud. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a guiro in the shape of toad. It’s a little instrument for children. Sound recorded with a zoom h4n pro. Son d’un petit guiro en bois pour les enfants, en forme de crapaud. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a guiro in the shape of toad. It’s a little instrument for children. Sound recorded with a zoom h4n pro. Son d’un petit guiro en bois pour les enfants, en forme de crapaud. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a guiro in the shape of toad. It’s a little instrument for children. Sound recorded with a zoom h4n pro. Son d’un petit guiro en bois pour les enfants, en forme de crapaud. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a guiro in the shape of toad. It’s a little instrument for children. Sound recorded with a zoom h4n pro. Son d’un petit guiro en bois pour les enfants, en forme de crapaud. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

I was looking for the sound of a hot engine clicking and found just one with lots of background noises. So i decided to build it from scratch in bitwig studio and this is it. The sound starts with fast clicking slowing down. It's not perfect, you can still hear it's made from samples. But as the sound is normally used at low volume, i think i can get away with it. Feel free to add a gate and shape it even further. I may upload an updated version later.

In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.

Sound squeezed, stretched and granulated into abstract shapes.

Victoria playing the puzzle shapes.

Male. Slow deep breaths with different mouth shapes.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Me drawing lines and shapes with a pencil. Edited in audacity. Feel free to use this for any animation, game, movie, or project. You don't have to credit me if you don't want to. Edited in audacity.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

Noises from a factory recorded from outside. The factory shapes metal parts with a punching press. You hear the punches as well as machine noises and metal parts being moved. Recorded with a samsung siii phone, multiband compressed and equalized afterwards.

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Recorded at my kitchen with zoom h4n with built-in microphones, over stainless steel sink, using 3 bottle shapes 700 and 750 ml filled with water and drained. (it's a foley story--i wouldn't be guilty of wasting good 12-year-old scotch, or bourbon or australian wine--no way--sorry dad. I drank them all down my gullet. )(but not all in one sitting!).

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

* the music is a backing track, intended for practice, exploring the lydian tonality. The backing track runs through each of twelve tonal centers, starting with d lydian and moving down a fifth every two measures (counterclockwise through the cycle of fifths), ending with a lydian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.

* the music is a backing track, intended for practice, exploring the dorian tonality. The backing track runs through each of twelve tonal centers, starting with d dorian and moving down a fifth every four measures (counterclockwise through the cycle of fifths), ending with a dorian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * the tempo is 95 bpm. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.