40 Royalty-Free Audio Tracks for "Formant"

Re-sampled loop point stretching.

Male voice, untrained singer, unforced, mf, vowels [a e i o u], g#. Recorded with built-in mac microphone to amadeus pro.

Too much fun with a formant filter and dega sequence at 125 bpm. Cut and loop, another discarded one.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

I decided to drink and make a poor example of anything christmas-ey. Have fun with it.

My girlfriend brushing her teeth with an electric tooth brush. The fundamental pitch of the toothbrush motor is just near b2. The mouth shape adds the first few upper harmonics (a la throat singing). Make a pad or pull into a granular synth!. Recorded with an akg c214 into an ni audio kontrol 1.

Fs1r yamaha formant acid.

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

A mouth harp (often referred to as a "jew's harp") tuned to c#. Recorded with a røde nt-2a.

Atmospheric chords with several effects in the chain. If you like this sound, don't forget to check my soundcloud and share your feedback on my tunes: http://soundcloud. Com/beverlyhillsboy cheers!.

This is the sound of me rubbing a hairbrushes bristles. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Rhythmic pattern interspersed with transients, formant sounds. 21 splices in the reel formatted and oven-ready for morphagene. Enjoy!.

My dad saying "the world is my oyster," converted to a female voice.

A small synthesizer glitch sequence layered with tr808 drums. Check my tunes on soundcloud if you like this sound: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Strange guttural alien vocalizations, pops and glitches.

Cutted parts of an audio experiment using carbon electra saws with some internal pitch envelope going on, going into trash 2, going into eq modulation, going into manipulator (formant & pitch shift, a bit fm modulation on a shifting frequency at times), going into ott.

Volume 1 of a new series, 5 minute recordings of me doing stuff with a certain effect/synth, or alternatively playing on my keyboard. Sample/modify/use however you want. Made with fl studio 12, edison, and xfer deltamodulator. If you use this in anything, please put it in the comments, me and other people may want to check it out!. .

F major scales without and with singers' formant at same loudness level sung by the same baritone singer. F-Dur-Tonleitern ohne und mit Sängerformant bei gleicher Lautstärke vom selben Bariton gesungen.

This wind sound i made using a formant filter and a panning lfo.

White noise equalized trying to match female voice formant frequencies.

Metallic ring to it, going nuts with a formant filter on top of that. Noise.

Artificial beep used for research purposes in the behavioral experiment (link to the paper: http://www. Ncbi. Nlm. Nih. Gov/pmc/articles/pmc3384222/). The sound was generated in matlab using binary click trains at the fundamental frequency of 330 hz and 100 ms duration, which were bandpass filtered with a bandwidth equal to 1/50th of the formant frequency using malcolm slaney's auditory toolbox. Formant center frequency was 6. 912 khz. The formant frequency was chosen to lie within rat and human sensitivity range.

Sequence running from a doepfer dark time through the formant classic synth in ableton 9. Reverb and autofilter was added.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Diboz throws a piano at his annoyingly ticking watch, which is ruining his sense of timing. Created in flstudio 11 with lightly tweaked flkeys, flreverb2, jangly (almost tubular bells) wasp xt layers and a pitch bent formant for a bit of spookiness. The ticking noise and deep notes were generated by fiddling with morphine's presets. Caution: look at the waveform. Don't turn up the wick. This piece starts quietly but there's a sudden, loud, jump scare.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

It's an all synthetized sound created on audacity. I wanted to recreat the sound of an ovni, but not one that makes people scared : like there is only one alien in this ovni but it seems pretty nice. I started by created a new audiotrack, then i generated chirps and keeping the default values. Then i duplicated the track and made a stereo track of both. I add wahwah effect on the track, changing and modulate the different default values (for example, highest dept and a lot of resonance). After, i add phaser affect on the whole track to make the sound a little bit more spacial. Then i normalized the track. Last, i raised the speed twice by 2. Then i saved and export my sound. ______________________________________________. D'après moi c'est un son répété formant un groupe tonique, au timbre harmonique acide,au grain lisse et dynamique.