Produced in reasynth then rendered then pitch shifted. The quality was put to the absolute maximum (somewhat to ridiculous degrees) as to provide maximuim headroom for pitch-shifting, headroom and to stop a form of foldback aliasing in sound from occuring - sustaining fidelity.
Recordings of a violin (performed by poppy crum) playing long sustained notes in various expressions; pitch, dynamics and express (normal, harmonic, sul tasto, sul pont) are in file name. Recordings made with a pair of neumann mics.
The end of a lead synth i made in ableton as part of my track "venture". The rise in pitch at the end is quite nice, i think. Hear it in the track here:http://youtu. Be/cncgyp7ta0y?t=1m43s.
I generate a sound f# 2 seconds. Then i created several silences in the track to the rhythms and sounds different (change the pitch of the sound). And i finally slowed down the tempo and accelerated speed. I selected it and i have made repeated 2 times.
Silly speed and pitch manipulation of a standard car horn to create a siren effect. More like a drunken car horn than a siren. Multi-tonal electric siren increasing and decreasing in pitch. Steady, long whine. Sounds like a child's remote controlled radio.
Made by generating a sawtooth tone and increasing the speed by 5 times, altering the pitch as well, slow it down (change pitch in unity's audio source) to get something resembling the distinct sound of a sidewinder locking growl. As per request of why485. Cc0 license.
Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).
Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.
