213 Royalty-Free Audio Tracks for "Preamp"

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of the sliding door, i followed the top of the door (where there was the most interesting sound) the full length of the wardrobe as i opened/closed the door. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

This recording was done early one morning in may 2012 in the middle of scotland. You can hear the usual sounds of the countryside at this time of year and day. The two front microphones were facing the river tay, the two back ones drummond hill. This is the sound those front ones captured. All of them microphones were audio technica at-3031 ones, connected to the rme quadmic preamp into an edirol r-44 recorder. To get a quadraphonic or surround sound you have to download both tracks (they are next to eachother on the list) and alter them the way you want. If you compare them, then it shows what a difference it makes where you point those microphones.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded a little before dusk, 2017-07-19. Recorded binaurally using sound professionals ms-tfb-2 binaural microphone headset, 12vdc battery box, sound devices mixpre-6 at 24/192. Postprocessing: digital gain, downsampled to 16/48. Flac: encoded. The rock formations here play appealing tricks with the sound of the running and falling stream. Facing out over falls dropoff, vaguely. A lot of digital gain (+30db?) was applied in postprocessing. The analog preamp was originally set to +21db on the aux-in (ch5/6) input, but this may not have been the optimal gain staging. See also schoeps ms stereo version recorded one month later, here: http://freesound. Org/people/chromakei/sounds/400404/.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.