48 Royalty-Free Audio Tracks for "Transient"

Transient sounds formatted for use in make noise morphagene. Recorded with zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Synthesized sound of hitting the kick drum's membrane.

Again, a different color of sound when snapping my fingers. Recorded with the dr-40.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

A lot of eq-ing, layering, and saturation was done on this snare, thought it sounded nicer than snare 1, but snare 1 is more malleable than this snare when it comes to mixing it, since snare 1 is way less filtered.

Hit a glass vase with my finger(s), mostly ankle has some nice accoustic. -last 3 hits of the whole sample. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

Transient manipulation of a drone-texture with a filter sweep applied on top.

Short samples useful to add transient accenting to sounds, can be layered with other samples, can be used to make drum samples, basses, organic keys, or stretched, reversed, sliced to create even more complex snippets.

Pitched punchy snare.

A variable noise attack.

Sound of a locker latch close on. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees, at the wc of the dining room of the poblenou campus of pompeu fabra university.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Quantized clicking sounds i made by pitching up multiple hi-hat lines by 48 semitones.

Wavefolded percussion raw with erbe-verb and mimeophon effects added. O-ctrl sequenced into mimeophon and partly held in places. Markers placed for morphagene. Enjoy and tell me about what you do with the set. Thanks.

Striking a wooden barrel with a thick wooden drum stick i have for large percussion. Minimal eq to remove useless frequencies below 80 hz, no boosting more than 2db, so very non destructive. No compression added. No permissions needed but i'd love to hear what you used it in!.

Stereo hydrophone recording of a small croatian harbor basin. Hydrophones submerged by approx. 1m, next to the bounding wall of the basin, facing the open sea. Lots of waves can be heard, in the onset, a small motorboat passes in the far range. Recorded with a pair of jrf series d hydrophones, spaced 18 cm apart with 0° dispersion.

Acoustic snare sample ripped from the stock fruity loops loop "pendulus" mixed in with a click transient from a free goldbaby sample pack. Resampled and compressed multiple times. Tape saturated. Hope you download! btw if you want, please show me what song you used it in! i'm quite curious to see what magical things people can do with this stuff.

Wavefolded byinstruo athru plaits percussion. Bias modulated by øchd, folding by maths. Markers set in reaper (mono). Came across this by chance as i was just noodling with athru for the first time. Let me know what you think of the set. Note. This is the second upload attempt, since the first didn't register (sorry admin).

Isolated percussive element from my "loud mechanical loop" file.

The sound of water dropping off drying ice, falling onto dry leaves. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Electronic snare drum #1. Suitable for dubstep, drumstep, electro, house, electro house, drum and bass, or any other edm genre. Modify/use however you want. Made with massive (fundamental tone), sytrus (stereo white noise), komplete 10, maximus, fl studio 11, & edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

The sound of water dropping off drying ice, falling onto dry leaves. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Another short transient of some celery being snapped. Nm.

Deep 808 style sine kick with added transient, lightly compressed.

Snare similar to virtual riot snares, has a drum transient at the start.

I am thwacking a pot on a table and there is water in it oh boy.

Basically layered a 200hz snare body, similar to a 909, low-passed and saturated. Added in a transient sound, then a certain impact sound that you wouldn't expect, layered together with some high end white noise, compressed, then used a transient shaper for that final touch.

Quick transient of some celery being snapped. I used it as someones nose being broken for example. Enjoy. Nm.

Gong-like sound struck with a medium felt mallet, producing a stronger transient than the soft mallet.

Saying round 1, lowered my transient.

200hz snare with a dulled out transient and really deep sub stab underneath it. :).

Transient foley/sfx layer. Sweetened up in rx8~-24lufs.

Synth loop sound, tones c3+c6, stereomaster, compressmaster, 2 eq, vocodex, exciter, transient, ring.

Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.

This is probably one of the best snares i have made yet. Hard transient, tape saturated, and squashed to bits, when played with very bright sounds and heavy bass, this really can handle it, and cut through.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

Electronic closed high hat #1. Suitable for dubstep, electro, house, electro house, drum and bass, or any other edm genre. Modify/use however you want. Made with sytrus (stereo noise), ni transient master, fl studio 11, & edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Created using tracktion waveform-10. I used 3 instances of the builtin synth subtractive, 1 was for the body of the snare the other 2 were the noise to try and replicate the wires of the snare, finally i used zynaddsubfx to create the transient. There was some eq applied to boost key frequencies in around 200hz and mastermix plugin to compress the audio.

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

All this time i´ve been doing a ton of drum samples from almost every edm subgenre, so, i took a transient from a house club kick and a sub bass i made by miself, compressed the hell out of them, distorted the sub bass and added the special sauce, the izotope ozone 8 to make a cool jungle terror kick. Note: you can expect from now seeing drum sampples in this page!!!.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

Recorded the sounds with a zoom h1n in my apartment. Snare is a flick with my fingers on a wooden door + added snarebuzz in post production to it, kick is a hit with my hand on the wall produced some nice lows. I had to create an another track for just the transient, but essentially made from the same sound. Hihat is the stove's clicking sound with added reverb. Post production made in ableton live lite with mostly the integrated audio effects, but i also used some free plugins to create this drum loop. I hope you enjoy, it's 100% royalty-free.

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.