43 Royalty-Free Audio Tracks for "Snippets"

Acoustic guitar with in-the-hole pickup. Recording slowed down and two octaves lower. Source for drone uploaded the same day to here.

Drone made from a recorded acoustic guitar. Two octaves lower. Approximately 90 bpm (or 120/180 bpm). . . Simple pattern but now its more dark and sinister. . .

Little 100bpm arp beat/loop i created with the stock fl studio sounds/instruments.

Flute soundtrack cadence from an old public domain movie. For film or video.

A piece of junk that i originally came up with to open a track. It's yours now!.

Captured using a røde nt5 microphone and a zoom h5 recorder. Date of the recording: 27/03/2017. Cut in ocenaudio.

Short samples useful to add transient accenting to sounds, can be layered with other samples, can be used to make drum samples, basses, organic keys, or stretched, reversed, sliced to create even more complex snippets.

A tiny snippet of some random kitchen noises. Captured using the zoom h5 with its included xy stereo microphone. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know!.

Voice sampled in arbhar mixed into erbe-verb morphagene beat sample. Dream conversation like in the call of cuthulu warped voice much tension. Recorded into reaper, rendered at 48khz 32 bit fp wit markers for morphagene. Enjoy! if you like it, let me know.

Recorded with a zoom h-1 v2.

Created with steinberg's cubase and custom halion. Processing a voice sample of mine and some coil pickup recordings. It should be an a fifth chord. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

Snippets from an old interview.

Experimental complex short snippets.

A snippet of a jam session.

Slice of sound from one of my audio projects. A bass sound. Edited in audacity.

Raw snippets of vocal found in folder. Recorded years ago with shure s58 for not finished song of mine.

This is a looping ringtone that is the 1st of a set of electronic snippets inspired by my recent database course. This is created in garageband.

This is the 3rd of a set of electronic snippets inspired by my recent database course. This is the only piece that does not loop. Created in garageband.

A breaking glass sound. Originally created as a sfx sample for a song. A combination of snippets from two separate public domain breaking glass recordings, plus envelope shape manipulation in audacity.

Formatted for the makenoise morphagene. Consists cut-up collages and nonlinear loops. Combines public domain sound snippets with electronics. Best dive into the micro-sound level.

Guitar, vocal and misc snippets from a conversation on msn with my friends josh beeber and joey murphy.

Walking through a pedestrian tunnel under a railway track. The recording includes some glitchy noises, snippets of conversation, dripping water, footsteps, clangs, etc.

(loud) my own interpretation of what the doom shotgun in 2017 would sound like. Created, by me, with minuscule snippets of audio from the original sfx alongside my own custom-made audio and audacity. Use however you see fit.

Short snippets of voice demonstrating the acoustics of different enviroments: a normal living room with hard floors, a bathroom, and a studio treated for sound. Recorded with a handheld recorder (omnidirectional microphone) held at arm's length, mono.

This is the 2rd of a set of electronic snippets inspired by my recent database course. This is created in garageband and intended to be another looping background audiotrack for computer games. Feel free to contact me if you need (or want) any particular variations.

This is a sound made to represent an abstract mass of people. It is mostly made with 100 blips made from using a phasor as an oscilator, so basically a saw tooth. There is some snippets of voice thrown in too. This sample is public domain, ignore the cc license.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Recorded 8 dec 2013 with tascam dr-100mkii, using only built-in stereo unidirectional mics. Distance from icicles approx 2 meters. Icicles occasionally break off concave cliff face in the sun; cliff reflects sound from behind recorder of people walking by on stanley park seawall, bicyclists, snippets of conversation. Light breeze riffles the ocean behind (mostly unheard). 3:26 with fade-in and fade-out.

I got caught in a freak rainstorm whilst hiking a bit ago, but luckily had packed my h6 in my bag and was able to get some good little rain snippets! there's some super close sounding droplets hitting leaves, some wider pouring rain, and a bit of hand-held noise unfortunately, but i figured there's a little something for everyone here!. Recorded on zoom h6n with xy 120 degree pair.

A soundscape from my debut album, "summer crickets. . . " takes several field recordings of rural summer ambiance and mixes them with my own acoustic guitar strumming. I also mixed in some am radio vocal snippets, resulting in a unique ambient piece that relaxes and unsettles simultaneously. -recorded entirely with tascam dr-03 at 48 k / 24 bit.

Copenhagen street. People milling, cars passing, snippets of conversation in danish, birds and aiplanes overhead. Recorded from a second story windowsill near copenhagen's (københavn's) king's garden (kongens have). Stereo mics, internal, tascam dr100 mk3. Internal lowcut at 120hz. Minor eqing done after the fact. Sound is fully loopable. Enjoy!.

8-bit inspired battle theme. This is a part of a soundtrack i made to the legend of zelda - ocarina of time. Yes, it already has a soundtrack, but i made a new one. And you can use all the songs for your own game (or whatever else), download the whole soundtrack here: https://kbrecordzz. Itch. Io/ocarina-of-nice. (everything is released under the creative commons 0 license).

24 bit sample, direct to sound card, volume adjusted to remove peaks. . . Sound is a long recording of static and crackling noises with random notes and music from a circuit bent musini toy. I honestly don't know if the static sound (activated with two body contacts) is classified as "white" or "pink" noise, but i really like the sound of it! a plethora of crunchy, crispy, noisy snippets to transform into a drum kit or something like that!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tanpura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them; strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" is experimenting with running up and down the strings. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Vocal, speaking, and audio snippets of interviews of visual artists that i did as part of a collaborative music project in 2018. The idea was to chop up and use these samples for a trance / punk form of music - which we jokingly called prance music. I used some, but never released any music with it in the end. Maybe one day i will, but in the meantime - i hope you can find some use of these.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

This is a simple recording of the passing crowd in the heart of the latin quarter of paris, france, on a wednesday evening between christmas and new year's eve. The recording was made at the corner of the pedestrian xavier privas and huchette streets, with the mics aimed diagonally across the street, about 4. 5 feet above ground. By a happy coincidence (i'd like to say that i engineered it, but i didn't), this sound file loops seamlessly. The clip includes the sounds of many people passing by (the area was very crowded), and some snippets of conversation, mostly in french, with a few other languages thrown in. Some faint traffic noise can be heard on the left, from the busy quai saint michel street along the south bank of the seine river, at the north end of the xavier privas street (left of the mics in this recording). Recorded with a hand-held zoom h4n, stereo, 96 khz / 24 bits, built-in mics.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.