26 Royalty-Free Audio Tracks for "Sbroperaproject"

Stevl's dream story, raw audio.

Single oscillator + filter feedback patch, chaotic electronic noise.

Here's the story, where everything's started, i was 5 years old, it was in a café in paris and didn't know at the time that will make me a musician.

A sound object for sarah belle reid‘s opera project. Opera organism is an evolving brassy drone sound. Equipment: native instruments reaktor5 ensemble designed by rick scott. The sound that gives time its depth.

A sound object for sarah belle reid‘s opera project. Short intermezzo. This object can be tailored in three different parts - if needed. Equipment: ni kontakt and spitfire sample library. The sound that gives time its depth.

I am telling the origin story of the stick, a story of mystery and magic told in a matter of fact style. I tried to imagine someone asked "where did you get that stick?" and then just went for it, hope its ok :).

A sound object for sarah belle reid‘s opera project: a sequence of mostly percussive sounds - you can use the whole object, different parts or a individual sound. Eurorack-equipment: mi marbles, mi elements and mi rings. The sound that gives time its depth.

Home recording of my story when working in tokyo. One day i went to a record store and came across an album with a cover picture of my home street in the uk that reminded me emotionally of home and now 20years later reminds me of that afternoon in a record store in shibuya.

For the sarah belle reid opera project, a sound from my youth, the priming of an inhaler for asthma.

For the sarah belle reid opera project, a sound from my youth, the use of an inhaler for asthma.

This is a short sound i created from snippet of very old recording (pre war) of an old parisian song : la java bleu.

I am playing a 9ft long log of ash wood (fraxinus excelsior) that i cut in half and hollowed out then stuck back together 15 years ago. While i play it i am remembering when i cut it and the place it was growing and the reason i felled it, and remembering when i revisited that place 7 years later and saw the tree growing back so well from the cut. I am remembering/dreaming about all the other times i played it and the reasons why. I am "future dreaming" of what will be its part in the space opera and what effect it will have as well :).

Filed for sbr's opera project.

Voices and sounds pulled from a home video recorded to vhs. Chasing and loving on dog from childhood and a washing machine being turned on.

A dandelion tupe can be played and sounds so fragile.

Recording of my kitchen sinck wich has a lot of dream potential.

My hand water pump at the summer house south of sweden. Where i dream a lot.

Performed on a 1. 8 bamboo shakuhachi in a room with a few hanging gongs. 48khz/24bit zoom h4n recorder.

Recalling the moment i realized the source of a recurring nightmare as a child. Recorded for the sarah belle reid opera project.

A submission for sarah belle reid's opera project collab for patrons. This is an amalgamation of walking through the night grass and some deep meditative breathing.

Wherein my mother tells a story from my childhood, when i had my own schrödinger's cat moment. Recorded for the sarah belle reid opera project.

A description of a dream about sorting through childhood/teenagehood mementos and being hurried to meet an older relative/ancestor.

This is a field recording of a tokyo subway train announcement on arriving at a station in 2001. Invokes strong memories of my time working in tokyo.

My field recording of a crow at saltwater state park, wa. Processed through delay.

This is a submission for sarah belle reid's collaboration prompt for her forthcoming electroacoustic opera. It comprises a dry recording of a male voice reading the following original text describing a moment from a dream:. "this is a story about dreams. It is not about a specific dream, or rather while it takes place in one dream it is about many. From time to time in my dreams i am in a city. Not a particular city, like paris or chicago, but the events of the dream happen in a setting which includes tall buildings and crowded streets and views of the sun setting behind a busy skyline. One time, while having such a dream, i was standing on an arcing bridge over a body of water like a river or canal. The late afternoon sun was to my left, and the warmth of the sunlight contrasted with the cool breeze off the water. As i looked across the curving expanse of water, i was mesmerized by the bright reflections of the sun on the water, on the glass of the windows, across this expansive space. I realized with a start that i recognized a cluster of buildings across the way. I had seen them before, in another dream. In that dream i had been a different person. Rather, in most all of my dreams i am in some way myself, but entangled in a moment from some other life, surrounded by characters and pursuing concerns that are alien to my waking being. In that moment, in this dream, i came to understand that all my dreams that happen in a city are happening in the same city, the same geography and architecture holding dozens of episodic lives i may have between sleeping and waking. ".

My field recording from the beach at saltwater state park, wa. A young boy playing in the surf. Original sound processed via delay and reverb.