866 Royalty-Free Audio Tracks for "Produce"

Wav_48khz_16bit_30"i have tried to produce "clean big hard rain" sounds for video illustration. For that purpose i have worked on a mix of several tracks:here is a mix of 3 rain sounds. You will find a second one to downloadmix of 2 rain soundshardrain_mixdown_v2. Wavps: i regret a distant airplane rumble. Is it possible nowadays to make a sound without a plane? grrr.

Sound file of opening of en:Toccata and Fugue in D minor by J. S. Bach. Needs replacement recorded on an organ--can anyone provide this? Digital recording produced by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry

Three snaps aligned together with reverb added for percussion or whatever. I made it for producing and i thought i'd put it up on here. I don't know what any of these licenses mean, so use it however you want, and don't feel like you need to credit me unless you really want to. Feel free to rate and comment. Enjoy.

A sound produced at a supermarket. A rolling dray rolling along in the supermarket. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 22824762720743lon: 10. 403194427490234. Date: 2013-11-21, 14:45h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

I produced this sound using massive exported through fl studio 20. Clean 808 bass sound sustained with no distortion, no bs, just that thing that makes your speakers jump. Feel free to use this any way you like. I am interested to hear what people do with it so if you post a link here i will definitely listen to it.

I had no part in producing this sound. A girl entered a vehicle and masturbated herself to climax. The story i heard was a lark on a dare, in broad daylight on a sanitized shift knob. The really interesting part was, it wasn't a car owned by either of the girls involved, the darer or the dared, and in fact the owner would have been very upset. If he'd known. I guess she did have access to the keys.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 2 is the organ track, with funky delay.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the pad synth line, created in Arturia's Jupiter 8 softsynth.

A sound produced at a construction area close to the leuphana university. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: construction area. Lat: 53. 22824762720743lon: 10. 403194427490234. Date: 2013-12-05, 13:44h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A sound produced at a supermarket. A muesli packing was shaken. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 22824762720743lon: 10. 403194427490234. Date: 2013-11-21, 14:12h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

A 1khz wave, often used as an effect for a flatline, test pattern, censorship, etc. This one more for effect (such as a movie) than a test tone. There's a nice stereo effect to make it more exciting, made by producing it as a sine wave for the left channel and a triangle for the right. The sine wave is at a slightly lower volume to make the 1khz fundamental the same volume level in both channels.

Created by our inhouse finetune music studios artist - dj rds - this drums pack is to help all creators / music producers / artists. Feel free to use / reuse the tracks in this pack for any of your projects. Watch out for this pack as we would keep adding more copyright free music and loops to it.

A sound produced by shaking a muesli packing. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 227168618533454lon: 10. 401413440704346. Date: 2013-11-19, 13:48h. Recorded by: julia rehfeldt, wiebke stein and laura medrowedited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 1 is the gliding lead, recorded on the U-He Diva softsynth.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 1, the main riff of the song, created on the freeware (open source) softsynth "Crystal"

This sound is produced by the closing door of a refrigerator in a baker's shop. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: bakery. Lat: 53. 2270931511lon: 10. 400965511799996. Date: 2013-12-04, 13:51h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A sound produced at a construction area close to the leuphana university. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: construction area. Lat: 53. 22824762720743lon: 10. 403194427490234. Date: 2013-12-05, 13:39h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Why does everything i upload sound like people screaming and/or chainsaws!?. Sound source is a contact mic producing feedback into various fx. The main fx used for the clip are a sirkut electronics gnarler, boss metal zone, dod grunge, and finally, a danelectro french fries auto wah. Recorded direct-to-sound card as usual. This is a sample taken from a longer piece.

I tried to mock the sound of spinning the chamber of a revolver for a game. Didn´t find anything that fit my needs so i tried to produce one on my own. It´s a ratchet, spun once and played with about 150% speed. No attribution needed, all rights waived - just send me a message if and how you use this sound!.

I have a lot of old hard drives, some of which are still working and others are damaged. My project is collect the sounds produced during start-up. To do this i use a digital recorder zoom h4n using the two incorporated microphones and two 'diy'ed contact microphones additionally. This here is the sound of a western digital caviar 32500 working fine.

A processed audio of tropical cicadas during the evening (6 pm). A few background noises slipped and were unable to be removed during audio processing stage (around 2. 3 khz and bellow were removed). These tropical cicadas are active during the evening. These cicadas are able to produce calls above 2. 5 khz. This audio was recorded around 25-50m from the source.

This is a recording from clearwater beach, florida, usa, made on november 07, 2014, from the gulf of mexico on a windy day, just before the tide came in. I made this recording while standing in the sea, where the waves were at about waste height. This was produced with a zoom h6 recorder and it's x/y microphone module.

Really hard rain and hail--about the size of airsoft pellets/peas--with occasional rumbles of thunder. Then, at 1:48, there was a huge lightning strike nearby which produced a very loud burst of thunder. Captured from my front porch during a summer storm. Recorded on a windows x8 phone and left as-is. If you use it, shout-outs welcome: production-now. Com.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 4, the drum machine, created in Arturia's Spark.

This sound is made by my old continuity meter when the contacts are moved around. The clicking sounds similar to that of a more modern geiger counter or dosimeter. I have heard a few over the internet and some of them produce a beeping noise when the max range of radiation level is reached. Please feel free to used this sound. And remember to rate and comment. Thank you.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the bass line, created in Arturia's Jupiter 8 softsynth.

Grunting baseline and electronic black noir percussion produced using instruo cš-l and dpo, passed through envelop of qmmg using maths and erbe-verb. Rendered in reaper at 48khz and 32 bit fp for morphagene, because i love all you users of makenoise and morphagene so very much. Enjoy!.

A sound produced at a supermarket. Two mineral water packings were rubbed against each other. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 22719350668838lon: 10. 401433557271957. Date: 2013-12-05, 13:44h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Download and loop. Boom break at 128 bpm 44khz 16bit wav produced in fruity loops using freesound samples and on board generators with customized effects. Freesounds used:. 131770 - bertroff - sub kick169788 - bliss - snaps173164 - bliss - kicks173163 - bliss - snares. All ran through effect chamber, amplitube classic 80's reverb.

I was recording wind that blows in my window, but the zoom h2 placed on a (cheap) mic stand after some time started to bend itself downwards. It hit the curtain/drape in my window and rubbed itself against it until reached the lowest position - the mic stands arm stopped gently as it started. This produced a very interesting sound that i totally didn't expect to find on the recording. Edited with audacity.

Wine glass, tuned with water, rubbed with wet finger in a circular motion to produce sustained tone. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity to make a seamless loop. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:. Cakewalk by bandlabreaktor 6audio editor wavosaur.

Horse racing: a girl wearing a tap-dancing shoe ran on a wooden board, tapping her instep and heel at different moments to look like a galloping horse. Horseshoe sound as it runs. Recorded with a shotgun shure vp89 microphone, behringer u-phoria umc404hd sound card, in adobe audition. The sound was produced in a foley class with the intention of making some sound from the tap shoes. The audio was recorded in the foley classroom of the multimedia course at ort brazil school.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.