12 Royalty-Free Audio Tracks for "Real Horns"

Real horns. Trumpet, alto, tenor, trombone and bari sax.

Real horns. Trumpet, alto, tenor, trombone and bari sax.

Real horns. Trumpet, alto, tenor, trombone and bari sax.

Croaking frogs, maybe a dozen frogs. Very clean audio. They sound much like small horns but it's the real thing. Recorded in the mote at the fort in st. Augustine, fl.

Music i made in garageband for something called victors crypt. Use it to what you wanna. It's electronic but with elements of "real" instruments to make it more spooky and mysterious. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

A tune i made on a string instrument in garageband for something called victors crypt. There's a lot of reverb and chorus on it to make it sound real spooky. I think it could be used for something horror-like or mystic for instance. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Various sound effects from children's toys edited together. All are on a low quality speaker, but are usually unique. All spoken word sounds as well as specific things like laughs or animal sounds are in different sounds. They range from real sounds like cowbells and car horns to blings and ascending synth sounding noises for a correct answer. (some tags describe one or two sounds in a long list, so listen to all of them if you're looking for something specific).

A short exciting tune i made in garageband for something called victors crypt!. I feel that the music has the emotion of delusion. Like you don't really know what's real and what's not. Could be useful in anything dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A train coming and hitting a guy that couldnt get out of the way. Scary but I dont think this is real.

A long single foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. Sounds surprising like a real foghorn in the distance.

A long echoing foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. This is the best of the foghorn sounds i recorded. I think it sounds surprising like a real foghorn in the distance. Nice long reverb/decay after the main sound is over.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.