32 Royalty-Free Audio Tracks for "Renaissance Music"

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00:48
Pavane (Belle qui tiens ma vie) of Thoinot Arbeau (Renaissance composer), played on a grand piano in meantone temperament Vierstimmige Pavane (Belle qui tiens ma vie) des Renaissance-Komponisten Thionot Arbeau, gespielt auf einem Konzertflügel in mitteltöniger Stimmung
Author: Membeth
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01:53
Retrobem la Nostra Música CD nº 21
Author: Coral Catedralícia de València
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00:11
Chorale voice men dont you cry.
Author: Aisselles
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00:09
Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:09
Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:09
Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:09
Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma D z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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01:16
Adriaen Willaert: Le dur travail.
Author: midi sequence by Ricardo André Frantz (User:Tetraktys)
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00:55
Orlando Gibbons: The silver swan (1612).
Author: Arrangement and new midi sequence by Ricardo André Frantz (User:Tetraktys)
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01:34
Parsley's Clock, using the sound of recorders instead of viols
Author: composition by en:Osbert Parsley (1510/1511 – 1585), file is own work produced by User:Amitchell125
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00:59
A bit sad but beautiful string arrangement. Great background track for games etc. If you use in a real project, i'd be happy to know :)(no credit required).
Author: Theojt
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01:04
Heinrich Isaac: Innsbruck ich muss dich lassen.
Author: midi sequence by Ricardo André Frantz (User:Tetraktys)
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02:47
Amicus meus by Tomás Luis de Victoria
Author: Tomás Luis de Victoria
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00:27
Chorus and beginning of verse for "Revecy venir du printemps"
Author: Makemi/ Claude Le Jeune
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02:02
Unus ex discipulis meis by Tomás Luis de Victoria
Author: This file is lacking author information.
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03:37
I made this midi file; it is a performance of an In Nomine by John Bull, an English composer who died in 1628.
Author: No machine-readable author provided. DavidCooke~commonswiki assumed (based on copyright claims).
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05:41
I made this midi file; it is a performance of an In Nomine by Orlando Gibbons, an English composer who died in 1625.
Author: No machine-readable author provided. DavidCooke~commonswiki assumed (based on copyright claims).
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01:50
Made with music maker's digital keyboard and dn-1 virtual synthesizer. A deep, dark, foreboding sound with a pinging signal sound in the background.
Author: Esistnichtsoernst
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00:08
Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:19
MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.
Author: Future Perfect at Sunrise
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01:31
Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005
Author: Trisdee na Patalung
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00:11
A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.
Author: Waxsocks
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