153 Royalty-Free Audio Tracks for "Repeat"

Monks practice their ceremony in a monastery in nepal. They repeat a mantra and use drums. Recorded with zoom h2.

Fragment A selection of scales that repeat infinitely either up or down. Produced by Kevin MacLeod in 2005. Dedicated to the Public Domain December 2008. - Kevin MacLeod

The sound of a hand knocking on a door, with different forces and surfaces. You might be able to repeat the sound to achieve a consistent knocking.

Loopable sound that i created as a ringtone designed for callers you don't want to mistake with others. Lol.

Various samples manipulated and put into patterns for you listening pleasure. Dark room and headphones. Press play and repeat.

My take on this minimalistic tape music piecerepeated 3 times, sent through 6 reverbs. The last repeat is the 6th reverb alone.

When you repeat the sound again and again it will be a good ( but not fantastic :d ) sound for a start (example :a racestart ,a countdown ). :d.

My brother loves to eat salt with lemon, so i listened to the moment when he added the salt and made him repeat the sound of the salt shaker.

Stereo recording. I put an effect wahwah ( frequency 1. 5; phase departure 0; depht 70; resonance 2. 5, frequency wah 30%. I change the tempo (-12) and repeat the sound five times.

Use this sound when a cute character is tip toeing or walking very slowly. Use in order from 1 to 4 and repeat.

I designed an educational game where we had a spinning wheel, ala 'wheel of fortune' i created this sound to repeat as the wheel was turning and hitting each element.

Another song made in musagi. It loops from a certain point, and i made it repeat twice and fade out. You can insert more repetition with a sound editor.

Chopped up a splice loop, added additional one-shots & tons of resampling, adding fx, then more resampling again. A study of construction, deconstruction, and reconstruction; rinse & repeat.

Children singing twinkle twinkle little star in the church with triangle accompaniment in finnish language. They repeat it three times louder and louder. Recorded in finland in 2017 with zoom h2.

I generated a square tone with audacity and applied a few effects to it, mostly wahwah i think, and faded in and out. If you repeat it, it makes a very believable sound for an old video game machine.

I repeat minecraft steve and sans undertale for 3:24 minutes while having a panic attack and trying to eat peptol bismol before proceeding to question why they were so fuckin nasty.

Generate a sinusoid at 150hz and a whistle repeat once which is inverted. Modification of the envelope to create a fade in and fade out. Between the 2 whistle, modification to have no jump. Then generate a tone and placed it like the gradation with the whistle.

Exactly one complete wavelength of a 1-hertz sine wave. In audacity, you can use the repeat effect and then the change speed effect to generate any frequency. It is not meant to be a usable sound in its current form.

Hard house style loop programmed in ableton. Straight 4 on the floor with a big kick and a top end break run through an auto filter and beat repeat for a glitchy random sound. 4 bars at 133 bpm.

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

Create sci fi machine from cognito_perceptu's "helicopter-takeoff. Wav" sound: audacity (sound is stereo) - cut 29. 0s to 30. 0s. - effect→tremelo…waveform type: sinestarting phase: 0wet level: 50frequency: 10 hz- effect→echo. . Delay time: 0. 01decay factor: 0. 6. - effect→repeat. . . Number of repeats add: 22.

I don't know what kind this was, but several red-headed woodpeckers appear at my feeder. I got just one series without background traffic noise. If you want to repeat it for effect, each series came 46 seconds apart. Probably how long it took him to eat the bugs he turned up.

Create dĩa bay dừng lại sound from sieuamthanh’s «dia bay" sound. Audacity:. - cut from 0. 000s to 0. 500s. - copy. - create→add new→stereo track. - paste in new track. - effect→sliding time scale/pitch shift (repeat 4 times)initial temp change (%): 0final temp change (%): -90.

I created this sound that look like a rattlesnake sound thanks to a tambourin and cymbal record. I made repeat those two percussion three times. When one is finish an other one start, and this 3 times. I added between them an effect that end the sound and start a new one.

I sampled the bell tree at our church. After seeing how much the instrument costs at the music store, i opted to not buy one. The long version of this moves from left to right, and has the single sample repeat twice. So it begins on the left, has a delayed start in the center, then finally a third repeat starts on the right. Add liberal amounts of reverb, to taste. If you use this in a film, or game, or in music, could you please let me know in the comments? i don't mind sharing stuff for free, but the compensation i get is learning about people using and appreciating the sounds. Thanks!!.

I generated a square tone with audacity and applied a few effects to it, mostly wahwah i think, and faded in and out. It's the same as "machine. Wav" that i've uploaded, but louder. If you repeat it, it makes a very believable sound for an old video game machine.

Reworking the blue screen of death sound in audacity. -------------------------------------------------------music used: mf doom - one beer (https://www. Youtube. Com/watch?v=6jd0vicl4og)adjusted the repeat rate using a 50 hertz square wave tone. I hope this sound is realistic, but for you it might be scary.

This ringtone is a very quiet sound and is intended to stand in sharp contrast to the hectic world. It is intended that you only sense it at the beginning and only become aware of it at the end of its melody. Important calls repeat themselves anyway and you are saved the unimportant ones. 😁.

A beat loop i remixed from two other freesound files (btn006. Wav by junggle and light-switch. Aif by dropthedyle). I changed the speed slightly, and pulled together the rhythms so that i could copy-paste or repeat it in audacity without having to trim out hiccups. It's 4/4 time, just a little faster than 60 bpm.

I recorded some sounds in my school with voices, then i added a percussion record and i made them repeat several times. This make a sound to show that one sound can be louder than an other and make this sound unique. When you talk to someone you heard all noises around you but you really listen to what he is telling you.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

I built it because i could. It is fitted with gliding linear slide carriage bearings, has a counterbalanced offset crank with needle bearings, a jackshaft to drive it from a variable-speed dc motor, and even a variable stroke length (which was tricky). Above all it has something i haven't seen in any of the machines one can buy, a bendable, collapsible coupling that would prevent injury to whomever is on the receiving end of the stroke. Clearly it will never be placed into production as it would cost too much to sell at a typical consumer price level. May all be for nothing because i can't get anyone to let me try it out, and i'm only accepting female applicants from among people i know. It's my machine. Sue me. This file is a 30-second-plus repeat of "v1-reciprocating machine. Wav. " downloading that file and using the repeat feature in audacity will generate any length file you please.

How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.

One sample run through lots of effects, but a large part of the sound is made by running the sample at really fast repetitions, so fast it just becomes a tone. That and making the sound repeat in fractions (?) or something like that. Like one trigger is 5 times and then the next is 3 times in the same space of time. Etc. Created by mangling a sample in reaper's js scripting language.

Grudge movie croak sound interpretation. The sound was created using my own voice drawing in air while croaking. It was recorded using mixcraft 6 and a samson q1u microphone. The only effects used were a delay set to long repeat, a touch of reverb while mixing and some compression while recording. But the sound is my voice, in fact all the sounds i upload here are self made. :o).

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

Ever wandered through a spanish street market? the sound will be familiar to — very possibly all too familiar! this recording was made so close to the offending mechanical toy, that it has even picked up the noises of the mechanism itself. There is a small amount of background noise. Seemingly unnecessary period of silence included is the exact cause before the next outburst of squeaking. Set repeat function on your sound editor recording.

Originally contributed by freesound user juskiddink, this series of two blasts on a finnish birch bark horn has been shortened and tightened for use as a ring tone. It's a long, organic and haunting two-tone call echoing in the forest night; a clear alternative to the mechanical and tightly musical ringtones out there, and one i like a lot. Edited to wrap nicely for a continuing repeat.

Set computer volume level at normal. Using headphones or your speakers, play each tone, gradually decreasing the volume until you cannot detect it. Note the volume setting (i know, this isn't easy if you don't have a graduated control, but you can make some arbitrary levels using whatever indicator you have on your os). Repeat with next tone. Try the test with headphones if you were using your speakers, or vice versa. Fyi: http://en. Wikipedia. Org/wiki/hearing_range.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

goldie the wild boar eat some nuts. Well, ther is a highway nearby and a lot of pedestrians with bikes and dogs and so on. Should repeat this on a sunday morning to get a clear sound of goldie. Recorded with a zomm h2 on 90degree, 2 meters away from goldie. . . I lowered the peaks to get a better normalization of the whole atmosphere. Goldie lives in the alluvial forrest in leipzig, mostly seperated.

I needed the sound of a plastic recycle bin being rolled out to the curb. I set my zoom h1n on the sidewalk at the end of my driveway and - in two trips - rolled the cans out to the curb. You will hear me walking to the cans in the right channel, the garbage bin is rolled from the right channel to the center-left. Then repeat for the recycle bin.

I produced this strangely satisfying sound by dropping a watermelon-shaped canning tomato into a dishpan full of water. Have to get that just about right to get this result. For my purposes i needed to repeat it, but you can do that. It's unlikely that two objects tossed into liquid will sound exactly the same, but it's possible to modify one of the two "ploops" by changing amplification, pitch and even to shorten the waveform to make them sound different. If you need that done let me know.

I composed a fairly long midi loop of chord progressions & let each section repeat twice. Then i layered a bunch of return tracks of the same line with arpegiated outputs played with straight, quarter note swing eight note swing, 16th note swing, & 32nd note swing all played together. The output was then compressed, heavily chorused through multiple fx devices, and stereo panned into the nonsense you hear. If you use this please comment a link, i don't need/want credit i'd just be super curious to see what you did with it!.

Create hanna barbara jetson's car hover sound (but have stereo sound) from westington's "skiffy9. Wav" sound:audacityfor left channel:- cut silence before (0. 000s to 0. 046s), middle (0. 096 to 0. 228), and after (0. 301 to 0. 449) sound. - cut middle part 0. 130 to 0. 600. - effect→change speedspeed multiplier: 0. 800percent change: –20. 000. - effect→repeat. . . Number of repeats add: 250. - effect→equalization(18 db; 20 hz)(18 db; 800 hz)(–18 db; 2000 hz(–26 db; 11 000 hz). For right channel:- tracks→add new→mono track. - copy left track and paste at 0. 010 s in right track.

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This take has multiple repeats of the sound (a different take i have here provides just one repeat of the sound). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This is one repeat of the sound taken from a larger sound i've provided in this archive (which has repeated takes). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

I don't often go for fast food, but my bf thinks it's great. So; the counter girl looks exceedingly odd, as in pink hair, hook nose, wild eyes, no boobs, etc, and he orders what he wants with something at least close to this sound. She smiles and nods. He claims he got what he wanted. . . A big mac, no pickle. I asked him to repeat his order for my recorder. Three times. He did. All three were identical. It's possible he knew her and it's an inside joke. Or, maybe what he got was the default when they can't understand you. He is a linguist, which does not prove he spoke a real language. He also looks a little strange which does not add up to proof he's a venusian. That's what he said it was, and i couldn't stop laughing. It does prove he's entertaining, and he's pretty weird.

I built it because i could. It is fitted with gliding linear slide carriage bearings, has a counterbalanced offset crank with needle bearings, a jackshaft to drive it from a variable-speed dc motor, and even a variable stroke length (which was tricky). Above all it has something i haven't seen in any of the machines one can buy, a bendable, collapsible coupling that would prevent injury to whomever is on the receiving end of the stroke. Clearly it will never be placed into production as it would cost too much to sell at a typical consumer price level. May all be for nothing because i can't get anyone to let me try it out, and i'm only accepting female applicants from among people i know. It's my machine. Sue me. This file is only 2. 6 seconds in length. If you use audacity to repeat it as i did, it will mesh perfectly together to give you any length audio file you want. I did that to produce "v2-reciprocating machine. Wav. ".

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.