194 Royalty-Free Audio Tracks for "Research"

This is a sound of one of a computer mouse which is used at mtg (upf). Mtg is a research group specialised in audio signal processing, music information retrieval, music interfaces, and computational musicology. Learn more at: https://www. Upf. Edu/web/mtg.

This sound is produced by a powerful computation machine at cbc (upf) for the brain cognition experiments. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

A recording of a dry toothbrush moving across teeth, with the handle hitting against some of the teeth at the latter-half. Ends with a spit. Created on 04/17/2021 with an h4n and sennheiser shotgun mic.

This sound is produced when manipulating a hat with electromagnetic sensors which is used to measure the brain activity. This hat is from cbc (upf) for the brain cognition experiments. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

While i was recording the atmosphere of a park in tokyo, a helicopter suddenly passed over me. It didn't seem to be an attack chopper. Relieved. Somebody walked by in this very moment. At835st set to wide stereo mode and korg mr-1.

This is a sound recorded with a handcrafted electromagnetic microphone. The machine recorded is used for computation tasks at cbc (upf) for their experiments on brain cognition. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

Boiling liquid, this was used in a cooking sketch on www. Kidscast. Co. Uk, feel free to use as you see fit. If you change it in an interesting and useful way, remember to put your result back on freesound for all to share. Ta.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

I recorded this sound at the steam-locomotives preservation park in kyoto, japan. Roar of steam whistle was much louder than i had imagined, so it was necessary to set the gain level of mic-preamp carefully. Using at825 and fr-2.

This the sound of a machine called cnc from the berg (biomedical electronics research group). A cnc (computer numerical control) is the automated control of machining tools [1], and in the berg is used to craft electrical hardware for biomedical projects. [1] https://en. Wikipedia. Org/wiki/numerical_control.

This is a sound of a cable jack being connected and disconnected from an input at mtg (upf). Mtg is a research group specialised in audio signal processing, music information retrieval, music interfaces, and computational musicology. Learn more at: https://www. Upf. Edu/web/mtg.

This is a sound recorded with a handcrafted electromagnetic microphone (that is why is in mono format). The machine recorded is used for signal processing tasks at cbc (upf) for their experiments on brain cognition. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

This is the sounds that produces an adaptable chair commonly used at mtg when it is moved. It represents a common sounds in the mtg soundscape. Mtg is a research group specialised in audio signal processing, music information retrieval, music interfaces, and computational musicology. Learn more at: https://www. Upf. Edu/web/mtg.

Various pieces of landscaping (large earth-moving) equipment on a multi-acre site being developed for condominiums and a mall. Beeps from distant machinery such as a roller as well as closer passes by a dumptruck and two spreaders pulled by john deere tractors. Morning background sound of birds as well.

Adult-size scissors cutting regular white copy paper. Variety of cut lengths. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

This is a sample of the marytts voice synthesizer using the hmm (hidden markov model) technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.

Sonidos proyecto sias salida 1field recording of bogota city in chapinero locality, around 39 and 42 street, between 7th end 16th avenue. This is a part of a research called "information system about sound art in colombia"recorded with zoom h1 at 44100hz - 24bits, by rodrigo díaz sánchez.

This is a sample of the marytts voice synthesizer using the unit selection technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.

At a tv game show was a question about numbers station. Because i've never heard of that i did some research. After i was kind of fascinated. So i decided trying to make my own sequence of a fake station. I used audacity, musescore2 and some public domain sounds.

I have to regularly gargle some horrible mouthwash as i've just had my adenoids removed. Sony ecm-ds70p mic to a sony minidisc mz-n710 acting as a preamp into my edirol ua-25 audio interface. Flickr picture: http://www. Flickr. Com/photos/str33ty/391967617/.

Camera noises. I pressed shutter button of nikon f4, which i bought 15 years ago. It is full-automatic action, and you can hear splat the shutter makes, motor-driven film winding-up, and slight harmonics its aluminum chassis plays. I recorded it using audio-technica ae5100 connected to presonus firepod.

This the sound of an entire working process of a machine called cnc from the berg (biomedical electronics research group). A cnc (computer numerical control) is the automated control of machining tools [1], and in the berg is used to craft electrical hardware for biomedical projects. Learn more at: http://berg. Upf. Edu/[1] https://en. Wikipedia. Org/wiki/numerical_control.

Heard this out my window at 11:30 at night, 05/14/20, central new jersey. Probably a fox. From some brief research into fox calls (there are over 40 known calls) with this video https://www. Youtube. Com/watch?v=j6nuhlibhsm it sounds like either an alarm bark or vixen scream.

This is a very common sound at mtg (upf), specially at the audio signal processing lab, where they work with world music and computation. Mtg is a research group specialised in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about world music and computation. Learn more at: https://www. Upf. Edu/web/mtg.

Heard this out my window at 11:30 at night, 05/14/20, central new jersey. Probably a fox. From some brief research into fox calls (there are over 40 known calls) with this video https://www. Youtube. Com/watch?v=j6nuhlibhsm it sounds like either an alarm bark or vixen scream.

This is one of the many sounds that reactable from mtg (upf) can do. Mtg is a research group specialized in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about music and computation. Learn more at: https://www. Upf. Edu/web/mtg. Sound taken from reactable demo: https://www. Youtube. Com/watch?v=mgy1s8qymx0.

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

This is a short fragment of one of the experiments done by the music and machine learning lab at mtg (upf). The aim is to develop an automatic violin teacher using ml techniques. Mtg is a research group specialized in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about world music and computation. Learn more at: https://www. Upf. Edu/web/mtg. Sound kindly provided by music and machine learning lab from music technology group.

This is a "happy birthday to you" rendition to celebrate the 15th freesound birthday (april 5th 2020). The sound has been made by researchers of the music technology group of universitat pompeu fabra (i. E. Where freesound happens!), and voctrolabs. The sound uses choir synthesis technology developed for the trompa eu project. This means that what you hear are not real singers but synthesized voices generated by a computer! the score adaptation for choir is based on a score published in the choral public domain library. Hope you enjoy it and. . . . Happy birthday dear freesound!.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 59, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Filaret Kolessa - Temna nichka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 59, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Filaret Kolessa - Temna nichka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 39, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 39, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 37, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ostap Kalnyi - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 37, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ostap Kalnyi - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 1, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok Polianka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 1, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok Polianka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 31, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 31, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 47, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Pro udovu 1.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 47, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Pro udovu 1.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 34, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Platon Kravchenko - Pro pikhotyntsia var a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 34, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Platon Kravchenko - Pro pikhotyntsia var a.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 3, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 3, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 16, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Antin Skoba - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 16, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Antin Skoba - Pro pikhotyntsia 3.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 5, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 7.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 5, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 7.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 19, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykola Dubyna - Pro pikhotyntsia 4.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 19, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykola Dubyna - Pro pikhotyntsia 4.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 57, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok (fragment).flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 57, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok (fragment).flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 20, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykola Dubyna - Pro pikhotyntsia 5.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 20, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykola Dubyna - Pro pikhotyntsia 5.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 32, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro smert kozaka-bandurysta.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 32, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro smert kozaka-bandurysta.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 15, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Antin Skoba - Pro pikhotyntsia 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 15, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Antin Skoba - Pro pikhotyntsia 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 18, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykola Dubyna - Pro pikhotyntsia 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 18, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykola Dubyna - Pro pikhotyntsia 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 21, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykola Dubyna - Pro udovu 1.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 21, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykola Dubyna - Pro udovu 1.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 4, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 6.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 4, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 6.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 24, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Opanas Slastion - Plach Nevolnykiv 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 24, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Opanas Slastion - Plach Nevolnykiv 3.flac.