2,547 Royalty-Free Audio Tracks for "Reverb"

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Spt gives you a banjo that hits your subwoofer hard. Works in all daws.

A digitally modelled impulse response of a location. I use these impulse responses for sound implementation in games, but some of these work great on musical sources as well.

Tascam dr-05x. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Recorded a clap in my bathroom with no shower door or curtain with a zoom zh1 @ 96khz 32bit, denoised with izotope rx, flattened spectrum slightly by matching with pink noise.

Skyline run - tribal ethno drums drum drone experimental action modern cinematic music surround.

This is a remix of oceas 8th loop at 130bpm, the samples in this pack were made mostly by running the original loop through a custom plugin i made with synthedit. The general idea of the plugin is to seperate the incoming audio into 8 seperate channels using high-resonance bandpass filters, then run each of the 8 channels through its own special effect including reverb, delay, harmonic generation, ring modulation, modulation of the original signal by the harmonic generation signal out, and another reverb.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

I was just messing around with audacity again, this time slowing down my recording like a tape record, which not only stretched the time, but also turned down the frequency range which resulted in pitch shift. I stumbled around a sound that sounded like a huge horn exhaust - like those war pipes from celtics. So i experimented a little bit and made this one. Original recording was mono (but recorded to stereo track), however i added a reverb effect which created a nice stereo reverb effect. Feel free to use in games :).

Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

This little distorted bass one-shot was made using a combination of sine-compression and filtering techniques in conjunction with reverse reverb/ bit-crushing. I also added a pitch fall near the end. Please feel free to use this however you like!. If you'd like to credit me somewhere that'd be great, but it's not a requirement. Comment down below where you used it as i'd love to hear!. Have fun!.

Recorded this descending down a hotel stairwell. Has natural reverb effect and strong footsteps. Subscribe to my youtube channel, which helps me a lot. Hope you get good uses from this recording. Youtube. Com/jvmyka.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

The sound started as a drop of water in a pot filled with water. I then slowed it down significantly. It startet to sound quite melodic like a chime. I added some reverb and echo and thats what came out.

Quick reverse reverb on a few layers of swedish lines i was doing for a roleplay game. Enjoy.

This sample of the flute play to e, f and cfiesta los timbaleros loop flute of delay, reverb and tune of the sample of eurohouse and tropical style kygo 128 bpm.

Not much to say, was listening to rap snitch knishes and thought it might be fun to try and do some guitar thing that could be used for hip hop.

Did you hear that?. I isolated this sound from an ambience recording and edited it (added reverb and stuff).

Small glass impact that i normally use in sync with the light from light bulbs, fluorescent bulbs, etc. Try it with reverb!.

The all-around beautiful exs24 from logic 9. Based on e minor. Bpm: 105.

Italiano: Lavoro da me ottenuto tramite sintetizzatore virtuale con banco Giant SoundFont 1.0.sf2 (262 MB) e SynthFont 1.613. Post elaborazione (GoldWave 5.58): Reverb time: 0,500 s; Volume: -21 db; Delay scale: 1.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

Pop and suck sounds. Various different versions. Made with the mouth but applicable for many other applications. Great for animations, comedy etc. . . Audia technica series 40 mic slight natural room reverb. 24 bit 48khz wav file.

Ripping-stretching-rubber. Many uses from comedy to horror live recording on audio-technica 40 series studio mic many variations. Natural room reverb. 24bit 48khz wav file.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Psytrance bassline designed with serum and rendered at 24-bits resolution and 48khz sampling rate. Bpm is 137 and notes are g0. Bass uses distorsion, delay, reverb and eq.

Made from a collection of sounds from freesound! added some reverb and mixed them all together. Sounds used:monster by audiorichterdragon roar by veromawind2 by eliasheuninckfx_door_noise_whistling_loop by olichiterockfall in mine by benboncancinematic deep rumble by swiftoid.

Water glass struck by chopstick. Notes were created by adding and subtracting water. Recorded on avatone cv-12 into garageband; compression, eq and reverb added.

I recorded my whistle. I have the ability to make reverse whistling sounds. I just killed background noises in my bedroom using my audio editing program and i added a reverb for that echo in the forest sound.

Drag & drop of heavy metal poles in an empty car park with more than 8 seconds of natural reverb. Recorded location :théâtre-auditorium de poitiers-francerecorded with a couple of neumann km184 directly in protools via an m-box.

Ship docking at the port of mahón, in menorca. You can hear the sound of the berths and chains being installed. It was recorded from the cargo floor.

Perfect metal kick/bass drum. Spaced wide enough for any sample tempo, comment on my website if you would like related samples, or this sample adjusted (no reverb, eq, etc. ).

This is the sound of a contact mic attached to a giant fan while i picked on the grill. It's pretty crazy and dark-sounding. Zoom h4n.

Same sound as connersaw8's "coach whistle," but the factory noise has been removed from the background. Additionally, the amplitude has been dropped a bit with a touch of reverb thrown in to round out the ending.

My friend george playing his mandolin at our party. Check out our other media services at: echocinematics. Com.

The leadsynth is linked to the kickdrum in a sidechain, which is why it is pulsating like this. If you like it, check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy/ cheers!.

A blues improvisation with a lounge lizard patch i've made. Free to use! don't forget to check out my soundcloud if you like my sounds: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Sound of an empty soda can being dropped in an empty room. Natural reverb, only editing done was to remove the sounds of me walking around / picking the can up after drops.

A bgm made for my simple and silly games on gamediary. Netthere's moos and drums and piano in this music. Loop version available too. Cheers!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

An abberation breathing. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches and used reverb to give it that strange feeling.

I tried to make a sort of explosion w/ my voice, and added a compressor, reverb, a little bit of distortion, quicker tempo, and i lastly slowed it down.

Slightly shocking short white noise fade in (2 secs) with a little reverb at end. Generated from scratch using audacity (mac version) 16-bit aif version. A simple, atmospheric sudden ending or transition.

A powerful 100 or more millimeter main warship gun firing sfx with heaps of awesome reverb. Created with audacity. Use however you see fit.

A cartoon type message, prompt, notifier sound. Good for games. First is a stereo stack with a slight pitch offset on the right channel. Second is a mono version. Third has some reverb and delay.