899 Royalty-Free Audio Tracks for "Right"

My door bell sound modified to sound as if it's coming from farther away as it would normally sound from a different room. Slightly biased towards the left channel, reverse the stereo channels for it to come from the right.

Wasn't intending to record this, but it was so intense i had to. I couldn't sleep with the 50mph winds hitting right outside the bedroom. Worst storm i've been through since moving to washington state in 1999. It came from the east through chinook pass. I was kind of expecting the roof to fly off. You can hear the flapping of a tarp covering my old mercedes right outside the window. The wind shredded part of the tarp. Also, the snow drift hitting the window. I used my yamaha pocketrak and edited in sony vegas adding two extra tracks. Please comment on what you may use it for. Thanks. :-).

Mid/side recording of my stomach after having a fizzy drink. I laid down and placed the zoom h2n directly on my stomach. All kinds of stomach ejactulations can be heard in addition to my heartbeat. Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.

Create dinosaur sound, use markgia's sound "wah-dealio. Wav" (but have stereo). Audacityfor left channel:- cut section from 0. 709s to 0. 844s. - file new- tracks→add new→mono track (left channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 300. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db. For right channel:- tracks→add new→mono track (right channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 250. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db.

Recording of a passenger train approaching from the right side and then stopping. It was taken on may 30th 2017. Captured from the platform using a zoom h5 handheld recorder and the corresponding stereo xy-capsule. Cuts and minor fades at the beginning and end have been applied using ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

Create hanna barbara jetson's car hover sound (but have stereo sound) from westington's "skiffy9. Wav" sound:audacityfor left channel:- cut silence before (0. 000s to 0. 046s), middle (0. 096 to 0. 228), and after (0. 301 to 0. 449) sound. - cut middle part 0. 130 to 0. 600. - effect→change speedspeed multiplier: 0. 800percent change: –20. 000. - effect→repeat. . . Number of repeats add: 250. - effect→equalization(18 db; 20 hz)(18 db; 800 hz)(–18 db; 2000 hz(–26 db; 11 000 hz). For right channel:- tracks→add new→mono track. - copy left track and paste at 0. 010 s in right track.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

This is an 8 bar drop loop. It works well in edm and house or any melodic driven music in general. Be sure to visit my spotify profile to hear what kind of tunes i make using these power and well made loops you can find here right on freesound. Org. Spotify link---> is on my profile under description. All my sounds that i give away are all copy right free. So feel free to use them in a commercial capacity if you so desire or just them for fun. It’s totally up too you!. Have a blast. Peace system shock. =).

Streetsounds is recorded with h1n stock mics. This is a wet, rainy, 2 lane highway at the crest of a hill. You can hear the cars come up from the left and go down to the right. Very cool.

This sound is created with a drumbrute impact. There is a sweet spot with the drumbrute-impact fm_drum that can create a dual tone drum sound, this is how it can sound, but it is not easy to get it into the right pitch.

A murder of crows, loud, right before a rainstorm / an airplane passes overhead. Unintelligible voices in a room nearby. Crickets (late evening) recorded on zoom h6.

My cat, misha, purrs for a while. Recorded with a zoom h5 right next to his nose hence the extreme stereo wideness. Apologies for the noises, sometimes it's just the recorder bouncing on the chair or me petting the cat so he keeps purring.

A recording of ambient noises in the night, recorded with a zoom h5 handy recorder. The left and right channels have been eq'd differently to give a wider stereo feel, and a reversed version of the recording has been layered on top of the original.

A single plane coming in from the right to the left, creating some nice reverbing sounds at the end of the recording. Some low level sounds from bystanders. This is a recording with normal input gain.

Audio recording of cars passing by. Recorded in stereo and 24 bits using two microphones: beyerdynamic mc930 (left channel), shure sm 57 (right channel). Captured using a metric halo lio-8 (using the internal uln-r preamps).

Ice rink skating in februari 2012 on a sunny day. Multiple recordings of skaters passing by. Unexperienced children as well as semi-pros can be heard passing by from right to left. Recorded in annen, the netherlands with a zoom h2 recorder.

Think of a spaceship launching from a desolate planet with hardly any fuel reserves. Sorta heavy distortion with the right amount of phaser and chord progression. Almost moody and atmospheric.

Train quickly passing by from right to left on a rural line railway that cuts through woodland. Recorded at silkstone woods, barnsley (uk), 17th april 2021 on my tascam dr-40x 44100hz stereo.

A gigantic flock of crows (corvus corone), at least 100 birds, circling right over our house at lubeck, germany. Hasty recording, therefore some rumbling at some points, but a nice clear recording nonetheless as they circled very near. Recorded on zoom h2.

A laser noise created for my science fiction sitcom. The base was just a note from a vst synth (i can't remember which) and then a variety of pitch shifts, time stretches and layers of reverb until it sounded right.

A simple kick/bass drum sound with a deep, sub-bass hum and a short infrasonic punch right at the onset (around 18hz), inspired by, and somewhat reminiscent of, the sounds of hip-hop/trap music. Made using audacity.

The sound of a quiet street at 6pm right near an entrance to griffith park in los angeles. I heard some men carefully working on a construction project and recorded this sound. You can also hear some neighbors chatting nearby.

Footsteps recorded in a stone chamber with great reverb. It also adds to the sound that the chamber was part of a castle used by the knights templar and located right next to the windmills described in don quijote. Recorded on a zoom h4.

Footsteps recorded in a stone chamber with great reverb. It also adds to the sound that the chamber was part of a castle used by the knights templar and located right next to the windmills described in don quijote. Recorded on a zoom h4.

Stone basement of an old abandoned school house while snow melt drips and runs through the cracks and roof dripping on the stone floor. Note: this is the right mono track to a stereo recording. If you want both find: derelict basement. R. Wav.

Stone basement of an old abandoned school house while snow melt drips and runs through the cracks and roof dripping on the stone floor. Note: this is the right mono track to a stereo recording. If you want both find: derelict basement. L. Wav.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

I couldn't find the right sound for my video so i decided to break out the frying pan to get the sound i wanted and decided to share! i used this to emulate the sound of someone hitting a chicken in a video game recording.

At the end of a country driveway, on a dirt road, i recorded this with my stereo handheld recorder. The car approaches from the left and passes by to the right. You can hear the transition in the stereo field.

Created this by saying something like, "testing the mic" in ableton, right clicking and converting that audio. Midi > into melody. . Then adding some stock sound and some reverbs and what not. . Try it yourself.

About 15 seconds from a music-box right after winding it up all the way, so the notes are faster and a bit crisper then in my other samples. The melody is somewhat blurred due to the item's age, but it sounds like silent night.

This sound was recorded on the 6 december 2020 having the small water stream partially frozen right before entering a big lake up in transilvania,romania.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Forward" (1881) as performed by the United States Marine Band. Track 14 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

While i was trying to record other sounds my yorkshire terrier came in and got right in front of the microphone. I enticed her to bark. Funny thing is that she often will sneeze when i give her the bark command. This file is a bit of both.

John Philip Sousa's "Right Forward" (1881) as performed by the United States Marine Band. Track 14 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

Recording of a fireplace where some wood is burning, the wood is not much dry so the sound is crunchy. I recorded few takes and edit and mixed them to get the right sound. Recorded using a stereo pair (ab) connected to an apogee mini-me and a computer.

Field recording from my street, in rio de janeiro. Recorded with sound devices 552, one sennheiser mkh 416 on the left, one schoeps mk41 on the center and another sennheiser mkh416 on the right. Medium traffic, people talking, dogs, sirens and kids playing.

I was doing some recording for this project i'm working on, and the right channel on the zoom h4 i was using bugged out, and this is the result. The only processing done was the removal of the left channel.

This is a real recording of a shooting that happened right outside my house, i managed to get a clean recording of one of the shots that happened, i hope for the very best who got involved as i currently know nothing about what happened. . .

Binaural recording made with a dummy head and in ear akg c417 pp. The head is attached to a mannequin torso. Recorder: tascam dr40the crickets are very near the dummy head, 1 on the left at 1m and 2 or 3 on the right located 2m away.

Finally, a month after i needed it for my last film, i got really good foley of a spectacular thunderstorm. Here's 10 min of the best part. I can't use it right now, but maybe others can. It contains steady, heavy rain with peals of thunder at various distances.

This is a recording right next to water falling into a bucket while its raining. I have a second recording of it been recorded at about 5 feet away that is also uploaded. Enjoy.

Some bees flying around some fruits. Some parts are good, some have some wind on it. If you need a short sample, this may be it. These are teneriffan bees btw. . Oh, yes, recorded in 2008 with a digidesign m-box and a sm58 if i remember right. Old but ok.

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

As the name implies, this was a recording of the street just across from union station, with a cool roaring of a bus coming from the left to the right and some other cool stereo unique sounds. As for credit, no need, enjoy.