863 Royalty-Free Audio Tracks for "Right"

A thunderstorm in the night at 2:30 am. Starts calm with some crickets. At 1:02 a magpie can be heard, which seems to be startled by the first thunderclap. Recorded in south germany near heilbronn. (june 2015)original is a a 4-channel record in irt-cross arrangement by using 4xnt1 from rode and a zoom h6 recorder. The spatial impression is best if headphones are used. For stereo >the left-front+left-rear<and the >right-front+right-rear< channelwas mixed to a left and right file.

This discussion followed "trust issues" and preceded all hell breaking loose. My sister was right.

Kings beach on lake tahoe, on the afternoon of 2016-04-04. Recorded on a sony pcm-m10 with windscreen on a tripod right by the water.

Before clap on lights, people actually had to use switches and stuff. Crazy right?a lamp turning on and off. Recorded with a zoom mic.

A remix of sample 44442 by corsica_s: i splitted the words "free" and "sound"then pitched it up and panned one on the left and other on the right.

A rainy night: a car is passing / a man is walking from right to left. / typical city noise in the background.

A 24bit 29khz stereo recording of a horse passing from left to right as it clip-clops downhill.

A medium sized airplane wen right over me with my zoom handy. Couple unwanted noises by my dog on the leash and a car nearby.

A medium sized airplane wen right over me with my zoom handy. Couple unwanted noises by my dog on the leash and a car nearby.

A digital sound of a helicopter that comes and goes- lands from the left side and lifts off to the right side. Done with retrologue synth.

Recorded on zoom h1. Cars, trucks, buses going over a metal hatch which is causing the diff doff sound. Traffic was going from right to left.

Right by the walk through path on the tel aviv port there was a great spot to record the water bouncing on the port wall.

A success sound made by flstudio with a little reverb. Can be used for a computer sound when you do something right or ortherstuff like that.

Grabbing bullets out of a box as fast as i can. For when the zombie/alien/big baddie is right outside the door.

King air 350 departing left to right recorded with tascam dr-40x.

Scenario: dog is given a treat on a tempered-glass dinner plate, which he licks clean. Plate remains on the no-nap outdoor carpet, unnoticed, because it isn't terribly important that it be picked up right away. In the meantime the wrapped-up power cord to a shop vac falls to the floor, right next to it. As i walk by i accidentally kick the electrical plug, striking the plate. Woww gotta record that. . .

Sound recording with a superlux above the 4 lanes of the le mans ring road during rush hour. Right lane in right channel and left lane in left channel. Prise de son avec un superlux au dessus des 4 voies de circulation de la rocade du mans en heure de pointe. Voie de droite dans canal droit et voie de gauche dans canal gauche.

Voice over saying:"sir! drop your weapon, put your hands on your head, and get down on the ground!". "you are going to be placed under arrest. ". "you have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be appointed for you. ”. "sir, watch you head as you enter the vehicle. ".

Laser beam 20 seconds. Use audacity:. Mono track (left)- tonewaveform: sinefrequency: 400amplitude: 0. 5duration: 00h 00m 20s. Mono track (right)- tonewaveform: sinefrequency: 405amplitude: 0. 5duration: 00h 00m 20s. Mono track (left)- tonewaveform: sinefrequency: 637amplitude: 0. 5duration: 00h 00m 20s. Mono track (right)- tonewaveform: sinefrequency: 651amplitude: 0. 5duration: 00h 00m 20s. Moteurmươngtrâu1. Wav (stereo track) (download at freesound. Com). - change speedspeed multiplier: 0. 800. - change pitchpercent change: 40. - echodelay time: 0. 05decay factor: 0. 9.

Just an earthquake that lasted around 30 seconds. Sorry i haven't uploaded sounds, because i am focusing on my life right now and i want to take a break.

The sound of a train passing by. I recorded this on the platform. Ms stereo. Train runs from left to right.

A binaural recording of some reverse-beeping heavy machinery (a front loader?) which gradually pans/fades away to the right.

A less harsh, almost tickling of static pops from the right-hand side of the fm radio dial, interspersed with harsh interference (source unknown). Recorded from a digital tuner.

A field recording in leipzig/germany. Some cars drive on a wet street and a tram drives from left to the right.

A nice high-quality sound effect. theres a whistle on the left and then a blast on the right.

Outdoors jet-plane fly-by, heavy distortion and sound of the turbines after passing. Probably for an action film or video.

## this sound is also available as a 44khz/16bit wav-file. ##. A thunderstorm in the night at 2:30 am. Starts calm with some crickets. At 1:02 a magpie can be heard, which seems to be startled by the first thunderclap. Recorded in south germany near heilbronn. (june 2015)original is a a 4-channel record in irt-cross arrangement by using 4xnt1 microphones from rode and a zoom h6 recorder. The spatial impression is best if headphones are used. For stereo the>left-front + left-rear<and the>right-front + right-rear<channel was mixed to a left and right file.

Car approaching from the distance on the left gets louder as it approaches with a squealing engine belt. It moves to the right and sound level diminishes.

I recorded myself right before my transformation in to a zombie. Thankfully i uploaded this in time. I feel it taking over me now.

Recorded myself waking on some leaves. Sound also pans from left to right speaker, pretty cool effect i was expecting to get from my taskam recorder.

A car passing from left to right in a summer night in south italy. Recorded with a zoom h4 in summer 2005.

A stereo field design that i create for a prop plane. It's going to right to left. Original sound: 535873__truecrimedog__prop-plane-passes-overhead.

Kick made in caustic, layer of about 5 kicks. Tuned and leveled just right, also eq'd to a sweet point.

Cartoon-style bomb launch and distant explosion. Doppler shifting whistle starts at centre and pans to extreme right with fadeout. A muted detonation follows at extreme right - a non-realistic and short explosion. Created with ni fm8 running as a vsti inside flstudio 11 with a touch of fl reverb2. The "projectile" whistle is a soft square wave lightly modulated by a sinewave at 6x the frequency of the square wave fundamental to give it a touch of metallic ringing.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 3) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

3 separate birds (left, right, and center) responding to each other. Recorded on: tascam dr-05xdate: july 2, 2022location: willow lake trail, big cottonwood canyon, utah, usa.

I recorded multiple hits on a largeish piece of tupperware, found the good notes, arranged them into this crazy sound. Pans back and forth from left to right seamlessly if you loop it.

Recording train arrival, from left to right, at grønland t-bane station. Equipment: roland r-26, internal xy and omni microphones mixed down as stereo.

A very harsh section of static with periodic interference (source unknown) from the far right-hand side of the fm radio dial, at 106. 7 mhz. Recorded from a digital tuner.

New year's eve in the mountains. Stereo recording. I was in a house overlooking the valley, leaning out the window. Fireworks left right and ahead, echoes off the mountains.

This is what a smug expression sounds like when it's coming from a large, gagged male who has no right whatsoever to be smug. In context in "2sisters".

Took a sample of a tr909 kick drum, stretched it, added some reverb, bass boost, compression split the track and offset it slightly to create a left to right pulse.

A passenger train passes from left to right at a high speed. The sound of water lapping against a nearby river shore can be heard slightly.

A small played gmaj to fmaj chords using my orange tiny terror with a wharfedale dm5000 about an inch away and inch to the right of the cone.

Okay i', trying the "toggling sample & holds" patch athttp://www. Doepfer. De/a100_man/a100_patch. Htm. Don't know if i'm doing the right thing. . .