20 Royalty-Free Audio Tracks for "Rms"

00:00
00:22
Vintage 125 race bike.
Author: Rustys
00:00
00:13
Rm125s.
Author: Rustys
00:00
10:18
Recorded from my balcony (unfortunately. . . )zoom h6120 degrees xyh-6 zoom mic. Free to use, please put a link in your project description; johnaudio. Nl. Left rightpeak amplitude: -0,95 db -0,95 dbtrue peak amplitude: -0,94 dbtp -0,94 dbtpmaximum sample value: 7515676 7130260minimum sample value: -7301133 -7516359possibly clipped samples: 0 0total rms amplitude: -26,88 db -26,93 dbmaximum rms amplitude: -6,48 db -7,61 dbminimum rms amplitude: -44,86 db -44,77 dbaverage rms amplitude: -30,27 db -30,35 dbdc offset: 0,00 % 0,00 %measured bit depth: 32 32dynamic range: 38,37 db 37,16 dbdynamic range used: 29,40 db 28,65 dbloudness: -23,36 db -23,04 dbperceived loudness: -16,91 db -16,12 dbitu-r bs. 1770-2 loudness: -22,95 lufs. 0db = fs square waveusing rms window of 50,00 msaccount for dc = true.
Author: Johndynaudio
00:00
01:41
Yeahjust a 100hz toneit is probably -3db rms, which is as loud as possible. Wle.
Author: Wle
00:00
00:57
Early morning in south africa near botswana border. Recorded with rms 191a and sd 664.
Author: Jimipoo
00:00
00:40
An announcement from a passenger drill aboard the rms queen mary 2 recorded in 2012 on a sony pcm-d1 field recorder.
Author: Nervousneal
00:00
00:03
Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.
Author: Gmortizwavs
00:00
00:06
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. 16bit wave file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:04
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. 16bit wave file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:05
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. 16bit wav file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:05
Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:21
Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. Separate elements also included in the file. 16bit wav file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:12
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms.
Author: Deleted User
00:00
00:11
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms. Still plenty of headroom for voice.
Author: Deleted User
00:00
00:13
Sound effect (bumper, sweeper, drop) to be used in radio jingle production. Separate elements also included in the wav file. 16bit wav file, normalized to (around) -20db rms. Still plenty of headroom to insert voice.
Author: Deleted User
00:00
00:34
Sound effect (bumper, sweeper, drop) to be used in radio jingle production. Separate elements also included in the wav file. 16bit wav file, normalized to (around) -20db rms. Still plenty of headroom to insert voice.
Author: Deleted User
00:00
00:10
Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms. Still plenty of headroom for voice.
Author: Deleted User
00:00
00:12
Sound effect (bumper, sweeper, drop) to be used in radio jingle production. Separate elements also included in the wave file. 16bit wav file, normalized to (around) -20db rms. Still plenty of headroom to insert voice.
Author: Deleted User
00:00
00:04
This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.
Author: Niedec
00:00
00:05
The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.
Author: Niedec
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