4,403 Royalty-Free Audio Tracks for "Roland V Synth"

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V/V-V-I in C, in four-part harmony.

V of V in C, on guitar.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Created by Hyacinth (talk) 03:26, 24 December 2010 using Sibelius 5. vi-ii-V-I circle progression in Mozart's Sonata, K. 545.

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Title: Roland MC-202 Creator: Sven Buresch for Wikipedia Description: small looped example using the built in sequencer, filter and controls; no additional effects. Another MC-202 example can be found here. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:37, 31 May 2007 (UTC)

Roland CR-78, Rhumba beat with metallic effect. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

ii-V substitution.

This sound is build from a roland v-synth sample and processed using ableton live effects such as the convolution reverb.

Chinnari papa song from Gruhalakshmi

kallu maanandoy babu song from Gruhalakshmi

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:9

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:8

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:7

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:6

Bengali song

ii-V-I turnaround in C, in four-part harmony.

Nederlands: De oudste bekende opname van de Internationale uit 1925, vertaald door Henriette Roland Holst. The oldest known recording of the Internationale in Dutch, from 1925. Translated bij Henriette Roland Holst.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:7:8

01. Fantasia (Alfonso Ferrabosco d.y., ca 1575-1628); 02. Orpheus ur Henrik VIII (William Shakespeare, 1564-161); 03. Pavin (Thomas Morley, 1557-1602); 04. Fancy (John Bull, 1562-1628); 05. Sonett nr 18, Evig sommar (William Shakespeare, 1564-161); 06. Lachrymae Pavan (Giles Farnaby ca 1560-1620); 07. Sonett nr 71, Dödens triumf (William Shakespeare, 1564-161); 08. Fantasia, Te lucis ante terminum (William Byrd, 1543-1623); 09. Fancy (John Ward, 1571-1638); 10. Till hans pryda väninna (Andrew Marwell, 1621-1678); 11. Galiarda (William Byrd, 1543-1623); 12. Avskedet, (Michael Drayton, 1563-1621); 13. The most sacred Queen Elizabeth her Galliard (John Dowland, 1562-1626);

Custom patch for j8-xp, no fx but onboard chorus i.

Noise from the roland jupiter6 synthesizer.

Ambient evolving texture with roland jv2080 and kawai k4. Free to use and way you wish.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.