13 Royalty-Free Audio Tracks for "S Class"

00:00
02:01
Students talking between classes, near microphone.
Author: Claudiooliveira
00:00
00:28
Birds that i heard while walking to class, but i have reduced the noise and isolated the chirps.
Author: Niyaveronica
00:00
01:60
Russell Alexander's march Belford's Carnival, recorded by the U. S. Navy Band for the album "World Class Marches"
Author: Composition: Russell Alexander (1877–1915) Performance: U.S. Navy Band
00:00
02:41
Roland F. Seitz's 1909 March Grandioso, recorded by the U. S. Navy Band for the album "World Class Marches"
Author: Composition: Roland F. Seitz (1867–1946) Performance: U.S. Navy Band
00:00
05:53
Julius Fučík's 1907 march The Florentiner March (Florentinský pochod), recorded by the U. S. Navy Band for the album "World Class Marches"
Author: Composition: Julius Fučík Performance: U.S. Navy Band
00:00
03:03
John Clifford Heed's In Storm and Sunshine March, recorded by the U. S. Navy Band for the album "World Class Marches"
Author: Composition: John Clifford Heed (1862–1908) Performance: U.S. Navy Band
00:00
02:40
Josef Wagner's 1902 march Under the Double Eagle (Unter dem Doppeladler), recorded by the U. S. Navy Band for the album "World Class Marches"
Author: Composition: Josef Wagner (1856–1908) Performance: U.S. Navy Band
00:00
00:52
This is a loop derived from https://freesound. Org/s/274213/. I reduced the distinctness of some foreground talking and some equipment noise, and used a basic split + crossfade to make it loopable.
Author: Pydsigner
00:00
00:02
Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este segundo audio, el sonido es de una moneda que está arañando la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, wahwah y reverberación. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this second audio, the sound is a coin that it was scratching the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, wahwah and reverb.
Author: Anaanita
00:00
00:03
Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para mi caso, se ha utilizado una moneda. En este primer audio, el sonido es de una moneda que se había caído. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como reverberación, paulstrech, retraso y vocoder. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this first audio, the sound is a coin that it had fallen. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like reverb, paulstrech, delay and vocoder.
Author: Anaanita
00:00
00:08
Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este tercer audio, el sonido es de una moneda rebotando en la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, ralentizar la velocidad y estiramiento deslizante. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this third audio, the sound is a coin that it was bouncing on the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, reduce the speed and extend the sound.
Author: Anaanita
00:00
00:08
A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.
Author: Antwerpsounddesign
1 - 13 of 13
/ 1