7,522 Royalty-Free Audio Tracks for "Sample"

A simple minimal percussion loop, free to use as desired. Sound includes:• percussion only loop• percussion with kick loop• percussion with kick and ride loop.

House steps loop pack by dirty archives. Triphop/dance/beat/hiphop/glitch-hop/downtempo/chill.

More metallic version of rev spaceship drone - recording of a saucepan lid span on a ceramic tiled floor, reversed and timestretched then convolved with reverb and a rhythmic fx sample. All four samples designed to be layered/looped/eq'd as needed.

I recorded some bells i've got home and made this short deck the halls melody afterwards using those samples. Here's the original track i made this sample for: https://youtu. Be/iiq7vcpamoq.

26. 01. 2016. Played around with the doepfer a-188-2 tapped bbd module. Recorded with a rme babyface and cubase.

This is a couple of sounds i combined, one which is two knives scratching each other and which i recorded myself and then a sample of a sub hit.

Short loop-like background beat. Made in logic pro x. I used only the freebies from the ni website [komplete start, 25, 2 community drive sample packs, supercharger].

This is a layered sample of multiple sounds synthesized in zynaddsubfx and processed in audacity.

A snare from a cheap kids drumkit, recorded with a mobile phone. I've used it to add noise to a cleaner snare sample and it was very effective.

Short unused chop of a drake type beat.

The bassline of 808 of the sample of the loop of pop trap of style remake the style of the track.

The desk bell ringing sound, played in a high pitch. Extracted the audio from the sounds resource here, so i decided to upload this sound effect.

A sound object for sarah belle reid‘s opera project. Short intermezzo. This object can be tailored in three different parts - if needed. Equipment: ni kontakt and spitfire sample library. The sound that gives time its depth.

An alternative to the constant traffic flow at a high rate of speed found in the interstate sample. Cars and trucks stop and go at a major intersection of six-laned traffics.

An attempt to fulfill a request with a sample recorded in a living room. Low-volume capture of the tivo bubbles as someone fast-forwards thru the commercials in a recording.

Sample 1 of a few horror-type sound effects i mixed together for something i. . . Don't particularly recall at the moment. Horribly generic, i know, but hey, there's got to be a variation.

The piledriver recorded from more distance than the first recording, with some area traffic noise and lacking any distinct echo materials at the point of capture. (sample shortened due to windy conditions. ).

This sound here was designed using the sound of myself snapping and then heavily processing using fl-studio 20. The bpm of this sample is 140bpm.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

Made this using an echo. Sounds like something from eraserhead. Tweaked around the knobs and settings throughout so theres quite a bit of different noises in this sample. Use it however you like.

Sample request done for @hozaythehipster. Feel free to send me a private message if you would like me to voice any words or lines for your project!.

Some audio file i had while making music.

Αττεντιον: really harsh noises! lower your volume!harsh, metallic, industrial sample, 2 bars long at 120 bpm with a little release, dry. Created with a yamaha dx-100.

A recording of my fish tank air pump that sounds amazing when loaded into a sampler and used like a synth oscillator.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.