105 Royalty-Free Audio Tracks for "Saturated"

Cannon shots recorded at a medieval festival in belgium with a rode nt5 (mono). The gain has been diminished at the begining to avoid saturation. There are differents cannon shots and arrows shooting.

A sample shout "and blood will flow" for the more creepy creative talents out there, recorded in a dry room with some sound effects (chorus, saturation, compression) to make the sound production-ready. In this sample reverb is already excistent.

Electronic bass loop extracted from an ableton project that i chose to discontinue. I used robpapen blue to create the sound and some effects like saturation for processing. Lowcut below 35hz.

Basically its a synthesized snare bottom, with a real clap layered with a white noise burst, eq'd and also filtered with what i can only really call "parallel- saturation. ".

Electronic bass loop extracted from an ableton project that i chose to discontinue. I used robpapen blue to create the sound and some effects like saturation for processing. Lowcut below 35hz.

Sound design emulating an ambience of a train interior as in the old days of tape recordings. Insipred by the film "stalker" by andrei tarkovsky. The original recording is a bathroom from a high speed train in china, then slowed down and played with different stuff including saturation.

Snare tuned e. I've created it with rob papen punch software synthesizer & saturated in tapey style. It's not very fat 'cause the fundamental tone is above 300hz & it's "low-cutted" by fabfilter eq. .

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

Sunny cities and who they remind me off that i have been too in the past 5 years. Ambient backgrounds and processed to a t.

The sound of margorabbia torrent (ferrera di varese, northern italy) quietly flowing. Distant birds, no clipping or saturated sounds. Perfect for quiet/relaxing nature backgrounds. Recorded with zoom h1n.

I placed an alpha source (am241) towards a series 900 mini-monitor (gm tube), starting from about 10cm away. Saturation is reached 1cm away. I used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.

Fermona waterfall in ferrera di varese (northern italy) recorded from the small pond downstream. Quite saturated but not distorted or clipping. Perfect for energetic nature backgrounds. Recorded with zoom h1n.

This is probably one of the best snares i have made yet. Hard transient, tape saturated, and squashed to bits, when played with very bright sounds and heavy bass, this really can handle it, and cut through.

A bag of broken glass punched with a bamboo stick. Recorded with a roland r-05, processed with logic x (saturated, eq'd). If you would like to support this channel, please visit: https://ko-fi. Com/gregorquendel. Https://www. Gregorquendel. Com.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

The sound of margorabbia torrent (ferrera di varese, northern italy) slightly upstream of fermona waterfall. Quite saturated but not distorted or clipping. Perfect for energetic nature backgrounds. Recorded with zoom h1n.

I placed a beta source (co 60) towards a series 900 mini-monitor (gm tube), starting from about 50cm away. Saturation is reached 5cm away. I used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.

Automation underwent 17 parameters in the modulation matrixsynthesizer toxicbiohazard (image-line).

Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).

The small, hunched man is stuffing the ovens; a pearl falls to the ground. Unbothered, he just kicks it to one side and continues working.

Massive evolving ambient pad drone, created using surge synth and processed with reverb, saturation, compression. Feel free to use this in your projects :). Please note: there are some squeaking sounds but this is part of the preview, when you download it these sounds will be gone.

Snare sample one-shot. These snares were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu snares pack.

Aurt bacon drone f0 - frying bacon, operator sub, and a simple tone from an aurturia walk in to a bar. . . This is what it sounded like. They drank soundtoys filterfreak, saturation, chorus, and some eq. Check out the whole pack: https://freesound. Org/people/__stone__/packs/24043/.

The package contains several 909 snare samples combined with real recorded snares, processed with eq saturation and compression. There's a dry version and one where reverb was added of every shot. The sounds were originally created for a drum n bass track.

Live techno loop recorded on a panasonic rn-122 microcassette recorder. Doctor dreamchipportland, orapril 2020.

Loop i made while producing a track, layered a bunch of drums, carved out the bottom end and synthesized my own, and then compressed it all together, and excited a bit.

Closed hh one-shot. These hi hats were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu hihats pack.

Crash sample one-shot. These crashes were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu crashes pack.

Clap sample one-shot. These claps were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu claps pack.

I placed a radioactive towards a series 900 mini-monitor (gm tube), starting from about 50cm away. Saturation is reached 5cm away. I repeated moved the rock towards and away from the detector over a period of 2 minutes. I used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.

A simple sine wave beep running through soft saturation and modulation, then being exported deliberately at 8khz and 8bit to simulate the low quality of a phone call. Use this as a standard beep sound coming through a phone speaker. The latter half is a little faster to enable a simulation of hanging up or the call being rejected.

This first one in the pack is the loudest hit. The samples in this thunder pack are all 24-bit, and i recorded not directly as output from my mixer but routed it first through software compression and saturation and this first one was so loud it normalized itself during recording. None of the other samples are 'normal'. Notice my neighbor's car alarm going off the thunder was so loud. It's not loud in the mix.

While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.

I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

Wrote/recorded short daft punk style tune at 100 bpm in ableton live 9:muugy for synth sound. Analogue bass + bit growl for bass sound. Kontakt 5 for the string sound. Soft saturated for the percussive section. Additional notes:-12. 9 lufs integrated-2. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Made from taking two large atx (the form factor, the chassis) computer panels (that i havent used in quite some time), rubbing the entirety of them together quite brashly (one is on the ground), keeping the recorder on xy setup in my other hand in unison then dropping them onto each other. Inside of reaper, i begin changing the rate and pitching them down and applied saturation, distortion and reverberation gave them a very clean effect of a decrepit gate shutting down. Good for trapping your enemies in a battle to the death for which the title is inspired from; one of those tension moments a person in a film/game finds themselves in.

I was messing around to create a lead synth for a song for my band, but nothing came out for the song. At leased i ended up with something that could sound great for a purely electronic style. Daw: abletoneffects: sampler + saturator + simple delay + eq eight (8 band eq)sample used: https://www. Freesound. Org/people/staticpony1/sounds/249984/sample author: staticpony1key: i don't know the scale name, but it is in gbpm: 176. Usage:- i would like to hear your song, if you use it- i don't expect any royalties or such. But if you make it big with this sound, just mention me in 1 of your interviews. :d- have fun.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

A heartbeat sound i created. Fairly consistent through most of it, and then speeds up into heart-attack mode about 30 seconds from the end. To make it, i took a kick-drum sample and a snare-drum sample, and made a pattern of kick-snare, kick-snare, kick-snare, over and over. I then eq'd them to be less distinct and drum-like, added tape saturation to increase the low-end thumping, a small chorus effect and some compression to get rid of the drums' attack. . . Basically just over-processed the hell out of it. Then i used a plugin called wok m-st to get a fake hard-panned stereo effect. My goal was to make it sound like your heartbeat sounds in your ears when you've been running too fast for too long. I think it sounds cool.