925 Royalty-Free Audio Tracks for "Second"

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

Fieldrecording on a winter afternoon at the baltic sea. Used equipment-zoom f4, 2x tritonaudiofethead phantom, 2x akg p420, windprotection (blimp). The first microphone stood on the beach (eighth character), the second microphone hung two meters higher than the beach (spherical character).

This tollbell is exactly 4 seconds in length. Use this file for creating a sequence of bell strikes. Use original tollbell at end of sequence for long tail at end. This file is 2 bars at 120 bpm.

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

A sound that is ideal for video transitions. Made using the program ableton live. This is the second part of the free pack that i made as a sign of respect for my friends working with videohive.

Six o' clock friday night in the small village of spannum, northern province of friesland in the netherlands. Subsequently two types of bells. First one strikes six; second one is more of a convocation. Crackling in background are dry autumn leaves. Zoom h4n.

Money counter counting out 50 notes in rapid succession. Recorded inside a office using rands as the chosen currency. Motors continue to make noise for a second after the money has been counted. Recorded using a zoom h6 recorder.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Little song loop made with garage band. Use it everywhere, no credits or anything boring like that needed! :). I would just love to know if you used it somewhere in the comments!.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

To heat a cup of water for instant coffee, one must open and close the door, set the run time and then remove the cup. I spared you the 66 second wait and the sound of the cat scratching in the litter box nearby.

Canon eos 7d focus and high speed shutter sound (7 photo per second). Lens - tamron af 18-200 mm f/ 3. 5-6. 3 di ii xr ld aspherical (if) macro a14.

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

Made on fl5 back in 2005 for one of my first rap beats. . Used a pluck instrument on fl5 to create this loop. Has a harmony on the second time around on a higher octave.

A 10 second pink noise wave generated using audacity. Brown noise/red noise/random walk noise, is the kind of signal noise produced by brownian motion, (discovered by robert brown in 1827).

This is taken in a grassy lunch area of a business parking lot, with birds chirping in the trees and the ambient air/wind with freeway traffic in the distant background throughout. A red-winged blackbird calls around 36 second in.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

This a piece of the clarinet a5 sound fromhttps://freesound. Org/people/mtg/sounds/356762/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

This a piece of the trumpet a4 sound fromhttps://freesound. Org/people/mtg/sounds/357370/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

This a piece of the violin a5 sound fromhttps://freesound. Org/people/mtg/sounds/356003/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.

Two shots fired with a barrel gun by my own hands, the second shot is a bit distorted. I think i recorded this with a h2 zoom around 2012, it's not very clean but usable.

Ascending to the second floor in my grandmother's barn. Assortment of thumps and squeaks, including a horribly loud, squeaky pulley and a pedal-operated flywheel thing, and some good footsteps going up and down a wooden staircase. Recorded on a sony pcm-d50.

This was made by me as a level up sound effect. It can also be used for exciting moments or other important events in videos or video games. It has two tracks, one at a much faster tempo, and the second at a much slower tempo.

The reel used in my second reel play recording, a series in which i try to find out whether or not i should keep my modules. These are four guitar recordings, pretty straightforward, but i just thought they sounded nice together.

I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

The beautiful sounds of office life. This is audible interference from a cheap ballast in a florescent light fixture--or several in close proximity. (it's probably violating fcc regulations with rf output too. ) this was recorded with an iphone builtin mic, then processed to isolate the sound. It's a beeping / humming at around 3,800 hz. Each beep lasts about 1 second, followed by a half-second of silence before the next beep. Toward the end of this recording, it shifts slightly upward in pitch, to around 4,000 hz. Some typing on a keyboard can be heard in the foreground. (it's an office, after all. ).

Wet car bys - splashy traffic pass bys on rainy day, busy city street. Medium distance, second floor window. Montreal 2021. Mikrousi ab in rode sc 6l. Rename to "ambtraf_wet city traffic pass bys on busy street med distance_alex lane_none_mikrousi ab" for ucs compatible file name.

Modified this great sound by thewestwindhttps://freesound. Org/people/thewestwind/sounds/149012/. To make it sound like an express being clipped into a blot while climbing, you can also use only the second click again for the rope clip. Sounds pretty realistic to me, hope you enjoy!.

Unlocking the safety frontdoor with keys needs more than one turn. Then closing and locking it again. The second unlock has a pause before the mechanism finally unlocks the door. At the end the door is getting locked from the inside with keys.

Opening a big loft door from the ceiling and unfold the wooden ladder. Climbing slowly upstairs and downstairs, folding the ladder again and closing the squeaky door. A second version of climbing upstairs width man shoes is included at the end.

Short arpeggiated synth loop. The instrument used is u-he's repro-one synthesiser which is a digital model of the sequential circuits pro one. The first part of the loop features a slow filter modulation. The second part of the loop features the built-in wavefolder distortion built in to the synthesiser.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

Second long recording of multiple paces of walking and running (in place). There is another similar recording with less "sandy" footsteps. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

This is a recording right next to water falling into a bucket while its raining. I have a second recording of it been recorded at about 5 feet away that is also uploaded. Enjoy.

Tc-electronic novasystem hiss. This is awesome device, but at one moment it was started produce this hiss. First part is line input and second part is guitar (tc it's call "drive") input. In the each part i switch on for a few seconds "mod" pedal on the processor.

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

Sound is me being gross! setup: mic, into eq, into stereo pedal (used as a signal splitter-- one signal went to one multi effect on a pitch-down setting, the other into a second multi effect on a pitch-up setting. ), into stereo delay (no delay added, though. ) burp. . .

I used for this second sound a pencil, a glass bottle and glasses. I typed with a different rhythm glasses and bottle with the pencil. I have then to make various effects: i changed the tempo and the height, added the effect " graphic " and " delay " then a dissolve in closure.

This was made from a 2-second stutter on a voice recording i was doing. I pulled it and played with it, looking for the various ways i could manipulate it. At one point it started sounding spooky and a bit dramatic. I kept going with it, and produced this.

This sound was made with the chain of the bathroom in a wc of the second floor in the library of campus de la comunicació of university pompeu fabra ( barcelona ) by a zoom h2 recorder. What we perceive is the bath water falling down the tank.

We wanted to add some tape delay to a piano track we were recording. This is an artifact that came from routing the third delay track back to the source track. Essentially, a quick two second feedback loop. Recorded with a peluso p12 and an akg 414.

There's an arcade/shop near my place. They were selling one of those old sega consoles, and i had to tune to ch. 03 (channel 3) on my television to play it. Then i thought: wait a second!? why not record them both! it was genius!.

Street scene in castelo de vide, portugal. You hear the hum of a near highway, cowbells and people talking. A car drives by. At second 37, a dog starts barking quite hysterically, later joined by another dog. Recorded with an olympus ls-14.

Second record of a storm with rain and thunder. Good for background nature scenes. Recorded with jjc sgm-v1. You don't have to credit me anywhere but if you liked this sound effect, please let me know in the comments where you've used it. Thanks!.