1,427 Royalty-Free Audio Tracks for "Second"

Recording of knocking on three kinds of glass for effect of tapping on window (recorded as foley for characters tapping on viewer's screen from the inside). First is damped thick glass, second is undamped thick glass, third is double-glazed window pane. Knocks separated to allow reverb and dynamics to damp down between them, background noise lightly cleaned.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song->> Happy Happy HardPopCoreTastic This is stem 3, the second piano chords line.

Billy Murray sings "You're a Grand Old Flag". This recording contains the second of three sets of lyrics written for the song. ("You're a grand old flag, tho' you're torn to a rag...")

Carl Maria von Weber - Sonates pour violon et piano-forte, op.10 (n°1, deuxième mouvement) interprété par Fritz Kreisler et Michael Raucheisen (1930). Carl Maria von Weber - Sonata for violin & piano, op.10 (n°1, second movement) played by Fritz Kreisler and Michael Raucheisen (1930).

Bullfrogs and crickets at night. The first half of the recording will have some human voices in the background, the second half shouldn't have any voices but does have water noises. Recorded in a horse pasture near portland, oregon in april. The water is from a small culvert emptying into a small irrigation stream.

This is the second half of my train to work, plus my walk from my train to my office. Includes sounds of getting on the train, taking the train a number of stops, getting off the train, onto the street. Some sounds of traffic, and then the sound of my office's eleavtor.

A field recording of light rain as it falls steadily in a hilly suburban area near the pacific coast highway and sea shore. The microphone was placed on a second-story window facing the street, though there was no traffic. You can hear the rain falling onto the roof, nearby pavement, trees, and ground. An unedited 1 minute sample.

A useful little sound to melt two variating parts of your song together. Put this sound on the end of the first part of your song to get a fluid transition to the second part. If you like this sound, you should also check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy cheers! :).

Thunder sound synthesized from a randomly generated tone, and processed (in audacity) with: multivoice chorus, harmonic sythesizer, tons of gverb, 2-second delay, and fade-in/fade-out where appropriate. Again, this is my very first attempt, i'll keep trying to make more realistic samples like this. Until then, tell me if you liked this (rate it, comment).

This is the second part of four sounds of a cessna 152. Here is the take-off and a very small part of the flight around the namur aero club. At about 3’05’’, we can ear the engine slowdown to reach the « cruise rhythm » ( approx. 2200 - 2300 tr/min). Recorded on 2017/10/21 with an olympus ls 100.

As part of my sounds collection i pulled my iphone at the london tube and recorded it while standing inside the cart. The recording is from the second i left a station until we got to the next one (including an opening doors). No process was done.

People in the hood having each their bit of fun. One drilling his life away, the other beating his drums, playing some girl into ecstacy. Recorded on october 7 2017 in the afternoon. Recorded with a zoom h6 through a roof window on the second floor with the xyh-6 capsule. No montage, a little equalizing in reaper.

Rain and thunder with some light traffic, relatively close. Urban setting. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse (first part facing the street, second part facing the back).

It's the 80s and i'm about half-way through making a punk/new wave party mix tape when my turntable starts repeating itself. Unwilling to to back and re-record the mix, i batted the needle around on the record for half a second and stopped the tape. This is the part that isn't recognizable as "hey, st. Peter!".

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Recorded at night with external microphones using a panasonic lumix gh-2 camera,out of the window from 2nd floor. In this sound file i mixed two sound recordings, the chronologically second record i put first, the first record i put second using a little fade out on the latter. Some night bird interacts. Generalcomplete name : foxy_foxes_ii_and_i. Mp3format : mpeg audiofile size : 10. 00 mibduration : 4mn 22soverall bit rate mode : constantoverall bit rate : 320 kbpswriting library : lame3. 98rsoftware : lavf56. 25. 101. Audioformat : mpeg audioformat version : version 1format profile : layer 3duration : 4mn 22sbit rate mode : constantbit rate : 320 kbpschannel(s) : 2 channelssampling rate : 48. 0 khzcompression mode : lossystream size : 9. 99 mib (100%)writing library : lame3. 98rencoding settings : -m s -v 4 -q 3 -lowpass 20. 5.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

This recording was made inside the room of my apartment in italy in the province of rieti, where i am carrying out a second flight test of my eachine e130 single-rotor radio-controlled helicopter, during the recording we also hear some small incidents. Recorded with the shure mv88 plus digital stereo microphone connected to my iphone 12 pro.

Recorded a train i was on. It's the patco train between philadelphia and nj suburbs. Sorry for the length but i figured it would be most useful if you could cut and mix it up for different sounds since there are a many different types. Tunnel, terrestrial, horns, door bell, door actions etc. Recorded from the second car.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Wavefolded byinstruo athru plaits percussion. Bias modulated by øchd, folding by maths. Markers set in reaper (mono). Came across this by chance as i was just noodling with athru for the first time. Let me know what you think of the set. Note. This is the second upload attempt, since the first didn't register (sorry admin).

10 beats in 2/4 versus 5/4 and 15 beats in 3/4 versus 5/4. Multiples of two divide 2/4 evenly, and multiples of three divide 3/4 evenly (neither depiction requires ties), but neither divides 5/4 evenly (both depictions require ties). At, say, quarter note = 150 bpm and quarter note = 225 bpm, respectively, the first pair and the second pair are identical.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Performance of "Patriotic Song" by Glinka at the Second (Extraordinary) Session of the Congress of People's Deputies of the Russian Soviet Federative Socialist Republic,on November 27,1990,at Kremlin.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

This is my second "stonerscape" that i've uploaded, the first being "creep jam". This atmosphere gives off a dark and brooding feel, my interpretation of what one may experience in a deep, suspended animation state. Get yourself properly prepared (if legal in your area), use good quality headphones, and relax in a comfortable, laid back position in a darkened room.

Wav_48khz_16bit_30"i have tried to produce "clean big hard rain" sounds for video illustration. For that purpose i have worked on a mix of several tracks:here is a mix of 2 rain sounds. You will find a second one to downloadmix of 3 rain soundsveryhardrain_mixdown_v2. Wavps: i regret a distant airplane rumble. Is it possible nowadays to make a sound without a plane? grrr.

The local library has a printer whose noise i thought was quite unique. I forgot to record it the first time, so the second time i checked out books i made sure to record it. There's a little bit of background noise, but it is a public library. [please let me know if you use my sound in anything!! i'd love to hear where it ends up].

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Honking cars pass through the street, celebrating a turkish wedding. Recorded through a roof window from the second floor of a house. Recorded with a zoom h6 with the xyh-6 capsule. Recorded october 7th 2017. No montage, just a fade in and fade out and a little equalizing done in reaper.

Wav_48khz_16bit_30"i have tried to produce "clean big hard rain" sounds for video illustration. For that purpose i have worked on a mix of several tracks:here is a mix of 3 rain sounds. You will find a second one to downloadmix of 2 rain soundshardrain_mixdown_v2. Wavps: i regret a distant airplane rumble. Is it possible nowadays to make a sound without a plane? grrr.

This is a second recording made from the balcony of my apartment with my iphone connected to the shure mv88 plus microphone. This time in this recording you can hear: dogs barking, my parakeet parrots singing, an ambulance in the distance and even a helicopter ride. This recording was made in the province of rieti in italy.

This is the second part of a recording an overflowing brook in summer, out in a farmer's field after a rainstorm. This one is pretty clear but there may be some artifacts created by my phone being jostled, or other sound sources in the area, but it's long so those could be easily cut out. Edit it however you like.

Thunder and rain, street-facing view from the 2nd floor apartment. Two great thunder cracks in this one!. Recorded on june 08, 2021 from the second floor window of an nyc apartment building. This recording was made with the on-board x-y microphone of a zoom h4n pro recording device.

You know that high pitch beep you hear after something super loud, like an explosion? here's a five second effort to reproduce that sound. It fades out towards the end like the person either comes back to themselves or passes out. There's probably some on freesound already but i couldn't find them so i just made my own in audacity.

Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

This is my second blade effect. Let me know if it is any good. I think it sounds just a little bit better than my first one. I used a blood splatter, a shovel sound, a clothing rip, and my own swinging sound. Like always, no credit is necessary. Use it in any games or movies you make. I'll be seeing if i can use this too.

Wall clock ticking. The sound is a field recording of a german made fauch wall clock. You hear the tick-tock sound of mechanical movement in a quiet room. I used a zoom h4n digital recorder to record the stereo sound. Enjoy. C gillespie sound library.

Recording of a passing car in hervanta, tampere, finland on a slightly windy afternoon (around 14-16 pm) while standing on a sidewalk. The purpose of the recording is project work for the course comp. Sgn. 120-2022-2023-1 introduction to audio processing. Recorded with a apple iphone se (2020 a2296 second gen) microphone with the sanelin/voice memos -app. Converted from m4a to wav using audacity.

A loop made from the sounds of opening and closing the wooden front doors onmy house. 130 bpm. There are two loops (marked in. Wav file). The first just the sounds of the door, with both the thud of closing the door and some creaks as it opens again, and the second with the addition of a rhythm made with wooden spoons. Earsight nano mics, dr2d. .

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

Hitting a half-full insulated klean kanteen water bottle with various objects. First short set with my fingertip, second set with the side of my varnished tin starbucks coffee mug and the third set with the side of a standard 3/8" plastic sharpie marker. According to my synth, this is extremely close to, if not spot-on with a d-natural (294 hz).

This second sound is a recorded sound of two plastic bottles, i modified it using some effects :. 1-normalize2-phaser effect with-phases = 24-original/modified = 195-frequency = 1. 0 hz-start phase = 0-depth = 100-return = -80%3-change the speed with percentage = -43. 000. The final sound gives an impression that we are hearing the hands of a clock. .

A soundbite from a field recording of a maidar (future era buddha) "circumnambulation" (was nor really a circumnambulation but they kind of call it that)-a religious procession held anually on the streets of ulaanbaatar from the biggest active monastery in the country to a second biggest in the city both located on opposite sides of the central part of town. Recording from may 2011.

With "the naughty boy" and "the traveling companion" in the second installment of fairy tales*on his travels from flower to flower. Of course we need at least to me against rust cheerful mysteriously connected melodies / sounds or pieces of called loop, of course with the help of friends with fresound. Org; for now we will not overstate.