1,427 Royalty-Free Audio Tracks for "Second"

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

This was the second clap for carers in the uk, which took place at 20:00 on 2nd april 2020. The focus was on showing appreciation for the nhs and other key workers. A couple of dogs and a blackbird joined in. The recording is in essex. Recorded with a zoom h5 on a tripod with some editing in audacity.

An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.

An interpretation of the classic old-school dreamlike tremolo vibes effect commonly used for dream sequences, flashbacks, and general dramatic impact. Second half speeds up to build tension. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

To me the final effect sounded like a haunted space ship. I began with a 10 second sample of ordinary speech then lowered the pitch, stretched the wave pattern, added echo and reverb. Then i copied portions of the wave pattern to a new track and mixed the two into a mono track. Did this several times while also using noise reduction and normalization.

Deck the Halls, from Joy to the World. Abridged by User:Adam Cuerden to remove quotes from Simple Gifts and The Twelve Days of Christmas which might confuse the listener - basically, it cuts from just before the end of the second repeat to the conclusion of the piece.

Original file name: abstract hip hop beat 1 - 28 september 2012specs: 140 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: an abstract hip hop beat loop programmed into propellerhead's reason redrum. Used the 'abstract hip hop kit' samples that come with reason's soundbank. First part of loop is dry with no effects except eq, second part is more processed. Sample pattern: a1 x2 | a2 x2effects: equalized all the samples. First half is dry in that no extra effects apart from eq are used; second part of the loop is actually two copies of the same loop with one of them containing extreme compression after some unison (detuning) and ~30ms delay. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166029). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

This is a recording of a second flight test of my dji phantom 4 pro drone in my bedroom of my apartment in italy in the province of rieti. I remember that unfortunately i am a blind boy, but unfortunately i have this passion for these radio controlled models. This recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

About the possibilities of what can be done with the human voice in a recording studio. What you hear in these remixes is twice treated: first, by matt stevenson at the eris temple in philly in '06; secondly, by zenboy1955 from the cc mixter crew in cali in 2021. The range of sounds and effects achieved is, i feel, incredible, esp. In the second, vocal montage remix. Enjoy.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

Copenhagen street. People milling, cars passing, snippets of conversation in danish, birds and aiplanes overhead. Recorded from a second story windowsill near copenhagen's (københavn's) king's garden (kongens have). Stereo mics, internal, tascam dr100 mk3. Internal lowcut at 120hz. Minor eqing done after the fact. Sound is fully loopable. Enjoy!.

Recording of a passing bus in hervanta, tampere, finland on a slightly windy afternoon (around 14-16 pm) while standing on a sidewalk. The purpose of the recording is project work for the course comp. Sgn. 120-2022-2023-1 introduction to audio processing. Recorded with a apple iphone se (2020 a2296 second gen) microphone with the sanelin/voice memos -app. Converted from m4a to wav using audacity.

Recreated sounds of a field recording done for loyola high school. There are only two sounds under an attribution license. For the first sound, i just made the duration shorter. Here is the link https://freesound. Org/people/moonfisher/sounds/185950/. The second sound has also been shortened. Here is the link: https://freesound. Org/people/juskiddink/sounds/127795/. All sound modification has been done using garage band. Mods include these: shortening duration, lowering volume, and shifting gain.

A c. 1899 recording of Paul Dresser's song On the Banks of the Wabash, Far Away, performed by Harry MacDonough. The second best selling song of the 19th-Century, (in terms of sheets music sold) and the state song of Indiana.

Winding and firing of the shutter of four vintage analog cameras. All shutter speeds were set to 1/125th of a second (except the last one). The order of each take is as follows:1. Pentax spotmatic (from around 1971)2. Yashica tl-super (from around 1969)3. Nikon fm (from around 1975)4. Yashica electro 35 (rangefinder with leaf shutter from around 1972).

Several spitting noises recorded with the aim of getting a realistic sound and nothing besides spitting. I actually spit (not dry spitting) into a plastic bag. The impact on the plastic bag can be heard, but it isn't too bad. The first half is p-spitting and the second half is t-spitting (shape mouth is held in). A little bit of horking and squishing as well. Recorded with a shure sm58 in a treated room.

5 1/2 minute recording using zoom h6 recorder of a storm front that passed through cincinnati on 4/9/2020 (which included 4 smaller f0 tornadoes). Made up of 3 segments put together. First segment (0:00) is rain and hail, second segment (1:20) includes tornado warning siren going off with one very loud thunder just before it shuts down, final segment (4:40) is rain and wind.

First attempt at recording with audacity and my new keyboard. All sounds are bone-stock from the mx49. I've only added a little reverb in one 15-second section of the piece. I didn't intend to do anything in particular, just checking out sounds on the keys and getting familiar with audacity. I think of it as a 21st century version of the beatles "revolution 9". If you haven't listened to that, you need to.

This is a second recording of an hour and 20 minutes always made in the garden of my building in the province of rieti in italy where you can hear various noises such as: cars passing by, people passing by, people greeting me, children's voices, voices of my neighbors and other various noises. This recording was done with my iphone connected to my shure mv88 plus digital stereo microphone.

Recreated sounds of a field recording done for loyola high school. There are only two sounds under an attribution license. For the first sound, i just made the duration shorter. Here is the link https://freesound. Org/people/moonfisher/sounds/185950/. The second sound has also been shortened. Here is the link: https://freesound. Org/people/juskiddink/sounds/127795/. All sound modification has been done using garage band. Mods include these: shortening duration, lowering volume, and shifting gain.

Here we hear a german public bus approaching a snow-covered stop from the right, stop, and continue shortly thereafter. The engine is a prominent part of the recording. Towards the end, a second public bus passes in front of the mic in the opposite direction before the first one continues to the left towards the next stop.

Recordings of some birds singing amongst some trees in leicester city-centre, uk. This is a composite of a longer recording. The second half of the recording focuses on another tree with different birds singing. Note the lo-fi soundscape due the noise levels caused by the nearby traffic. For more info on these sounds and the project please check out http://leicestersoundmap. Blogspot. Com/.

. . Inside an intercity express (ice) between stuttgart and mannheim, sitting in an almost empty (three passengers) second-class broad-spaced compartment at around 9 pm. After a shaky first minute an even part follows for around 90 seconds. Interrupted by some road holes the steady sound continues, now with the frequency of the engine sound rising until the beginning of the fourth minute. Here the "main part" begins, starting with several moments of acceleration, deceleracion and breaking. From minute 5:15 to 7:35 the train reaches it's peak velocity, with only few bumps. After a short deceleration the train inceases velocity again, reaching a second peak, this time noticeably bumpier. Once in a while you can hear some element of the fitments rattling nervously along the track, depending on the constitution of the railways and the overall situation. During the last two minutes the train keeps on decelerating slowly and continuously until the end. Recorded in stereo with a portable stereo recorder (zoom); enhanced in audacity using a parallel dynamic eq (tdr nova), a compressor (vos density mkiii) and a binaural spacializer (auburn panagement).

My fifth attempt at a glitch style loop. In order to make the samples used here - most of which are only hundredths of a second long - i took samples from the amen kit, then switch the format from >pcm 22. 050 khz, 8 bit, mono< into >adpcm 11. 025 khz, 4 bit, stereo< then back to >pcm 22. 050 khz, 8 bit, mono< again. I found that if you do this with a sample under 00. 35 seconds long, you get an almost random glitch sound, about. 04 seconds long, that barely sounds like the original sound. I just figured this out, but i'll make note of it; i like some of the effects.

Inserting a 5. 25-inch floppy disk into a micropolis 1053 i metafloppy floppy-disk drive. That's the sliding sound at the beginning. The second knock-knock type of sound is the press-down-and-hook drive latch being closed. The micropolis 1053 is a two-drives unit for s-100 bus early computers. This sound was recorded on the upper floppy-drive.

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

A 30-second loop i made (part of a larger song) experimenting with house and funk, and trying to fit in as many sounds as possible with no regard to the norms of good audio quality. Influences drawn from kool and the gang's "stand up and sing" and the jane remover remix of "4ever" by that kid. Anti-copyright. Feel free to use, alter, bootleg, pirate, and distribute however you see fit.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

This is the second part of an audio filtering project (in general, signal processing). This sample shows a noisy recording of my voice, after transforming the signal using the xft (extended fourier transform), applying a filter to cut some frequencies and later applying the inverse xft. All this done with an algorithm in matlab or mathematica written by me. Check the recording before the filtering process by hearing the file "holaoriginal. Wav" and please comment.

This is penny, a 7 year old female black and white cat who was being very affectionate. Recorded her in the bathroom purring and rubbing on the mic. 50 second in, i put the mic up to her chest while purring. Then at 1 and a half mins, i recorded her drinking water out of the sink. Hopefully someone finds good use for her sounds. I can always get more, and her brother as well.

My friend and i had rented a minimoog model d (c1977, not the reissue). We were jamming out some ambient-type sounds, and my mate is just getting lovely tones out the moog, going through a deluxe memory man echo/chorus/vibrato for extra analogue niceness. Listen as he goes full-on john paul jones on in the light around the 50 second mark. Fell free to use in your productions and send me a message if you do!.

Recorded from my apartment, second floor. This starts with a few bolts of lightning during the end of a typical early summer afternoon and ends up on a pretty huge thunderstorm including hail. I wish i could have recorded more but the storm was getting so important, i had to close my window.

Recording of a courtyard garden fountain in the abbey gardens in bury st edmunds, suffolk. Recorded early on a sunday morning to minimalism unwanted sounds of people!. Recorded using a directional shotgun microphone into a zoom h4 recorder. Wind sock and hpf have been used to reduce rumble. This particular recording was of the second fountain which had a splashier, higher pitch sound. Fairly close and focused on the fountain.

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

You will hear the first construction site that i walked by that has the circular sawing. Then i walked past it and sat down for the majority of the recording where you can hear the second construction site that is about a short-block away and that's where all the hammering is coming from. Recorded at astor place, nyc, january 2023. And uncharacteristically no sirens blaring lol.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

I made this texture by using an audio from cpark12 https://freesound. Org/people/cpark12/for this texture i made the audio a slow motion and added layers of it so it would sound more profund. Made for the second part of a homework i also uploaded here, if you wanna check it out, its birds or whales. . . ?im not a pro in any way, but i do like to explore, so i hope you enjoy it as well :).

Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Door to stairwell opens and closes and someone walks up two sets of stairs, the first one slighty faster than the second. Then another door is opened and the walker enters an office where music is playing very softly and there's a bit of an office din. The office portion can also sound like entering a hotel lobby or outer waiting area of a symphony orchestra concert. The stairwell is concrete and metal. It's very echo-y. Recorded on a samsung galaxy s3.

I created a chip track to which i added a reverbation effect. I copied it and then rendered both onto a new track. Reusing the same sound , i lengthened the tempo and increased the pitch on the second one. I then reused it a few times to imitate the sound of the ball bouncing off the table, speeding up the tempo and adding a fade out effect. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:secgrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

Various sounds created with ar 15. First sound is removing the magazine. Second sound is putting the magazine back in, but not all the way. Third sound is pushing the magazine in all the way. Fourth sound is taking the magazine out again. Fifth sound is putting it in again, all the way this time. Sixth sound is cycling the charging handle. Sixth sound is engaging the bolt catch with an open bolt. Recorded with a blue snowball through audacity.

Walking on a nature trail on a late summer evening. Walking on concrete at the beginning of the clip and on grass midways and on. A bird can be heard calling distantly in the background. Crickets chirp loudly throughout the clip. The sound of leaves and sticks being crunched and knocked about can be heard moreso during the second half of the clip. Recorded in southeast usa with a sony ic recorder.