98 Royalty-Free Audio Tracks for "Second Inversion"

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Major triad on F in second inversion
Author: Hyacinth (talk) (Uploads)
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Major triad on C in second inversion.
Author: Hyacinth (talk) (Uploads)
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The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
Author: Hyacinth
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00:10
Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.
Author: Hyacinth
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Fifteenth chord from Perry on C
Author: Hyacinth
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viio7 in G major, on the guitar.
Author: Hyacinth
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Dominant seventh in C in first inversion
Author: Hyacinth (talk) (Uploads)
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C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion
Author: Rosier-HR
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Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.
Author: Hyacinth
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Major triad on C in first inversion.
Author: Hyacinth (talk) (Uploads)
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D-over-F-sharp slash chord.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Major triad on F in first inversion
Author: Hyacinth (talk) (Uploads)
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Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Iidim6 chord in C.
Author: Hyacinth (talk)
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Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png
Author: Hyacinth at en.wikipedia
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Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.
Author: Hyacinth
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Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on three different instruments.
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O Gott, du frommer Gott, Evang. Gesangbuch 495 (zweite Melodie)
Author: Melodie: Regensburg 1675; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Second Suite in F for Military Band, Op. 28, No. 2: III. "Song of the Blacksmith" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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Second Suite in F for Military Band, Op. 28, No. 2: IV. "Fantasia on the Dargason" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.
Author: The Air Combat Command (ACC) Heritage of America Band
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Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".
Author: The Air Combat Command (ACC) Heritage of America Band
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First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.
Author: The Air Combat Command (ACC) Heritage of America Band
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Second Suite in F for Military Band I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the 553rd United States Air National Guard Band of the Northeast. Track 2 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]
Author: Untitled
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Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]
Author: Untitled
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Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]
Author: Untitled
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Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]
Author: Untitled
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Second movement of Gustav Holst's Second Suite in F for Military Band, an arrangement of "I'll Love My Love".
Author: The Air Combat Command (ACC) Heritage of America Band
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Samuel A. Ward's "Materna", performed by the Second Marine Aircraft Wing Band of Cherry Point, North Carolina
Author: Untitled
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Me literally chewing the mic and panting.
Author: Crunchymaniac
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Predominant chord: I64.
Author: Hyacinth
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Countdown from ten to zero (included). Male voice, created using ev re20 dynamic mic and pro tools interface. Aif, 44100 hz, 16 bit, stereo file, 60 bpm.
Author: Barbamiz
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Second sound made in fl studio, more are coming!.
Author: Simjoo
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39 seconds of a rainstick, using a bryer dynamic mic to record it.
Author: Ancientoracle
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Son d'une montre. Son enregistré avec un zoom h4n pro. Sound of a watch. Sound recorded with a zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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Contact of two crystal glasses.
Author: Iut Paris
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A tick of a wall clock.
Author: Pbimal
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Clean sound - washing machine.
Author: Ukepht
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Ticking clock, 10 seconds.
Author: Ukepht
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Idk why you would need a drop for 16 seconds but i made one anyway!:d.
Author: Xicecoffeex
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Holding and reloading gun.
Author: Josecruz
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Generated in audition via it's tone generator plug-in.
Author: N Audioman
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A plastic desk clock ticking away. I placed the microphone realllyyyyy ridiculously close to the clock to try and minimize room-sound, so hopefully this will help someone somewhere! :). Also rendered the sample so it has the ability to loop easily (i think. . . To my ears and a 60bpm grid anyway). Enjoy!.
Author: Zoevixen
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