1,427 Royalty-Free Audio Tracks for "Second"

Technician guy cleaning a macbook using an air-compressor. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, second floor "medienwerkstatt". Lat: 53. 22901672542333lon: 10. 400201082229614. Date: 2013-12-02, 15:15hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

An edited version of freesound #162268 by eneaszthe intervals between the dog running are removed. It came out surprisingly well. No skipping or clipping or any of that whatsoever. As this is the very second sound effect i've ever uploaded, i could benefit from feedback. I encourage people to rate and comment, and if you use this sound effect for something, don't be afraid to link it in the comments. I'd love to see what people use this for.

The second version of this sound effect: http://www. Freesound. Org/people/josepharaoh99/sounds/382574/ this version has only one part in the click sound effect, while the other has two. It does sound like a sci-fi sound effect, but should still work for many other uses, too. Enjoy!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

This is a kind of dull, soft laser bolt or gun blast. Or perhaps just some sort of impact sound. I thought it was interesting, because what it really is made up of is the sound of me shuffling my cell phone around for a second. How it ended up sounding like this i don't know. But perhaps someone has an application for the use of this sound. Enjoy.

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

To create this sound i recorded a disposable lighter in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

I use a screenreader, nvda. I decided to set it to the eti eloquence speech synthesizer and put the voice on the french voice. I then set the inflection to 50 and typed the letters "r" and "h" over and over to make it sound funny when it tries to read it. The first part is the normal voice, the second part i applied ring modulation with lots of lfo effect.

Several different takes combined, recorded from the second floor apartment of an nyc townhouse. The rain is hitting a neighboring rooftop which sits next to the window. The thunder is in the distance and slowly moves away, fading as the track goes on. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

Sounds of a wine glass being hit with a steel spoon and wooden stick, single hits and repetitive fast hits for imitating a bell of sorts. Going into nice overtones in the second part. Caution: may get noisy and ear-piercing ;). I recorded this for my own sound design purposes (game sfx) and thought i would share it with anyone who may find it useful - if you do, please help yourself and enjoy!.

This is part one. I wanted to do an second part whit whisper. . . . Today or next day. So for now. Please let me know if you done something with this or at least a part. I would like to listen them. If you find it useful or you like this, so please give me like!. Thank you!!!!!. Roses.

This is an attempt to create the sound of a high velocity handgun, the five seven by twenty eight milimeter, in which the first shot is normal, just edited for the echo associated with a larger caliber handgun, and second shot is editied slightly to mimick the effect of a "silencer". Recorded with samsung hmx-f90,. 22 magnum fired on private firing range, edited with windows movie maker. Enjoy.

This sound is a small fragment of "one man rumba" binaural musical recording example uploaded by karl binaural audio (http://www. Kallbinauralaudio. Com) binaural recording - wikipedia page (https://en. Wikipedia. Org/wiki/binaural_recording). I convert the original sound to mono using audacity application. Furthermore, i take the small portion (exactly 5 second length) from the original sound (from 26. 5s to 31. 5s) and give fade-out effect from 31. 1s to 31. 5s.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

There's two male ghosts, one of them more loud and more low pitched than second. They sing along some song without words and screams, they're just wail and howl. Ideally can be placed in any place related somehow to ghosts(abandoned home, castle, graveyard) in some suspense moments or as constant sound on background(though, i should notice, that the sound isn't seamless). I recorded it with my own voice, audacity's delay effect on every of two tracks(every track has one voice - logically).

This is another spoopy long background music type thing i've thrown together with pitch shift and time stretch and echo. This one is a bit long to sit through and feels to me like it often needs more space in it, but i have no idea what i'm doing so i'm stuck with what i've got. For background creepy mood stuff there are definitely some good 30ish second stretches in there that are different enough from each other to suit somebody somewhere though, i'm sure.

A thunderstorm in munich, recorded 2020-07-01 in my backyard on second floor on a balcony. It rains, the strikes come closer, then they go away, the rain recedes. Some backyard noise, faint traffic and tram. One time you here me sighing (sorry). Some minimal clipping at thunder peaks, sorry again, but i think it's very usable anyway and contains a lot of material. Recorded with: tascam dr-05, 96khz, 24bit, flacmy own recording, cc0 public domain.

2007 toyota yaris driving on a country road. I needed this type of sound for an av with specific time characteristics. Three takes separated by 1 second silence. Take 10-10: 30 kph. 10-30: slowing down in top gear. 30-35: stopping. 35-50: idling. Take 250-60: 30 kph. 60-80: slowing down in 2nd gear. 80-85: stopping. 85-95: idling. Take 395-115: 50kph. 115-130: blinker. 130: gravel driveway and stopping. Recorded on a marantz pmd 661, 10 december 2020 at 21:30, with a rode nt4.

Made for the ice-breaker collab. Simple mournful loop with deep kick, flute and strings. Tempo=90 bpm. An arpegiated supersaw over drone effect (wollo drone) repeats 3 times. First iteration includes a melody played as a flute. Second iteration of the loop has the flute replaced with a full string section. Third time around, it's just the arp and drone. All three versions of the loop have a deep, reverberating and mellow kickdrum. Sounds tribal(-ish). Created in flstudio 11. 04 with virtual instruments and vst eq + reverb.

Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, second take is hanging up. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

This is a collection of whooshes that i created using melted sounds' whoosh reaktor patch, loaded with a collection of samples i recorded of a piece of sheet metal being rubbed with my hand. There are 35 different whooshes of fairly similar length in 01, and 29 varied whooshes in 02 which were hand-performed within the patch. Ps. If you like these, there is a second file with a wider variety of whooshes in a similar style here:. Http://www. Freesound. Org/people/framing_noise/sounds/256910/.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

What effects the color of the wave here on freesound? i could ask, but here is a little test. Part 1 - a (about) 60hz tone going from sinus to triangle (vcv-rack vco-2)part 2 - same tone. Sinus wave. An accelerating vibrato. Part 3 - now 2 tones. Same 60hz sinus tone plus another sinus tone slowly increasing in frequency creating beating effects. The second, rising, vco has a lower amplitude. All three part has the same peak amplitude (-4db)#colortest.

To create this sound i recorded myself opening a can of coke in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

A second bass-drum l∞p variation from"1 drum kick l∞p-104- mrjmix series. Wav"< https://freesound. Org/people/mrjmix/sounds/541414/ >----------------------hypno-paradise version----------------------. You incorporate this sample into your project. . . Awesome!if you use the loop you can change it too, or not, but mostly i'm curious and would like to hear how you used this loop. So send me the link and i'll share it again!. Artistically. #mrjimx 🃏.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

This is a short clip from an intense thunderstorm, recorded from my second story queens apartment from an open bathroom window during the early afternoon of july 15, 2015. Some traffic and airplanes can be heard in the background. This clip was recorded using an apple iphone 6 and the zoom iq6 x/y stereo microphone with a rode dead kitten windscreen at low volume, normalized later. This recording lasts until the battery on my iphone hit 5%, at which point the zoom handy recorder app automatically stopped.

The recording starts with gentle rain and slow thunder rolling across the sky. The thunder is predominantly in the first half of the recording. The rain increases in intensity in the second half, peaking about three-quarters of the way through. Recorded on a sheltered, outdoor stairway, in a suburban location in south-eastern england, in august 2013; using a zoom h2n recorder set on mid-side stereo, at a 120 degree spread. The original recording was heavily edited, to remove traffic, trains, planes and parakeets(!). Some light, occasional, background traffic noise remains, however.

Recorded on a canon d550 camera. I live near a water tower built into a hill and firework displays cause a strange echo as the shock wave passes through. Listen to the first burst of bangs and there is a faint sound of "gravel falling into water". I suppose the frequency of the explosion is reverberating in the air gap in the water tower. There is a second burst of fireworks which are far away. Traffic from the a3 road is audible.

A car engine startup recording with lom (slovakian microphone manufacturers) omnidirectional microphone ("ucho"). If by chance i gain access to stereo diaphragm mikes of good quality, the re-take of this will be of higher quality. I intended to use this for gta sound modding and for general car ignition noises. For anyone curious, this is a second-hand honda accord (2006) saloon's engine revving, the person revving this vehicle is one of my friends starting it up who i asked kindly if i could record it.

New york city street at night, with the microphone pointed out of the second story, street-facing windows of a new york city townhouse. Moderate, night traffic. Edited to remove mic bumps and occasional sniffling/coughing. Recorded with a zoom h4n pro on january 04, 2021 around 3am with on-board x-y mic pointed straight down at the street, and traffic coming from each left/right direction.

A 39 sec. Loop of maxheadroom's wonderful "field-recording of a real live horse galloping on hard dry ground with some heavy snorting. Not a gallop past, but a constant gallop around the mic. " thanks max! i needed it to be longer for our podcast, so i figured i'd share this. I will warn you, it's pretty obviously looped due to the horse's breathing being repetitive. I was working with a 4-5 second clip. If you like it, please give me a rating!. Check out our comedy podcast "in poor taste" at http://bit. Ly/inpoortasteeps.

This is a 5 second rendering of the famous 1000hz censoring tone used on tv, movies and broadcasts. It can be cut, looped and used to censor audio that may be sensitive in nature or otherwise not fit for broadcasting. Made the tone using an analog tone/pulse generator fed into a focusrite scarlet 2i4. The sound is very clean (no noise). As this "tone" is fairly easy to reproduce and there is no copyright on it, i'm not going to ask for attribution or anything. Just use it as you see fit whether it'd be commercial or private. Tl:dr; public domain file made by me (bjornthv).

Pinafore airs, Pt. 2 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. This is Edison Blue Amberol #1891, also issued as Edison Amberol #820

A recording of a shower door, i used this sound through izotope iris 2 to produce a low, slow bassy kick sound, for a pretty ambient piece i did. I don't know why i became fascinated with the shower door. Bathroom time can be surprisingly pensive, so perhaps the sound of the door shunting shut became associated with that introspective space for me. Yes, i am aware that this the second bathroom sound i have shared. This may take on a certain significance given the fact that i have only shared a handful of recordings, but i encourage you not to read too deeply in to this fact.

This is the sound made by the needle crossing the linen cloth during my wife's embroidery sessions. The fabric is under extreme tension in a special wooden frame, it's like a tambourine skin. So when she stitches, the needle goes through the fabric (linen) and therefrom comes the main noise (like a door w/o grease). A second noise is a kind of dry "pop". It's when the thread finishes to run across the fabric, a tiny loop is stuck and the relased, making the fabric jump like a drum skin once again. Sound taken the 15th of march 2021, in brittany, france, using a xiao redmi smartphone.

This is a quick little bass heavy remix i tossed together using cc0 sources from right here on freesound. I have never tried mixing anything remotely musical before, so this is a first. Not the best, but maybe someone out there may still enjoy it. I imagine this would maybe be usable as an intro for something, but perhaps it just belong in the bin. Sources :male intro voicehttps://freesound. Org/people/badoink/sounds/554842/. Claphttps://freesound. Org/people/waveplay. /sounds/554868/. Distorted female vocalshttps://freesound. Org/people/waveplay. /sounds/554948/. Basshttps://freesound. Org/people/waveplay. /sounds/402692/.

Two minutes waiting in line for the second dose of the moderna covid-19 vaccine just outside of santa fe shopping mall at bogotá, colombia. This is for registering the experience of waiting four hours in line for a free vaccine in the year 2021. Dos minutos de la espera en la fila para segunda dosis de la vacuna moderna contra el covid-19 en las afueras del centro comercial santa fe en bogotá, colombia. Registro de la experiencia de hacer cuatro horas de fila por una vacuna gratuita en el año 2021.

Potable hoover (vacuum as known in the states) powered-on. Portable vacuum cleaner turned on. Short sample which can be looped. Two samples are included, the first is about 30cm away from the microphone and the second is a close-up to the microphone. I would advice using the end of the audio file to apply noise removal however have left this upload of the sound unedited so you can tweak this yourself to find what fits your project best. Noise removal may not be necessary at all depending on how you incorporate the sound. Also to be fair, how do you add noise removal to what is essentially glorified white noise?.

A horrible sound for a contest, created by paulstretching the sound of an old photo-slide scanner six times, then slowly layering it on top of itself up by a semitone every second and adding reverb. Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want (i enjoy watching/listening to anything you create!). The sound was recorded using a "h1 zoom v2 recorder". Originally edited using audacity and paulstretch on 25th september 2016. Note: audio quality is always better when downloaded.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Recorded on september 4, 2020 on an ipad. Some parts or maybe even all of it may sound like just noise to some people. It was recorded in a government fenced in square. So there are buildings on 3 sides of my location and a gated entrance at the front. It is mainly drums that are played for a dragon dance. These dances are performed at special occasions, such as a new business opening. There is a troop of about 8 people there to perform the dance. For the first half of the recording, the two dragons (four people) were preparing and they were actually performing the dance for the second half of this recording.

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

A second attempt at recording the deep mud i keep finding myself walking through each morning on walthamstow marshes. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics (connected to a bent wire clothes hanger and positioned about 30cm above my feet). Processing: normalize -1. 0db, low cut filter 100hz, minor noise reduction to reduce background traffic/train noise. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

A little thing i came up with while doing some research on how j macis writes music. Found out he puts a capo on the second fret and by doing that this japanese pop chord progression i learned by watching a video marty friedman did on japanese style guitar improv was sounding a lot better than without one. This is free to use but if you do use it maybe throw my name on there, or at least show me what you did!. Recorded with a shitty usb mic i got for 20$ against an orange crush 20rt, effects used were a blues driver and a tube screamer.