600 Royalty-Free Audio Tracks for "Side"

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

This version of music file is publish in this side on special bases. Singed by "Modraki" from Pelplin. DESCRIPTIONS: Anthem of Kociewie Hymn Kociewia Himno de Kociewie Magyar: Himnusza s Kociewia Română: Imnul al Kociewie Hymne des Kociewie

A fly buzzing around a small room, bouncing off windowpanes, resting, repeating. Akg perception 220/400 mid-side stereo > sound devices mixpre-6 @ +50db 24/96 > adobe audition ( digital gain, noise reduction, downsampling ).

Flat and un-fiddled with mid side recording on a sunday afternoon in a rural english garden. Featuring an angry blackbird, one annoying car and an asthmatic collared dove who makes an appearance at -00:26. Just for fun. :-).

Instrumental composition using violin, piano and tabla based on Hindustani classical music, credited to P.S. Mukherjee of Kanpur. Recorded around 1930-31 in India Taken from 78 rpm disc: TWIN FT12220 OMF. 4368 Digitised by: Moloy Ghosh Credits: Debamitro Chakraborti

Song: "Pobre mi madre".- Author: José Betinoti (1878-1915).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T595, Side A, Buenos Aires, 1913. Tema: "Pobre mi madre".- Autor: José Betinoti (1878-1915).- Interprete: Cantante: Carlos Gardel.- Grab.: Columbia, T595, Lado A, Buenos Aires, 1913.

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

Instrumental composition using violin, piano and tabla based on Hindustani classical music, credited to P.S. Mukherjee of Kanpur. Recorded around 1930-31 in India Taken from 78 rpm disc: TWIN FT12220 OMF. 4368 Digitised by: Moloy Ghosh Credits: Debamitro Chakraborti

Warining, unprocessed raw mid-side recording. Some wind noise and rustles. Nearby russian orthodox church bells.

Mid/side crashes, variation #4.

Drum dump 2012 begins.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

Drum dump 2012 begins. See pack descriptions for notes.

A steady rain falls silently through the still december night air, then splatters all over the tile and cement surfaces of a back yard, splashing in standing water. A hint of space from brick/stucco fencing and house bounding all sides. Akg perception 400 large diaphragm mid-side stereo pair in omni+fig8 mode > sound devices mixpre-6 @ 24/96. See also: musical dsp processed version of above:https://soundcloud. Com/chromakei/watercolor.

Audio-technica at4040 (mid)akg perception 400 (side)sound devices mixpre-6 @ 24/192adobe audition (edited, normalized, downsampled). Mics placed on pedestrian walkway facing dam spillway at a 45-degree angle from about twenty feet away at closest approach. Around 2pm, slightly breezy, approximately 26'c, sunny. . It's a funky mid-side configuration with dissimilar mics, i wanted to try this, expecting the at4040 to be a step up over the akg perception 220, but i knew this would be more dissimilar to the akg 220+400 pair. . . I've begun to notice how peaky the akgs can up around 5k-10k. What do you think?.

His name is mushi, he's a white-bellied tabby cat who is about twelve years old and has been very vocal as long as i've known him. Akg perception 220 (mid)akg perception 400 (side)sound devices mixpre-6 recording @ 24/96normalized, downsampled to 16/44. 1 in cooledit 2000.

Wind in aspen tree leaves, light rain becomes moderate, thunder far and close. Akg perception 220 (mid)akg perception 400 (side)sound devices mixpre-6, 24bit/96khzpostprocessing: compression, normalization, flac compression.

Nightmare Blues Written by Arthur Behim and Frank J. Gillen Performed by Daisy Martin with Tampa Blue Jazz Band Okeh 10" 8013, Side B Matrix Okeh S-70087-C Recorded in August 1921 David Giovannoni Collection

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

Bees swarming in an aspen tree in pursuit of its sap. Schoeps cmc6-uxt/mk41 (mid) + cmc6-uxt/mk8 (side) mid-side stereo array in hand-held rycote zeppelin + shockmount > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr of handling noise/wind?, amplification) > flac. Compare and contrast with the audio-technica ldc mid-side version here:http://freesound. Org/people/chromakei/sounds/400169/.

Bees with a frenzied interest in the pollen or sap coming off the leaves of an aspen tree in my back yard. Distant construction equipment audible. Mic stand below the tree, mid-side stereo array pointed 'forward' nearly straight up at tree limbs/leaves. Audio technica at4040 (mid) at4050 (side) > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, eq, 'mastering exciter/loudness/width') > flac.

Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.

Keep On Going (When You Get Where You're Going You Won't Be Missed At All) Written by Al Bernard and Paul Crane Performed by Daisy Martin with Tampa Blue Jazz Band Okeh 10" 8013, Side A Matrix Okeh S-70088-B Recorded in August 1921 David Giovannoni Collection

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

Single chime being struck. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Firepoker use sounds: poking some burnt logs (no fire), pulling poker out of fireplace tool bucket and gate, hitting other metal with poker.

Two chimes colliding. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Recording of a lake near almere in the netherlands. M/s decoded.

Amicus No.: 31386294, Performer Heading: Victor Military Band, Performer: Victor Military Band, Title: "O Canada" [sound recording] / [Calixa Lavallée], Composer Heading: Lavallée, Calixa, Generic Label: Victor, Transcribed Label: Victor, Numbers: Issue no.: 17999, Matrix no.: [16871], Take no.: 1, Side no.: B, Notes: Distributor: Victor Talking Machine Co., Camden, Manufacturer: Victor Talking Machine Co., New Jersey, Recorded: [9 Dec 1915], [Camden, NJ], Victor Talking Machine, Released: [ca 1916], Issue Type: primary label, Discographical reference: disc; Abrams, unpublished research, recording date, release date and matrix number, Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch, Genre: Anthems ; National anthems; Hymnes nationaux, Canada, Location: 0004 1376 1379

The side of a gong being struck.

Quick footsteps from side to side in the stereo field.

Quick footsteps from side to side in the stereo field.

Fast footsteps from side to side in the stereo field.

Fast footsteps from side to side in the stereo field.

Peeing on the side of a house.

Background of the side streets of rhodes, scooter.

A very short finger snap adjusted side by side to sound like a snapping with both hands.

Bubbles moving side to side in a glass pop bottle.

Opening and closing the fridge and freezer doors in a side-by-side jenn-air unit. Ice crackling can be heard on the freezer side.

Anchor drops over side of boat.

Track side monza milan italian gp 2014approaching f1 cars recorded on olympus ls10sampler material.

Truck stalled on the side of a city road.

Just some rain in barcelona, recorded with a zoom h2n in mid-side mode.

Rear side-by-side doors opened and closed. Rode ntg-1, 16 bit 48khz.

Just a simple side chained 808 hat loop.