119 Royalty-Free Audio Tracks for "Mid Sides"

Mid/side crashes, variation #4.

Warining, unprocessed raw mid-side recording. Some wind noise and rustles. Nearby russian orthodox church bells.

Drum dump 2012 begins.

Drum dump 2012 begins. See pack descriptions for notes.

A fly buzzing around a small room, bouncing off windowpanes, resting, repeating. Akg perception 220/400 mid-side stereo > sound devices mixpre-6 @ +50db 24/96 > adobe audition ( digital gain, noise reduction, downsampling ).

Wind in aspen tree leaves, light rain becomes moderate, thunder far and close. Akg perception 220 (mid)akg perception 400 (side)sound devices mixpre-6, 24bit/96khzpostprocessing: compression, normalization, flac compression.

Bees swarming in an aspen tree in pursuit of its sap. Schoeps cmc6-uxt/mk41 (mid) + cmc6-uxt/mk8 (side) mid-side stereo array in hand-held rycote zeppelin + shockmount > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr of handling noise/wind?, amplification) > flac. Compare and contrast with the audio-technica ldc mid-side version here:http://freesound. Org/people/chromakei/sounds/400169/.

Flat and un-fiddled with mid side recording on a sunday afternoon in a rural english garden. Featuring an angry blackbird, one annoying car and an asthmatic collared dove who makes an appearance at -00:26. Just for fun. :-).

Two chimes colliding. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Single chime being struck. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

A steady rain falls silently through the still december night air, then splatters all over the tile and cement surfaces of a back yard, splashing in standing water. A hint of space from brick/stucco fencing and house bounding all sides. Akg perception 400 large diaphragm mid-side stereo pair in omni+fig8 mode > sound devices mixpre-6 @ 24/96. See also: musical dsp processed version of above:https://soundcloud. Com/chromakei/watercolor.

Bees with a frenzied interest in the pollen or sap coming off the leaves of an aspen tree in my back yard. Distant construction equipment audible. Mic stand below the tree, mid-side stereo array pointed 'forward' nearly straight up at tree limbs/leaves. Audio technica at4040 (mid) at4050 (side) > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, eq, 'mastering exciter/loudness/width') > flac.

His name is mushi, he's a white-bellied tabby cat who is about twelve years old and has been very vocal as long as i've known him. Akg perception 220 (mid)akg perception 400 (side)sound devices mixpre-6 recording @ 24/96normalized, downsampled to 16/44. 1 in cooledit 2000.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

Recording of a lake near almere in the netherlands. M/s decoded.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

Audio-technica at4040 (mid)akg perception 400 (side)sound devices mixpre-6 @ 24/192adobe audition (edited, normalized, downsampled). Mics placed on pedestrian walkway facing dam spillway at a 45-degree angle from about twenty feet away at closest approach. Around 2pm, slightly breezy, approximately 26'c, sunny. . It's a funky mid-side configuration with dissimilar mics, i wanted to try this, expecting the at4040 to be a step up over the akg perception 220, but i knew this would be more dissimilar to the akg 220+400 pair. . . I've begun to notice how peaky the akgs can up around 5k-10k. What do you think?.

A simple button click sound. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

A bottle almost empty. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

Firepoker use sounds: poking some burnt logs (no fire), pulling poker out of fireplace tool bucket and gate, hitting other metal with poker.

Electric handheld food mixer. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

An exercise thing which you squeeze that makes a loud creaking noiserecorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

An exercise thing which you squeeze that makes a loud creaking noise, sounds interesting pitched down. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

This is the sound of me rubbing a hairbrushes bristles. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

This is a fantastically clean stereo recording of a paste gong that was about 3 feet in diameter. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

This is a clean stereo recording of a oddly shaped gong with some stones resting inside it. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Just some rain in barcelona, recorded with a zoom h2n in mid-side mode.

Neumann kmr82i and at2050 in mid/side.

Neumann kmr82i and at2050 in mid/side.

Neumann kmr82i and at2050 in mid/side.

Neumann kmr82i and at2050 in mid/side.

An excerpt from a longer recording made with a mid-side rig in a zeppelin. Schoeps cmc6uxt+ mk41, mk8 mid-side stereo rig in rycote zeppelin, handheld. > sound devices mixpre-6 @ 24/192. > adobe audition.

Dawn birdsong recorded mid side. No traffic and no planes.

Single thunder roll. Neumann kmr82i and at2050 in mid/side.

Engraving into stone with rock, foley. Neumann kmr82i and at2050 in mid/side.

Opening letter, paper, tearing. Neumann kmr82i and at2050 in mid/side.

Made in reaper with noise and filters mid side and phase quad etc. . .

Short, muffled, distant roll. Neumann kmr82i and at2050 in mid/side.

Skipping rope at various speeds. Neumann kmr82i and at2050 in mid/side.

Foley, like punching bag, boxing. Neumann kmr82i and at2050 in mid/side.

Drum dump 2012 begins. See pack descriptions for notes.

Neighbourhood fireworks recorded from roof of house. Rode nt2 & apex460 mid/side.

Single muffled thunder roll, high pass filter. Neumann kmr82i and at2050 in mid/side.

Quite close, big explosive thunder. Neumann kmr82i and at2050 in mid/side.

Ripping or tearing open a letter. Neumann kmr82i and at2050 in mid/side.

Plastic stick recorded zoom h6 with mid-side capsule. Edited adobe audition, a little bit compressed and noise reduction.

Stereo m-s (mid-side) test-recording at time square, new york.