230 Royalty-Free Audio Tracks for "Size"

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Harmonic sinusoidal output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Harmonic sinusoidal output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

This is an example of importing raw data into audacity. This is three geometrical object saved as bmp format and then opened in audacity. The size of the file is 5633kb. Imported as raw data, signed 16-bit pcm, big-endian, stereo.

A freight train recording from western new york, usa. Recorded with a zoom h1n at 24-bit, 48khz, stereo but reduced to flac 16-bit for file size. Microphone was roughly 500 meters away with houses in-between.

This is a recording of the sounds made by a playstation 2's composite video out, converted to audio. This was done by using a composite rca connector to aux size version, and attaching that to a computer and recording from it.

Adult-size scissors cutting regular white copy paper. Variety of cut lengths. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

A riding experience. A train leaves one station and reaches another. The original wav file sounds thick and heavy, i mean, sounds good, but the size becomes big as well. The outline of the sound is well described at mp3, too.

Playing with a cute lower middle-size mixed breed dog. Recorded using a zoom h2. On flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Recording of an industrial size single cylinder compressor. Interesting sound at the end of the recording when the compressor have finished its cycle. 96khz 24bit stereo wavtascam dr-100mk3.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.

My aunt has some bells that sound light, delicate, and ethereal. She said they are from india. There are two strands of brass bells about the size of an acorn each. You are hearing only one single strand sounding in this recording.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

I took a fairly drone-like-ambience, placed it in reaper's media explorer, and just had fun changing the loop size while recording the desktop.

This is a solo acoustic slide guitar noodling round with a country-ish melody. I've added some splices here and there to make it easier to navigate. Quite good fun to modulate the position and gene size to create some eerie rhythmical effects. Have fun!.

Mixed signal and noise with 15db snr. Input file : '15db. Wav'channels : 1sample rate : 16000precision : 16-bitduration : 00:00:03. 24 = 51761 samples ~ 242. 63 cdda sectorsfile size : 104kbit rate : 256ksample encoding: 16-bit signed integer pcm. Source for generation: https://github. Com/sato-kunihiko/audio-snr.

A medium size pack of wolves about 6 or 7 howling and moaning at the moon at dusk. You can also hear the crickets and a few birds

A little excerpt from one of my cam sessions. I'm not the submissive type, but i thought it would be fun to hear her get really nasty and abusive, she was a really nice young woman though. Audio extracted from video and cleaned up somewhat. Audio:. Id : 2format : aac lcformat/info : advanced audio codec low complexitycodec id : mp4a-40-2duration : 16 min 12 ssource duration : 16 min 12 sbit rate mode : variablebit rate : 93. 5 kb/schannel(s) : 2 channelschannel layout : l rsampling rate : 48. 0 khzframe rate : 46. 875 fps (1024 spf)compression mode : lossystream size : 10. 8 mib (4%)source stream size : 10. 8 mib (4%).

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

Track was created using audacity®. The track was a generated chirp of 1 sec. Repeated once and then reversed. The gverb filter was used with a low early reflection and high room size value. And then the echo filter with 0. 2 delay time of seconds and decay factor of 0. 5 seconds was applied.

Ian dury used something like this in "what a waste". . . It's the gurgling noise made when the last of the water runs down a bathroom sink plughole. Conveys almost as much meaning as a cistern flushing, but in a shorter time (smaller file size). As ever (with my stuff) no "noises off" and so ready for mixing!.

Large tesla coil fired off in a very large old factory. Probably around 40kw. Https://www. Lod. Org/srl-coil. Htmlit is unusual to hear a tesla coil of this size in an indoor space. Using a sony mz-rh1 minidisc recorder with unmodified panasonic wm-61 electret condenser microphone capsules.

Large tesla coil fired off in a very large old factory. Probably around 40kw. Https://www. Lod. Org/srl-coil. Htmlit is unusual to hear a tesla coil of this size in an indoor space. Using a sony mz-rh1 minidisc recorder with unmodified panasonic wm-61 electret condenser microphone capsules.

Sound of someone sawing or cutting a medium size tree limb off a tree. This sound like other sounds can also be used for other sound effects like a surgical or bone saw.

This was a fairly small air mass thunderstorm, only a few km across. However, it made up for its size with amplitude, becoming the largest attention seeker for miles around. Listen at -07:12 for some of the strangest thunder i have ever heard. . . Recorded with a rode stero videomic pro.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only.

These sounds were made by this upxon-brand, key-size combination lock box: https://www. Amazon. Com/gp/product/b08ldj479d/. I bought this, and while fiddling with it i became mesmerized by the sounds it made. So i decided to record them foley-style. Recording starts with 15-second noise floor. Recorded with an iphone 7.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

Forest ambience with a strong wind blowing through the trees. Distant birds and creaking tree trunks make for a long, placid ambient listen. Recorded on zoom h1n, 24- bit, 48k but reduced to 16-bit, 48k and lossless flac compression for file size. Cleaned up a couple wind pops and filtered below 100 hz in izotope rx.

Recorded using the built-in mics of a zoom h4npro (2016 edition) @ 24bit. This is a small amount of liquid being poured into a drain about the size of a silver dollar. The original recorded captured the apartment's heating system. I used noise reduction, then normalized the waveform. This sound is free to use whenever and wherever.

Subject : female cat of medium size purring. Date : 220101-21location : near dijon france. Hardware : zoom h5 stock xy mic. Processing : trim only. Close recording, mic near the nostrils. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).

The raw version of this sample was made by hitting my knuckle on a metal sculpture of an aircraft. De-clipped and de-noised just slightly using izotope rx. Verb, eq and comp in logic pro 8 + plugins. Recorded using the spectrumview iphone app. Sample rate = 48ksample size = 24 bit.

Recorded at night with external microphones using a panasonic lumix gh-2 camera,out of the window from 2nd floor. In this sound file i mixed two sound recordings, the chronologically second record i put first, the first record i put second using a little fade out on the latter. Some night bird interacts. Generalcomplete name : foxy_foxes_ii_and_i. Mp3format : mpeg audiofile size : 10. 00 mibduration : 4mn 22soverall bit rate mode : constantoverall bit rate : 320 kbpswriting library : lame3. 98rsoftware : lavf56. 25. 101. Audioformat : mpeg audioformat version : version 1format profile : layer 3duration : 4mn 22sbit rate mode : constantbit rate : 320 kbpschannel(s) : 2 channelssampling rate : 48. 0 khzcompression mode : lossystream size : 9. 99 mib (100%)writing library : lame3. 98rencoding settings : -m s -v 4 -q 3 -lowpass 20. 5.

Ambience of middle size spa room with quiet swimming pool. Channel 01 - boom mchannel 02 - boom s. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Kolvitsa river is located in the south of the kola peninsula in murmansk oblast, russia. It is 9 km in length and it's basin size is 1310 km². The kolvitsa originates from the lake kolvitskoye and flows into the kolvitskaya bay, kandalaksha gulf, white sea near the village of kolvitsa. The river is suitable for whitewater canoeing. Recorded on zoom h6.

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.