11 Royalty-Free Audio Tracks for "Sonic Object"

Electronic algortmic generated sonic object nr1 "arcturian symphony fragment".

Sonic object 251 radio astronomy signals electronic composition fragment 16m57sg.

Electronic generated voices and ambience sounds.

Electronic generated voices and ambience sounds.

Electronic generated sonic object non human female voices modulations sample 1.

Radio reception noise with alien girls voices modulations.

In this record you can hear the noise of the chain of one bicycle being pedaled. Is like a hum. It is a sound object used in the sonic ensemble soundscape for the sound creation lab project. It was recorded using a zoom h4 recording device at roc boronat street, barcelona. The recording was edited with a fade in and out effect.

This sound is a recording of the bell of a bicing bike. It is a sound object used in the sonic ensemble soundscape. Called percussive due to its impact characteristics. It was recorded using a zoom h4 recording device at roc boronat street in front upf campus, barcelona. Recorded for the sound creation lab project. The recording was edited with a fade in and out effect.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

An evolving bass/pad i patched using subtractive synthesis. Convolution reverb added as well as some subtle distortion and post synth filtering. Please give me a mention if you use this :-).