14,392 Royalty-Free Audio Tracks for "Square Root Of 5"

Square root of 5 on C. √5 : 1 = 1393.16 cents.

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

*Octave equivalent square root of 7 on C. √7/2 = 484.41 cents. MIDI pitch bend: 1,59

*Square root of 7 on C. √7/1 = 1684.41 cents. MIDI pitch bend: 1,59

*Square root of three on C. √3 = 950.98 cents. MIDI pitch bend: 40,48

*Square root of 6 on C. √6 : 1 = 1550.98 cents. MIDI pitch bend: 40,48

Just major triad on C (4:5:6).

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Major triad on C. Created using Sibelius.

A raw recording of a home-made 5-string kantele played by an uneducated person. The first part is an adaptation of the traditional song Vaka vanha Väinämöinen. The other parts are some random ways in which the instrument can be played and may or may not correspond to traditional playing methods.

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.

Just Intonation Major Chord (4:5:6)

Symphony No. 5, first movement, bars 195-227

Mahler Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz

Mahler Symphony No. 5, I. Trauermarsch

Mahler Symphony No. 5, V. Rondo Finale

Mahler Symphony No. 5, IV. Adagietto

Mahler Symphony No. 5, III. Scherzo

Scale of harmonics on C.

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Klaviersonate Nr. 5, Op. 10.1 - III. Finale - prestissimo

De la wiki en inglés. Sound example from fourth movement of Beethoven's 5th Symphony, recorded by Opus33 using an acoustic piano. This music is in the public domain. This recording is released into the public domain by Opus33.

Sound illustration for a brief passage from Beethoven's Fifth Symphony. Produced with an acoustic piano and Audacity software by Opus33. This music is in the public domain. This recording is released into the public domain by Opus33.

*Single note of just BP diatonic scale on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit.

*Single note of just BP diatonic scale on C = G. Just: 5/3 = 884.36 cents. Limit: 5-limit.

*Six-hundred-twenty-fifth harmonic on C = D. Just: 625/512 = 345.25 cents. Limit: 5-limit. MIDI pitch bend: 61,78

*Three-hundred-seventy-fifth harmonic on C = F+. Just: 375/256 = 660.90 cents. Limit: 5-limit. MIDI pitch bend: 62,51

*Four-hundred-fifth harmonic on C = G♯+. Just: 405/256 = 794.13 cents. Limit: 5-limit. MIDI pitch bend: 15,62

*Single note of just BP diatonic scale on C = B. Just: 25/9 = 1768.72 cents. Limit: 5-limit.

Klaviersonate Nr. 5, Op. 10.1 - II. adagio molto

Klaviersonate Nr. 5, Op. 10.1 - I. Allegro molto e con brio

Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67 - iii. allegro

Symphony No. 5 in C minor, Op. 67 - ii. Andant con moto

Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. I Andante - II Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. I Andante - II Andante

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. III Allegro - IV Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. III Allegro - IV Andante

*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60

Symphony No. 5 in C minor, Op. 67 - i. Allegro con brio

Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67 – iv. allegro

*15625th harmonic on C = A♯+. Just: 4/12 = 1117.88 cents. Limit: 5-limit. MIDI pitch bend: 92,69

John Philip Sousa's "Keeping Step with the Union" (1921) as performed by the United States Marine Band. Track 94 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "USAAC March" (1918) as performed by the United States Marine Band. Track 87 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.