201 Royalty-Free Audio Tracks for "Stand"

Shell casings being dropped onto a tiled floor. I got some shell casings from a local shooting range and recorded the sound of various sized casings bouncing on a tiled floor. I used a usb condenser mic (samson co1u pro) with audacity. The section of floor i dropped the shells onto was surrounded by acoustic panels to dampen the echos. A couple times the casing bounced into the mic stand, but i've left them in because they're still useful. There was some background noise caused by my computer which i removed with audacity.

This is the sound of a 98cc sachs engine of a 1938 light motorbike. It is one of the bikes in my private collection. The sounds reflect the fuel cock switching, flooding of the carburettor, sucking of the cylinder and two tries to bring the engine to life. The sound in between is the clutch lever. The engine is started by pedaling the bike on its stand. Main engine run features idle to half throttle open. The engine is eventually stopped by using the decompression lever which you can hear at the end. This is a true recording of the actual item.

Recently, i have been playing "the last stand legacy collection" and got inspired to create some of my own zombie sound effects. These are all created by me from my own voice. This is free for anyone and credit is not needed. I do recommend giving credit in your usage so that others can find these sound effects as well. Be sure to leave some of the content that utilized my sound effects down below, i will make sure to check them out! this version has all the sound effects applied except for reverb.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

It's a part of my pack "sickness". Sounds i recorded while being sick. I got a virus infection resulting in elevated body temperature, lack of strength, cough, running nose and sneezing. Check the title for what is in this particular recording. Recorded with zoom h2 on a mic-stand @ 96khz/24-bit. All the sounds in this pack are raw (unprocessed) they were truncated and converted to flac (both using audacity) but not normalized, with original 24-bit precision - turn them up as you need, denoise if you have to, cut out what you want. Enjoy my pain ;-).

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

ElectricShockingKrautRockingMinimalMachine by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

Improv by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Minimalism-ism by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Xy stereo recording from gärdet subway station in stockholm. This focuses on an older trains doors, various steams and similar "heavy" sound elements. In post: edited in pro tools with som bass cutting (eq) and automation to make some sounds stand out but still sound realistic. Put on a light compressor and pich-shifted down some elements to give more depth. This was in someway inspired by "dead space" tram and door sounds but slightly less "massive" and haunting. Ps. There's 2 versions of this recording. The one with "nr" in the title is noise reduced so sounds like the doors and steam are somewhat separated from the background. Hope you like it.

It's a recording of a calcium-sandoz® forte/fuerte 500 mg effervescent tabled falling into a glass of water and dissolving. You can hear the tablet dropping into the water and water droplet hitting water surface back. After w while - co2 buubles start to appear creating noisy sound. The recording has a long natural fadeout and unfortunately some background noise. I leaved "silence" before the sound starts so you can de-noise the recording to your needs (i prefer audacity for denoisig). Recorded inside of my wardrobe for acoustic isolation using zoom h2 on a mic-stand. Recoded as 96khz/24-bit wav. Normalized, truncated and convertet do 16-bit flac using audacity. I've converted this to 16-bit as it still has plenty of noise and 24-bits would not be any better after normalization.

Pine cones dropping and landing on a bed of pine needles. This recording was made on a windy day, so there is some background "whooshing" wind; all in all, i think these pine cones softly landing on the needles can be put to good use. Recording made with my zoom h4n recorder, with a rode ntg-2 shotgun microphone. For this recording i literally wanted to get as close as i could, so i placed the shotgun microphone on the ground and carefully let the pine cones fall as close to the microphone as possible, but without hitting it. *not easy to do. I did edit out some of the direct hits!. Enjoy, and if you ever get the chance to spend a warm afternoon in the peace of a thick stand of pines, you should. Kvgarlic.

If you stand just underneath a commercial airplane as it's coming in to land (as was the case here at dfw airport) and so long as there's not a lot of noise around you (like loud traffic, etc. ) then when the jet passes overhead, what you can't see is that at the tips of the wings are rapidly spinning vortices of air that coil off the wingtips as the plane passes through air. These long, coiling spirals of air will eventually "close" and as that happens, it creates a momentary but bizarre, surreal sound that you really need to hear for yourself in person to get the full effect. This was the best i could capture on august 15th, 2022. Enjoy!.

Better set on monoaural on your daw if possible due to the off-center recording. Having been a bit ill on some rich iron content food i couldn't stomach (offal it was, it was the sheep fried liver who was the culprit - the very rich iron content upset my stomach pretty bad - was looking for something "new". ). Keep in mind that i am unable to do this as a request for obvious reasons including health, livelihood and risk of damage to equipment. I tried very hard to avoid shaking the zoom as not to make the wobbling sounds. If i am ill again, i'll use my ma-2 (microphone stick) and gravity microphone stand and get a real good recording of real vomiting but keep in mind this was recorded in my showerroom so some er may occur.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.

This was recorded during a harsh storm here i stockholm. Harsh winds blowing thru a small forest. Details such as leaves rustling and hard stormy winds are key components in this recording. It sounds like a storm is approaching what do you think?. I honestly don't remember what i did in post. . . I think i removed alot of bass/rumble, added an expander to remove some unwanted noise to help the winds and leaves to stand out. I probably used rx to clean up some unwanted noises. Equipment:zoom h5 + sony ecm 6080s condenser mic. This was a test to see how the stereo configuration on the ecm 6080s sounded like. I really like it but i would prefer an ab configuration with 2 dpa 2011 or even 2 4060. . . I like the sound it was able to capture even if it may be a little to "centered". I probably will try to use it for my future hiking trips to capture rivers and general ambiances, if i get something special i will upload them here. Hope you like it.

How Stands the Glass Around

National Anthem used in 1915-1916.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

Mirror being knocked and then shaking where it stands. It broke later that night.

This is the sound of a large caterpillar excavator demolishing the north grandstands of the newburyport high school stadium.

A car is passing as a person stands on the sidewalk. It was recorded using the h4n's stereo microphones.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

Bhs stands for butthole surfers. Aka the most awesomest lsd-driven, anti-corporate, outrageous, crazy, ridiculous, band ever to exist ever!!!http://buttholesurfers. Com/radio. Htmlaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhh!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.

I walk into the bathroom. There he stands, naked, scratching his butt. Wait!. Got my recorder now. Scratch for me.

Bhs stands for butthole surfers. Aka the most awesomest lsd-driven, anti-corporate, outrageous, crazy, ridiculous, band ever to exist ever!!!http://buttholesurfers. Com/radio. Htmlaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhh!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.

4 clanks or clinks made by hitting a crowbar with a hammer. Stands in for an anvil sound. Good to mix in with existing drums / percussion. 48k / 16 bit (adat). Akg 414 i believe.

Series of clinks or clanks made by hitting a crowbar with a hammer. Stands in for an anvil sound. Great for mixing in with drums / percussion. 48k / 16 bit (adat); akg 414 i believe.

A river recorded far away from river bed in altınvadi valley. While observer stands over a hill, birds can be heard. Görkem'le yan yana bu manzaryı izlemek isterdim. Recorded by zoom h6.

Various slap sounds recorded in a both with an neumann u87i. There is a metallic resonance from one of the music stands. The slaps hit various body parts (face, neck, belly). Feel free to use however you like.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

In this recording, a nearby cricket stands out. -----recorded with a zoom h1 with two sony lavaliere microphones attached, tucked into home-made felt pouches as windscreens, which i suspended from my glasses frames.

This is from the stands of a lively little league baseball game (ages 9-10). There is a lot of cheering from the crowd, as well as chanting from the teams. Also, you'll hear the umpire and the crack of the bat!.

A mixed group of people chatting amongst themselves. There were about 40 people in the room a mix of men and women. Many conversations happening at once but nothing stands out, a good general chattering crowd hubbub!. Recorded @ the old smithy, kempsey, uk in 2021 using 2 x u87 microphones and protools.

A testpicture which shows a greyscale in sstv using mode martin1. Sstv stands for "slow scan television". Sstv is a kind of modulation to send a frozen picture enclosed in a transmissionchannel normally used for speech. This allowes to send pictures directly, for instance, on shortwave.

Farmer milking a goat by hand. Bucket is half-full of milk. Goats and bucket stands on a wooden platform. Goat-milking sound samples recorded in a small traditional goat-farm in the south of francerecorded with tascam dr-10048000 hz stereo, 16-bit wave pcm uncompressed.

Birds tweeting in the garden with sound of freeway (highway) behind. Traffic noises include hum, cars, and trucks. Occasional use of exhaust braking. Birds are in the garden chirping and tweeting. Useful for a urban garden or other similar scenario. Two microphone setup, both are shure sm57s. Placed on two stands, one channel is nearer to freeway, the other is nearer to garden. Recorded with a behringer umc202hd at 192khz and downsampled to 48khz for upload. No other post-processing.

Recorded with a sennheiser mkh 416 (as far as i recall) through a focusrite scarlett 2i2 into cubase 6. 5 in 48khz 24 bit. The name describes what it is: eg. Dice (3) in cup on table = three dice are put in a cup which stands on a table. The sounds were all recorded by me and were to be used in a video game, but i don't think they were ever used, so here they are. Take them! use them!.

Soundscape of an enfolding air raid on a doomed city, period around world war ii, from some distance from the city itself. In the onset, the listener stands on a windy heath, and hears the air-raid sirens in the distance. Then come the bombers (propeller planes!), supposedly lancasters or so, passing overhead toward their target. . . I did this for a tv documentary, however i kept all rights and, as usual, you may use it free of charge and attribution. Enjoy.

Main street in tourist costal city of dziwnówek in west poland. It's typical for cities like that: full of cheesy market stands. The game of coin-football, which you can hear ringing constantly in the background is also characteristic for polish coastal tourist areas. Many people (talking mostly polish language), and several cars are passing by. I am standing on pavement, and have thestreet in front of me and backside of supermarket behind me. The sound was recorded with zoom h3vr (ambix format).

A wonderful slice of small town life. Recorded august 27 2022 at a small town baseball game in southern illinois. Not a huge crowd, but you hear the murmur of parents, kids and of course the crack of the steel bat against the baseball. Especially good with headphones on, as i recorded this in stereo. Equipment: zoom f3. Microphones: em clippy 272 omni-directional microphones on microphone stands located 38 inches apart. Enjoy this timeless summer soundscape representing all that is good. (to paraphrase james earl jones! ).

Jemaa el-fnaa is one of the biggest squares in africa, and is one of the most vibrant places i have ever visited. Each time of day brings a very different energy, and one will find snake charmers, musicians, dancers and stands selling pretty anything you could think of. Although busy during the day, jemaa el-fna is swarmed with people at night and can quickly become overwhelming. This recording is from february, 2020, using a tascam dr-05x.

Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

This is a compilation of freesound files. It is intended as background atmospheric sound. I find it stands by itself, so i am uploading it as is, though i added more layers to it as "scary night complete". Loops, cycling from calm night through a windy, brief storm. Really ought to be longer, but. . . Formed from:171984__kyster__massive-hail-and-two-deep-thunderbolts-2012-11-02191934__klankbeeld__creacking-oak-6bft-short-130418-0023405__neilg__rainonleaves-june2006245824__1ratatosk1__nightscapes-asplund-ett-min253535__kvgarlic__windblownleavesskitteringacrossasphaltoct31st2014267551__yoyodaman234__thunder2267550__yoyodaman234__thunder3267549__yoyodaman234__thunder4272322__klankbeeld__wind-in-willow-02-contact-mic-150426-064462488__sagetyrtle__1103octobernight83985__inchadney__owls. The two main tracks are 62488__sagetyrtle__1103octobernight (a lovely autumnal evening) and 272322__klankbeeld__wind-in-willow-02-contact-mic-150426-0644 (which i stretched in audacity for the underlying groaning as well as using as is).

Sound of balinese chimes recorded with tascam dr-60 d mkii linear recorder and pair of akg p120 electret condenser microphones on a stagg smc3 3m xlr cable. Knobs of sensitivity were turned in position of highest sensitivity. Microphones were configured as stereo pair and placed face to face in front of each other in distance of 75cm. Microphones placed on stands. Chimes was held in the hand between mics along the way of sight of them, with smallest bell on the side of right microphone. Recorded afternoon in a bedroom with closed door and windows in a house next to high street. Recorded in 96khz and 24bit. Trimmed and normalized in flstudio edison. Normalization made sample 32bit.