238 Royalty-Free Audio Tracks for "Standard"

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

Elizabeth Spencer sings "Just Awearyin' for You" on Edison Standard Record 10477 19462a60e6b4389eff706e3bde9d98db from SONGS AS UNPRETENTIOUS AS THE WILD ROSE

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

That Mysterious Rag by Irving Berlin and Ted Snyder. Composed in 1911, and performed in that year by the Premier Quartette, also known as the American Quartet. Edison Standard Record #10539.

Just Awearyin' for You sung by Elizabeth Spencer (1871–1930) on Edison Standard Disk Year, 1911 Українська: «Just Awearyin' for You» співає Елізабет Спенсер (1871–1930) на стандартному диску Едісона, 1911.

The traditional fiddle song "White House Blues", performed by Charlie Poole and the North Carolina Ramblers. Later on, the tune became a well-known bluegrass standard. Das traditionelle Fiddle-Stück "White House Blues", gespielt von Charlie Poole und den North Carolina Ramblers. Der Titel wurde später zu einem beliebten Bluegrass-Song.

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 3 is the drum kit, using Ableton's standard 808 samples and some funky production.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

This is the original, unrestored file. "Shine On, Harvest Moon", by husband-and-wife songwriting team Jack Norworth and Nora Bayes was one of the big hits of the 1908 Ziegfield Follies, and remains well-known to this day. This recording from 1909 features two of the biggest stars of early-twentieth-century America, Ada Jones and Billy Murray. Produced by Edison Records, this is Edison Standard Record #10134.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Standard drone. Created with native instruments reaktor, paulstretch, and logic x.

Standard laser.

Standard explosion.

Standard restaurant sounds.

A standard beat.

Just your standard log fire.

Beep of standard digital alarm clock.

A standard light switch clicking.

A european standard wooden door closing sound.

Standard explosion with a phaser.

Standard explosion with a phaser.

Standard transition sfx. Created with pink noise + reverb.

A standard bar drumroll loop at 120 bpm.

A standard bar drumroll loop at 120 bpm.

People screaming at a concert. Recorded with standard audioequipment.

Fairly standard mechanical door bell, short decay.

Made in mixcraft 8 using standard kit 1.

Standard home toilet being flushed. Recorded from about 2 feet away.

Wispy whistling loop ? 1 standard bar, 120 bpm.

Wispy whistling loop ? 1 standard bar, 120 bpm.

Wispy whistling loop ? 1 standard bar, 120 bpm.

Pretty standard electro-snare sound 44100 16 bit mono made with z3ta+.

Pretty standard electro-snare sound 44100 16 bit mono made with z3ta+.

Standard cell mobile phone sound for incoming sms message.

Recreation of halo needler rifle using sounds from freesound. Standard sound.

Standard vacuum cleaner, recorded from close distance; gradually increasing engine power [olympus ls-5].

Low fi standard recordingused for radio.

Small amount of rice grains poured on a standard bowl.

Just your standard clean "beep beep" sound effect. Enjoy :d.

Bike bell as standard on the vintage pashley bicycle.

A standard ceramic hairdryer or blowdryer on the high setting.

Obviously, it is the sound of a standard household toilet flushing.

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

Old bell type sound, traditional, standard, adapted for smartphone(covert to m4a then rename m4r).

Stereo recording of car seats. Some standard squeaks taken from inside. Gear: marantz pmd620.

Standard old style flip switch. Recorder: sony tcd-d100 portable dat recordermicrophone: akg c 1000s.

A standard cough. Could be used during an awkward silence in a concert hall.