534 Royalty-Free Audio Tracks for "Stick"

Sample of marimba resonance pipes stroked by various mallets and sticks.

Dropping hard food on a plate covered with a paper towel.

Walking through the fallen leaves and sticks at a nearby park.

The sound of drum sticks hitting various metal bars.

The rustling of the packet of pretzel sticks we had for snacks. Recorded on the zoom h6.

Foley of working on the garden, putting wood sticks to the wood house.

This contains 7 samples of footsteps in grass, some with sticks and some without. Quality is 44. 1/32.

Had a packet of pretzel sticks and decided to record someone chewing. Recorded on the zoom h6.

Snare roll, completely unprocessed. Recorded with one dynamic mike over the snare, using 5a sticks.

Scary sounding hi hat ringing created by me rattling two sticks inside of a hi hat.

A short clip of me landing on the ground after a jump onto some sticks.

Walking on ground littered with sticks and dead leaves. A satisfying crunch each time.

A convolution of two files: a bird chirping and two bamboo sticks being slapped together. The result was then reversed. . .

Recorded with olympus dm-550, iced-lolly sticks pressed against and broke in the end.

This is the sound of two sticks banging together. I used it for the sound of crutches banging into each other, but i think the sound works for anyone who is trying to recreate wood things hitting each other. The sound was recorded on a blue yeti microphone recording into audacity on a mac and using two sticks from a carrom table to make the noise.

A clap that was triggered by sticks banging together and edited in logic a bita sm 58 was used to trigger.

A sound effect of dirt shaking and dry bones rumbling together. Created by recording separate tracks of banging together bottles, sticks, and plastic hangers.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Oliviolin is a very simple kind of primitive instrument made from two olive tree sticks and a guitar string!.

Recording of drum set drums using drum kit microphones, each drum separately multiple times with various strength, grouped together into one track.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Shaking two plastic stringer pompons in a small- to medium-sized room. These are the types of shakers used at sporting events, strips of shredded plastic attached to sticks.

This is from my roland td7 kit set on the symphonic patch and i just beat it out with the sticks. If you use it please comment on what you will use it for. Thanks. :^).

A short sound a someone running through some leaves and some sticks. Recorded with a kool sound ma-g18 uni-directional condenser microphone plugged in a zoom h1. Hope it comes in use in your projects.

This is a combination of plastic crackling, paper ripping and crumbling, sticks cracking and twisting, matches lighting, and a gas stove. All of which are moderately eqed and mixed in protools, but nothing is heavily processed. What is left is the illusion of a building fire.

Opening the zip of a bag, searching for something and closing the zip again ( a lot of things inside the bag: pill boxes, lip sticks, etc. ) there is also the sound of a hook-and-loop fastener.

Recording of my voice attempting a japanese kabuki noh cry. Recorded in audacity with slight reverb and simulating ohkawa clicking sticks, created because i've noticed theres very few resources for these sounds, unusual vocal sound that may be used as you wish.

Walking on the concrete area of a nature trail on a late summer evening. Heavy footsteps with hard impact on concrete. The sound of crunched acorns and sticks can occasionally be heard and a pine cone being kicked. Crickets chirp continuously in the background. Recorded in southeast usa with a sony ic recorder.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Walking on a nature trail on a late summer evening. Walking on concrete at the beginning of the clip and on grass midways and on. A bird can be heard calling distantly in the background. Crickets chirp loudly throughout the clip. The sound of leaves and sticks being crunched and knocked about can be heard moreso during the second half of the clip. Recorded in southeast usa with a sony ic recorder.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Around 2010, i circuit-bent a motorola cellphone and added a control surface to control the bends. Then i added an atari paddlewheel so its big potentiometer could be used to do pitchbends, and the result is an instrument i called the "sonic electronic ball breaker". It's got knives, quarterstaves, thor's lightning, sharp sticks, nuclear machineshotguns, and even some claws that come out to jab 'em. In this sample i'm going through and playing with the controls to see what i get. These sounds are pretty abrasive, but they work well when run through a bunch of effects.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

This recording was done on a balmy day in early november at the shore of a small lake in southern illinois. Even though it was november, i was in a short-sleeve t-shirt, because of the warm weather that we had been having. However, there was a huge, approaching mass of cold air from canada approaching which resulted in some tremendous, steady winds, gusting up to 40 miles an hour. I literally had my zoom h4n recorder sitting in some sedge-type grasses inches from the lake, which enabled me to get the clear, crisp sound of the wind-driven wages breaking over the small rocks and sticks. Occasionally you will hear a dull roar of the wind, which i was able to decrease a bit using my graphic equalizer, although as you listen to the entire piece you will notice that i just could not eliminate all of the “wind roar”,. Still, i think this is an effective, realistic sound-record of what happens when cold air hits head on with warm air over a lake. Again, this was recorded using the zoom h4n digital audio recorder, using the built-in stereo microphones. Enjoy.