545 Royalty-Free Audio Tracks for "Stick"

Recorded with a little usb-stick mic that i sat on the counter near the sink. The sounds in this pack are of me cleaning a 16" glass bong with hot soapy water. I wasn't planning to record myself, but i ended up making interesting noises and thinking i better record them!.

Walking on the concrete area of a nature trail on a late summer evening. Heavy footsteps with hard impact on concrete. The sound of crunched acorns and sticks can occasionally be heard and a pine cone being kicked. Crickets chirp continuously in the background. Recorded in southeast usa with a sony ic recorder.

This is a tesla coil with a discharge that sounds muck like an old style 'stick' arc welder. For the technical it is a tesla coil that uses a static spark gap, while high-voltage-discharge-2 clip uses a rotary gap giving a different sound altogether. Recorded at a display i did at kew museum london in 2012.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

Simple recording of a long bamboo rain maker. Captured in a regular living room using a clippy stereo em172 microphone and a zoom h5 recorder. Minimal editing in ocenaudio. Enjoy ;-). Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

This was obviously a little aggressive and a demanding production. It's not much like trap, maybe it could be suitable for a rap or hiphop. The idea of using the car for the chase scene is nice.

Metal coated tree with mallet and stick samples, recorded from physical portable recorderthe meadow, san francisco 2020. Metal metallic resonant percussive hit percussion drum tree field-recording industrial impact high-quality city. Metallic tree roots.

Gravado usando/recorded with: akg condenser mic/condensador + wii u pro controller. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recorded for the audio editing and recording class from the broadcasting and communications course at universidade anhembi morumbi, sao paulo, brazil.

Setting tables outside. Restaurant terrace. Flatware noises, unintelligeible voices. A dog is barking. Faraway cars. At the end a walking stick on pavement. La roche bernard, france, august 2020, 11am. Recorded with ab em127 stereo setrecorded on sounddevice mixpre624 bits, 96 khz,stereo.

Yes, i'm crazy to stick my head with roland cs10m mics in my ears attached to an olympus ls14 through my back porch door during a hail storm, but what i heard could not be missed. The constant, almost non-stop rull of thunder lends an erie quality to this midnight storm in madison, nj. Got popped on the nose with a couple little stones, but it was worth it.

Sound of a little rainstick. Sound recorded with a zoom h4n pro. Son d’un petit bâton de pluie. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

Sound of a little rainstick. Sound recorded with a zoom h4n pro. Son d’un petit bâton de pluie. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

You could hear this rhythm in a place with several clocks; actually i got this 'clock rhythm' idea after hearing a cool beat made by three clocks. Sounds used found in the "clock tick rhythms pack.

Some stuff i added to my playing drums to 'rich woman' and i added some claves, drumsticks, cowbell, tambourine and maracas all on separate tracks recorded with my yamaha pocketrak and edited with sony vegas. It stutters slightly near the end. My computer? i'm not a pro by any means when it comes to mixing, but please comment on what you may use it for. Thanks. :^).

Need a sound effect for clicking a button on the escape menu or main menu, well here it is! click on my account for more button clicking sounds if you don't like this one, they are all made by me. Want to know how to make your own? grab a stick, break and snap it into the mic, add some bass, and cut out a little bit of the sound effect.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:45:5

Wine glass, tuned with water, being hit with an improvised percussion stick made from chopstick and a piece of plastic. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Live streaming every wednesday and saturday 6pm (argentina time) https://www. Sessionslive. Com/dpath/live. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

Walking on a nature trail on a late summer evening. Walking on concrete at the beginning of the clip and on grass midways and on. A bird can be heard calling distantly in the background. Crickets chirp loudly throughout the clip. The sound of leaves and sticks being crunched and knocked about can be heard moreso during the second half of the clip. Recorded in southeast usa with a sony ic recorder.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Each accidental pattern was mined out of a much longer recording. I noticed these interesting sequences of noises while editing other samples over the years and threw them into a catch-all folder. All of these were recorded with a usb-stick mic so they have a nice lo-fi distorted quality. Try looping any of these patterns and you'll hopefully understand why i selected them.

Whenever i use my usb stick, my computer always makes an awful noise. I decided to record it and see if any of you guys can make anything out of it. To me it sounds like some sort of aliens or robots talking to each other. The only editing done was noise removal to get rid of the fuzziness and amplification to make it a little bit louder. Let me know in the comments if you use it.

English. 1. With both hands i grabbed the rain stick vertically. 2. Lift it about 4 or 5 cm from the plastic mat on the floor3. I moved it up and then down until it hit a mat. The movement was fast, which causes the internal seeds to rise and fall, hit each other, between the walls of the stick and bounce when hit on the mat. The sound was captured with a condenser microphone. It was recorded with ardour 5. Español. 1. Con ambas manos agarré verticalmente el palo de lluvia. 2. Lo levánte unos 4 ó 5 cm del tapéte de plástico que se encuentra en el suelo3. Lo moví hacia arriba y en seguida hacia abajo hasta golpear un tapete. El movimiento fue rápido lo que produce que las semillas internas suban y bajen, golpearse entré si, entre las paredes del palo y rebotar cuando se golpea en el tapete. El sonido se captó con un micrófono de condesador. Se grabó con ardour 5.

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the jump generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

This is a sound effect for when somebody or something (like a bone being snapped in a fight breaks). When an actor breaks somebody's arm wrist or ankle. It is really good and you can get creative with this. This is no doubt the best sound effect i have ever made. Try it out! all you have to do is give me credit in the credits if you use this sound. So yes, it's royalty free!:).

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the blip generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you what projects you use these sounds for. Please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the hurt generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the coin generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Semi-auto rifle simulation, created using zoom h1. Artificial gun shots to simulate a semi-auto weapon in battle. Mic capsules were tapped with a popsicle stick to create this sound. Recorded at 24 bit 96khz, exported to 16 bit wav. Added pop compression filter for a theater like experience in post. Feel free to use this were ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improving sounds. :).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the boom generator as a starting point. I tried to stick to c as the root note. Well, maybe not so much in this one. . It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the zap generator as a starting point. I tried to stick to c as the root note. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

Around 2010, i circuit-bent a motorola cellphone and added a control surface to control the bends. Then i added an atari paddlewheel so its big potentiometer could be used to do pitchbends, and the result is an instrument i called the "sonic electronic ball breaker". It's got knives, quarterstaves, thor's lightning, sharp sticks, nuclear machineshotguns, and even some claws that come out to jab 'em. In this sample i'm going through and playing with the controls to see what i get. These sounds are pretty abrasive, but they work well when run through a bunch of effects.

A nice ambient recording made on sunday morning may 5th 2013 around 6:30 in the morning in the shawnee national forest in deep southern illinois. I had originally wanted to get good, clear recordings of the tremendous numbers of warblers that are here, but a good, soaking steady light rain decided to stick around. I though, what the heck, that is a part of our natural world also, so let's get it all "on tape". . . . Hope you enjoy this. Recording made with my handy zoom h4n recording utilizing its built-in microphones. To keep as much water off of my h4n as possible, i put one of my big, furry, knitted insulated sock-cap over the recorder, that at least kept my recorder from swimming in water.

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

Better set on monoaural on your daw if possible due to the off-center recording. Having been a bit ill on some rich iron content food i couldn't stomach (offal it was, it was the sheep fried liver who was the culprit - the very rich iron content upset my stomach pretty bad - was looking for something "new". ). Keep in mind that i am unable to do this as a request for obvious reasons including health, livelihood and risk of damage to equipment. I tried very hard to avoid shaking the zoom as not to make the wobbling sounds. If i am ill again, i'll use my ma-2 (microphone stick) and gravity microphone stand and get a real good recording of real vomiting but keep in mind this was recorded in my showerroom so some er may occur.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

La charrasca es un instrumento de percusión menor que consiste en una caña de madera o un tubo de metal provisto de una serie de ranuras transversales sobre las que se desliza un palillo, produciendo un sonido vibrante. Esta charrasca es tocada por rafael rondón en el marco de una entrevista que le realicé para mi blog. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the charrasca is a minor percussion instrument consisting of a wooden reed or metal tube provided with a series of transverse grooves over which a stick slides, producing a vibrant sound. This charrasca is played by rafael rondón in the framework of an interview i conducted for my blog. See the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

This recording was done on a balmy day in early november at the shore of a small lake in southern illinois. Even though it was november, i was in a short-sleeve t-shirt, because of the warm weather that we had been having. However, there was a huge, approaching mass of cold air from canada approaching which resulted in some tremendous, steady winds, gusting up to 40 miles an hour. I literally had my zoom h4n recorder sitting in some sedge-type grasses inches from the lake, which enabled me to get the clear, crisp sound of the wind-driven wages breaking over the small rocks and sticks. Occasionally you will hear a dull roar of the wind, which i was able to decrease a bit using my graphic equalizer, although as you listen to the entire piece you will notice that i just could not eliminate all of the “wind roar”,. Still, i think this is an effective, realistic sound-record of what happens when cold air hits head on with warm air over a lake. Again, this was recorded using the zoom h4n digital audio recorder, using the built-in stereo microphones. Enjoy.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.