410 Royalty-Free Audio Tracks for "Stretching"

This happened while stretching a recorded sound.

Shakuhachi processed samples by stretching.

Female voice "taik" sample stretching.

Female voice stretching of sample "koms".

Sound of rubber gloves stretching and snapping.

A sound i made by stretching and reversing vocals.

Tearing, stretching, wrapping carboard boxes.

Growing plant effect made by stretching a balloon.

Me beatboxing quickly processed with some stretching. My first sample there !.

Recorded with zoom h5 and sennheizer mk600.

Male grunt yawn exhale sounds.

Mixing something new and something older. Stretching and mixing.

I was just laughing and stretching ;).

I made this sound with fl studio by stretching a sample i had.

This is a transformed sound in the frequency stretching factors. The original sound is:https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

Synthesized with the sms-tools. Window: blackmanm: 1001n: 1024t: -80minsinedur: 0. 1nh: 50minf0: 140maxf0: 230f0et: 5harmdevslope: 0. 01stocf: 0. 4freq scaling factors: [0, 1, 0. 5,0. 4, 0. 7,0. 4,1, 3. 0]freq stretching factors: [0, 1, 1, 1] (no stretching)time scaling factors: [0, 0, 0. 5, 0. 3, 0. 7, 0. 6,1,2. 0].

A short traverse through a store with a shopping cart. Wheels a rolling people a talking. 96khz for time stretching option.

I made this in fl stretching the 909 clap. I stretched it very big and cutted of the silence.

Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Recorded me doing a small whistle and paul-stretching it and reverbing it. Recorded and processed in audacity.

A remixed version of a deleted user's idm beat from freesound. Org (pitch and a wee bit of time stretching on fl studio).

Stretching some gaffer tape. Captured with behringer b-1 mic into focusrite scarlett 2i2 3rd gen interface on arch linux using audacity.

Output sound obtained after frequency scaling and stretching along with time scaling of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) using transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,0. 6, 1. 5, 1. 2].

Created with pink noise, sweeping phaser and stretching effect. The phaser in cool edit has funny preset called bubbles which gives unique sound to this effect.

A scary ghost screeching noise. I made this by pitching up and time stretching a text-to-speech program talking and adding tons of reverb.

A few notes from a flute were transformed using the hps model with frequency stretching. A sci-fi 'spaceship' sound is produced. The track is 44100 = fs, mono.

An opening of a door in a reverb-y hall stepping through and closing door in a less reverb-y room. Recorded in 96khz for time stretching options.

A pressurized sound made from a very simple source - my own mouth. Filtering and stretching gives it a convincing effect of a hydraulic release. May be compatible with sounds of medical machines.

Hps model was used to transform a few notes from a flute. Frequency stretching was used without timbre preservation. Has an old analog cassette/lp vibe. Mono track at 44100 = fs.

Sounds like a passenger jet landing that is relatively close. I made this in audacity by recording myself blowing into the microphone, then distorting it and stretching it to sound like a jet.

Recorded with audacity, this ghost is terrifying me, i can hear him through the walls :(. Microphone: logitech g35. Just using a couple filters via audacity. Stretching and morphing sound. I started with saying pretend words backwards in realtime.

Low, metalic drone in f# made by time-stretching some voice sample ran through vocoder (using paul's extreme sound stretch). It has some digeridoo timbre, but just a little bit :) enjoy.

I designed these fragments/loops to be used individually or to build a longer song by stretching the loops and combining them in a linear way. Ideal for creators of videos for babies. Loops 100 bpm 24 bit.

Stretched sound, good for video games. I made the original sample in fruity loops using the reverse effect on a basic software sample sound. After that i used paul stretcher effect in audacity to stretch everything up and give it a longer feel. Also added little bit of dellay and reverb after stretching it.

Out of my voice, i have created this dark choir by stretching my voice so that it sounds like more people are singing. I hope you like this.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

This is a beat i made using the percussion presets form fab filter 1 cm synth for a track i was writing. Each hit was then loaded into abletons impulse drum sampler and tweaked for my pleasure. The snare was subject to some serious stretching,which gives it a rasping sound!fab filter 1 really is a simple but very useful synth.

Changing the pitch, warping the sample, stretching it, complexing it. Setting the shaper to receive only audio, creating a popping effects, great for sound design if you wanna process it more, cut it down. Or even use it as a percussion in a loop. . Up to you.

This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

My dog leela, a german shepherd cross playing tug of war. My first upload. This has been recorded at 96khz for the purpose of time stretching and pitching down to make dinosaur/monster sounds. I recently noticed that i've only uploaded the 44. 1khz version of this file. . . And i have lost the original :(i will endeavour to record her again and upload it as a 96khz file some time soon.

This is my final assignment for aspma course 2016. It is based on transformations over the file speech-male. Wav (https://www. Freesound. Org/people/xserra/sounds/317744/), used often over the course. A small time-stretching transformation, morphing with piano chromatic scales, and finally arranged by a python script to produce the final audio output. You can find the python code here:https://github. Com/nerkamitilia/aspma16/blob/master/workspace/a10/a10. Py. Format:mono, 16-bit, 44100hz.

Scary ambient sounds. . . Almost musical, perfect for a horror scene in a movie or a game. Try morphing it further by reversing and/or time-stretching it!. Fully made with a 7-string electric guitar, a line 6 pod x3, and delicious amounts of post-processing, sampling and vst effects :d.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

This is a trnsformation of the original sound: http://www. Freesound. Org/people/xserra/sounds/254374/ , with the parameters:. For synthesis:window type: hammingwindow size: 801fft size: 2048minimum f0: 160maximum f0: 260number of harmonics: 80threshold: -100minimum length of harmonics:. 1stochastic decimation factor : 0. 2minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0, 0. 4, 1, 0. 4] <- (make frequency lower)frequency stretching factors : [0, 1, 1, 1] <- (no change)timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 1, 0. 7] <- (faster).

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).