139 Royalty-Free Audio Tracks for "Tail"

The tail end of a rumble of thunder. I chopped off everything above 1. 5khz or so, since is was all background noise. Recorded with a tascam dr-07 mk. Ii microphone and a røde dead kitten windscreen.

Four-bell tower at bethesda church, saratoga springs ny usa - electronic control rings the bells at random. Long tail fade to silence at the end. Sm58 up in the tower to behringer usb interface to audacity, trimmed and amplified.

This is a sine-wave that sweeps from low to high. Cassette emulator is added and some reverb. A long high pitched tail is at the end, which i forgot to remove. Inspired by the film "wavelength" by michael snow.

Just a simple big room house style kick with a quick punch and lots of tail. As far as i know from ableton, it's in the key of a#, if you can find the exact key just comment and i'll fix the description.

Pine woods about half of a kilometre away from the shore of lake huron. Late summer afternoon. Steady wind in trees. Cicadas at start, quiet middle, birds and flies at tail. At 5 minutes a single car passes in the distance.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

This tollbell is exactly 4 seconds in length. Use this file for creating a sequence of bell strikes. Use original tollbell at end of sequence for long tail at end. This file is 2 bars at 120 bpm.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Recorded from inside the garage on a very quiet night. First is the sound of it opening, second is of it closing. No processing other than normalization. 16bit/44. 1k. Nady scm-2090 stereo condenser microphonefocusrite saffirepro 24 mic pre'spresonus studio one 2 for recordingsoundtrack pro for processing (normalize) and editing (cut off head and tail).

Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.

Rhythm machine single drum hits, crushed and distorted. Ideal for layering your drums. You can use adsr to lower the length of the sounds, since they all have a noise tail. Check out the other sounds from this pack too.

A kick i created somewhere between 2012-2014. It belongs to a pack "harha's hardstyle kicks" and i don't have the interest to describe every kick in this pack separately. For pitching the bass part / tail up and down, i suggest using cool edit pro or adobe audition. Cubase pitching/timestretch algorithms are quite nice as well.

The window in my studio has an exceptionally long tail of the spring vibrating. I could see this with some effect thrown on being very useful in music or fx situations. Recorded with a zoom h6, stereo xy attachment with internal compression.

This free trap beat is a fine loop of 28 seconds. You can leave the tail sound, or overlap it on beat intro on each new beat to make it seamless. The bpm is 140. Enjoy it as you please. Leave a comment if yo like this! attribution appreciated, though not mandatory!. Rame.

Field recording of the tail end of a brief rain shower recorded approximately 1 foot (30 cm) from the sidewalk and 183cm from the street. You will hear rain pattering against the sidewalk, passing cars, one group talking while walking past, distant dogs, and birds.

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.

Heres a quality fat "street" beat ready for use in a aggressive hip-hop or big-beat production. Long sample containing subtle variations and a ending tail fx. Lots of bass and sub in the kick, designed to bang hard in a car system. Ps:would appreciate a link to interesting finished productions using it!.

Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.

A recording of a thunderstorm using my zoom h4n from my front porch. The clip starts toward the tail end of the storm, and the thunder and rain slows down throughout. Starting in the middle and towards the end of the clip, there's even some birds and forest frogs in the background. A few cars drove past, and they can be heard as well.

A soft texture for synth pads in a3. Built by layering several sine-wave generators to create the note a and some of its overtones. It was then drowned in reverb. The sine-generators played just a short impulse, what you hear is the tail of the reverb, to give it more richness. Post-production: reverb.

Blood quickly escaping an open artery. (actually just me squeezing the hell out of a grapefruit). Begins with a steady spray, then ends in several loud spurts. More blood/gore fx coming soon-ish. Recorded in a studio with a sennheiser 416, very close proximity. < 1' away. Through an mbox directly into protools, edited to remove head/tail ambience. You might hear me breathing in there, very low.

This is a hawk. "these birds are slender with short broad rounded wings and a long tail which helps them maneuver in flight. They have long legs and long sharp talons used to kill their prey and a sharp hooked bill used in feeding. Females tend to be larger in size than males. They often ambush their prey, capturing it after a short chase. They mainly eat small birds and mammals. ". Minidisc.

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Sennheiser mkh 8040/mkh 30 ms in a cinela pianissimo windshield into a sound devices 744t; limiters on, no hpf. Stereo-linked 50-50 blend. Normalized to 0dbfs with spot noise removal on birds during the drive-by in rx5, tail left unprocessed. No other processing of any kind. This sound effect acts as a demonstration of this stereo pair mic combination right out of the box.

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

Free!. A recording of an old coffee grinder. It begins with the raw recording which then moves into more creepy and eerie aesthetics and design examples. Easy to cut up and fade off the reverb tail. Perfect for psychological/horror/thriller games or animations, cut scenes or flashbacks of live action productions. Feel free to message me if you would like anything tweaked and we can work something out.

Http://www. Myspace. Com/capashen2note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. Made with : white noise filtered, drum layering, big plate reverb. . . I use it all the time hehe. Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

A grey squirrel (sciurus carolinensis) recorded early afternoon on 23rd july, 2018. The animal was shaking its tail while calling from the trees, approximately, 3 metres from the ground. Recorded with sennheiser k6/me66 attached to a zoom h5. Editing was done with audacity, mainly to cut the worst of the road and aircraft noise. No noise reduction was been carried out. There is some road, aircraft and rail noise. There can also be heard woodpigeon, carrion crow, blue tit and some insects.

Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

Lean minced beef frying in the pan recorded with olympus ls 12, sounding like hard rain. Thunder-esque sounds recorded by blowing into the mic of my olympus ls 12. Mixed with segments of dry thunder3. Wav by juskiddink https://www. Freesound. Org/people/juskiddink/sounds/101948/ for the tail of my blow thunder and thunder! by netaj https://www. Freesound. Org/people/netaj/sounds/193170/ for the last clap of thunder. Reverb and delay added and mixed with ableton. As crap or good as it sounds i had loads of fun with this.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

Tail end of a paper-airplane competition as part of #azwud (arizona world usability day) in scottsdale, az. About 100 adults and 3 kids made paper airplanes then flew them in an informal indoor competition. Sounds of the crowd reacting to the different flights as planes flew off in all directions, hitting the ceiling, the floor, the audience. Announcer in the bkgd. Children approaching the 'launchpad' then the crowd reacting to their winning throw. After the kids' throw, the sound of another competitor's plane hitting the ceiling/floor (?) and then his comment "too much thrust. " a kid saying to an adult, possibly her mom (?), "please don't succeed" as the woman approached the launchpad to throw her plane.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

(wikipedia) the european nightjar (caprimulgus europaeus), common goatsucker, eurasian nightjar or just nightjar, is a crepuscular and nocturnal bird in the nightjar family that breeds across most of europe and temperate asia. The latin generic name refers to the old myth that the nocturnal nightjar suckled goats, causing them to cease to give milk. The six subspecies differ clinally, the birds becoming smaller and paler towards the east of the range. All populations are migratory, wintering in sub-saharan africa. Their densely patterned grey and brown plumage makes individuals difficult to see in the daytime when they rest on the ground or perch motionless along a branch, although the male shows white patches in the wings and tail as he flies at night.

Recorded at hope st radio, a bar/restaurant/radio station at collingwood yards, during the tail end of a disorganising community dinner. In this recording, about 80 people are learning or playing mah jong while the restaurant kitchen closes service and the sound system is off. There are adults and a few small children in the room and too many djs (common problem here). It was recorded on a sony pcm-d50's internal stereo microphones at 120°, mounted to a tripod while everyone drank the last of the free natty wine. #natural #wine #salomons. This recording was taken in may 2021 on unceded wurundjeri land, which belongs to the woi wurrung people of the eastern kulin nations. I acknowledge their sovereignty and pay my respects to their elders and all first nations people.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. The amtrak pacific surfliner winds it'd way up and down the pacific coast coast. This train is known for spectacular coastal views. Here you can hear this high-speed train come screaming through burbank's downtown station (traffic can be heard on i-5 in the distance). You will hear a security guard walk behind me just before the train comes through. He was one of our trusty transpo officers making sure i wasn't up to no good with my zoomh4n device. Thanks for keeping us all safe officers!. The train makes a pass from right to left and i kept recording so you would have some room-tone at the tail. Enjoy!. Christopher c. Courter.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.