16,115 Royalty-Free Audio Tracks for "The King Of Heaven"

Hymn tune Lauda Anima (Praise, My Soul, the King of Heaven)

King Numpty and his Knights (Part 2) by TRG Banks

King Numpty and his Knights (Part 1) by TRG Banks

Melody Shop by Karl King performed by USNA Band

God Save The Queen - Sung by the Festival Speech Synthesis System's "singing-mode", using the default US voice.

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

God Save The Queen, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1952 instrumental)

God Save the Queen, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (short Australian version; 1950s)

God Save the Queen, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (Australian version; 1950s)

God Save The Queen, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1952; short instrumental; variant)

God Save The Queen, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1940s; instrumental)

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Good King Wenceslas performed by the Concert Band of the United States Air Force Band. Track 16 from Light One Candle (2004).

The Melody Shop performed by the Concert Band of the United States Air Force Heritage of America Band. Track 10 from American Salute (1998).

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A Bull of Heaven musical piece.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Speech sampled in the piece comes from Peter Brook's 1979 film adaptation of G.I. Gurdjieff's book Meetings with Remarkable Men.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

A Bull of Heaven musical piece.

Death, Percy Bysshe Shelley "First our pleasures die--and then Our hopes, and then our fears--and when These are dead, the debt is due, Dust claims dust -- and we die too."

At the Mountains of Madness, H. P. Lovecraft "Another race - a land race of beings shaped like octopi and probably corresponding to fabulous pre-human spawn of Cthulhu - soon began filtering down from cosmic infinity and precipitated a monstrous war which for a time drove the Old Ones wholly back to the sea - a colossal blow in view of the increasing land settlements."

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The title comes from a speech given by Prabhupada Bhaktivedanta, which is also the speech sampled in the piece.

A Bull of Heaven musical piece.

Laus Deo, Sydney Dobell "'He is not dead, but sleepeth,' said the Priest, and smooth'd his brow. 'Sleepeth?' said she, looking up, and the sun rose in her face! 'He must be better than I thought, for the sleep is very sound.'"

A Bull of Heaven musical piece.

The Premature Burial, Edgar Allan Poe "In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within."

God Save the King, Íslands minni, Oben am jungen Rhein, Kongesangen, Rufst du, mein Vaterland and My Country, 'Tis of Thee (1927) instrumental.

God Save The Queen, Íslands minni, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1936; short instrumental)

God Save The Queen, Íslands minni, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1930s; instrumental)

God Save The Queen, Íslands minni, Oben am jungen Rhein, Kongesangen and Rufst du, mein Vaterland (1937; short instrumental)