10,470 Royalty-Free Audio Tracks for "The Ragtime Dance"

Čeština: ragtime Scotta Joplina

Scots: Uised in Homestuck

Magyar: Eubie Blake: Charleston rag

Ragtime progression in C.

Sandella Rag (1921), by Edward Hudson.

Bees Wax Rag by Harry J. Lincoln.

James Scott's "Grace and Beauty" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

Čeština: Pine Apple Rag - Scott Joplin, ragtime

Mando Rag (1914), by Robert George Ingraham.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

Arthur Pryor's "That Flying Rag" played by Arthur Pryor's Band, in an arrangement by Louis-Philippe Laurendeau. This is Victor Record 17021, Matrix B-11240. (Full details)

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

The Wagon, a 19th century song early example of Ragtime, performed by Ben Harney in Philadelphia, Pennsylvania on about September 9, 1925

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

Magnetic Rag by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well. This file was rendered using GMGSx SoundFont; the only change being tempo increase.

A sequencing of Scott Joplin's Searchlight Rag. Original work is in the public domain.

This is a recording of Scott Joplin's "The Entertainer" rag, which was composed in 1902. This performance was created by Adam Cuerden, a Wikipedian, and found at http://adamcuerden.deviantart.com/gallery/. The MP3 file was then converted to OGG by Major Bloodnok and subsequently uploaded to the Wikimedia Commons. The recording, plus other source files (such as Midi) can be found at the URL http://adamcuerden.deviantart.com/#/d48wa4r.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

Black and White Rag (1908), composed by George Botsford and performed here by James Brigham.

Ted Snyder's "Ramshackle Rag" played by Arthur Pryor's Band, in an arrangement by William Schulz. This is Victor Record 17021, Matrix B-11233, and was recorded 15 November 1911 (Full details)

Miss Trombone (composed 1908), ragtime by Henry Fillmore. Played by The Indestructible Military Band.

Elite Syncopations by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

Vess L. Ossman's performance of Tom Turpin's "The Buffalo Rag" (1904). Recorded January 26, 1906. This is Victor Record 16779, Matrix B-3049. (Full details) Sheet music is available at The Library of Congress

Cloud Kisser (1911), by Charles L. Johnson

https://musescore.com/james_brigham/scores/1794851

Ethiopia Rag

Cloud Kisser (1911), by Charles L. Johnson

Ethiopia Rag

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

Hon'hewachi Song (Night Dance Society Song)

Historically significant 1911 recording by duo Arthur Collins and Byron G. Harlan of "Alexander's Ragtime Band" (1911), originally composed by Irving Berlin. Recorded for Victor Records (#16908-B), this particular comedic duet of the song became a smash hit due to its farcical emphasis.

Deva Jazz: Jazz as you like it circa 1920 by Reginald A A Stoneham MIDI file of piano sheet music

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen.

Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Recording of Scott Joplin's Maple Leaf Rag

The Entertainer by Scott Joplin recorded live by User:IE in September 2007, without a metronome. Keyboard used: Casio WK-3300 electronic keyboard Conversion to Ogg Vorbis format: Amadeus software

Čeština: ragtime Scotta Joplina

Čeština: Fig Leaf Rag - Scott Joplin, ragtime

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

A ragtime composed by W. C. Handy and recorded by Handy's Orchestra of Memphis in 1917 in New York.

That Mysterious Rag by Irving Berlin and Ted Snyder. Composed in 1911, and performed in that year by the Premier Quartette, also known as the American Quartet. Edison Standard Record #10539.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

21 Hungarian Dances, WoO 1, No. 4 performed by the Strolling Strings of the United States Air Force Band. Track 13 from Strolling Strings 40th Anniversary (1994). Chief Master William Slusser, director.[1][2][3]

21 Hungarian Dances, WoO 1, No. 4 performed by the Strolling Strings of the United States Air Force Band. Track 13 from Strolling Strings 40th Anniversary (1994). Chief Master William Slusser, director.[1][2][3]