117 Royalty-Free Audio Tracks for "Thin"

Recording of myself playing a home-made instrument constructed from a large suspended metal door affixed with bits of thin aluminum sheeting of varying sizes and bent at varying angles. I "played" this by striking and plucking the bits of aluminum and recording the results through a piezo contact mic adhered to the door.

Recording of a heavy book being drop over a wooden box damped with a cloth. We also added thin paper as a high end layer. Created by the students of the sound design workshop from the national school of arts of uruguay, at playa hermosa. Gear:zoom f8nsennheiser mk50.

To make these sounds, i hit my knuckles onto a thin sheet of metal on a bookshelf. The last sound on the recording was also made by dropping a coin onto the same spot on the shelf. If you use this in a project that gets released online or elsewhere, please comment and let me know about it! :).

Recording of molten lava slowly advancing forward at kilauea volcano, hawaii. The cooling thin crust of the lava and the movement produces constant popping and clicking like sounds. Some wind at the microphone disturbed the recording. Rare human sounds come from observers staying at the area. Recorded with zoom h2n, postprocessing in steinberg wavelab le (only normalization).

This is actually an odd sound my thermos makes when i don't close the lid properly. I guess it could be used for all sorts of abstract things, like ants talking to each other, alien sounds, organic things in general. It's just air going through a thin space. Feel free to use, no need to attribute, but i'd love to know where it went.

A thin wooden door, locked from the inside with a bolt. Someone forces it open from the outside. This is the sound of the bolt tearing through the wooden door-frame. I mixed the splintering of wood with a dull clang of metal on metal to simulate the situation. Recorded with a rode video mic attached to a camera. My first time recording a sound!.

Recording of an apple iwatch ver. 6 using a akg pro audio c411 pp high-performance miniature condenser mic. Recorded on mixpre10t. Using thin double back tape, i taped the back of the mic to the back of the watch. This watch has cell phone option. I think the intermittent burst of static is the cell phone in the watch ranging signal, similar to a full size cell phone pulsing when they range signals. If anyone knows, leave a message.

I moved the zoom h1 n onto the window sill in the veranda. It picks up the rain beating on the thin plastic roof sheathing above, and on the glass windows next to the window sill. It is rainy weather - january winter rains on vancouver island. It is a hard driving rain. My recollection is that it was about twelve millimeters in one hour. It was wet, the trees grow fast & tall.

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

A bad readout of an excerpt from prosperous. The tempest act 4, scene 1, 148–158. Our revels now are ended. These our actors,as i foretold you, were all spirits, andare melted into air, into thin air:and like the baseless fabric of this vision,the cloud-capp'd tow'rs, the gorgeous palaces,the solemn temples, the great globe itself,yea, all which it inherit, shall dissolve,and, like this insubstantial pageant faded,leave not a rack behind. We are such stuffas dreams are made on; and our little lifeis rounded with a sleep. .

Sometimes, my imagination goes here, and further. I never offer explanations for the bits and bites i ask from him, and clearly, he doesn't check it out later. So i put this together out of thin air. Probably. My mom used to caution that i shouldn't watch those horror flicks, they would warp my mind. Well any fascination with the macabre came directly from her. Right, dad?. Anyway, she should never have said that. I took it personally. She won't do it again. There's just a chance that this guy took it personally too.

The sound of st mary le bow (london), a. K. A. The bow bells, ringing stedman cinques, as a practice. The zoom h4npro was placed above the bells, in the base of the spire, on a thin wooden trapdoor. Fairly lenghty recording (13 mins), but gives plenty of time to select from. Take a small section from the start for the traditional "rounds" where the bells sound in descending order (in terms of pitch), or select from the bulk of the recording to get some traditional english style change ringing. These bells are known as the bells white called dick whittington (mayor of london) back when he tried to flee, and also as the 'great bells of bow' in nursery rhyme 'oranges and lemons'. Use away! this seems to be (imo - that of a proper bellringer) the best recording of bells on here, so please do use it!!.

A stockholm, sweden commuter rail x60 train (alstom coradia nordic) on the then j35 (bålsta - nynäshamn) line arriving at and leaving from the älvsjö station. It was a cold day, if i recall correctly between -10 to -20°c (-5 to 15°f) and there was about 1 or 2 centimeters (1/4 to 1/2 inch) of powdery snow. 00:00 warning signal at crossing (for commuter train employees only) with train arriving in background. 00:21 footsteps in cold thin snow layer00:25 squealing as the train comes to a stop00:36 doors opening00:41 driver announcing that the train will depart for stockholm central station and bålsta station00:55 warning sound before doors are closing and more footsteps00:58 doors closing01:11 squealing as the train start to roll. Recorded friday december 18, 2009, 10:01 am (utc + 1 h), with the built in mic of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .