2,370 Royalty-Free Audio Tracks for "Tracks"

God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "Nobles of the Mystic Shrine" (1923) as performed by the United States Marine Band. Track 98 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 3 from Spirit of the Land (2001).[1][2][3] Credits: Soprano Patricia Wolfe, soloist Conductor Chad Steffey

Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

The last 32 measures of "The Stars and Stripes Forever" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 43 from disc 1 of Ceremonial Music (2005).

O Little Town of Bethlehem performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track from the ensembles' 2020 album The Spirit of the Season.

John Philip Sousa's 1908 march "The Fairest of the Fair" as performed by the United States Marine Band. Track 66 from the band's 2018 album entitled The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conductor: Lieutenant Colonel Jason K. Fettig

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the West. Track 30 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

God Rest Ye Merry Gentlemen performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track from the ensembles' 2020 album The Spirit of the Season.

The Washington Post performed by the Concert Band of the United States Air Force Heritage of America Band. Track 17 from disc 2 of Ceremonial Music (2005).

John Philip Sousa's "Nobles of the Mystic Shrine" (1923) as performed by the United States Marine Band. Track 98 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

Away in a Manger performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 2 from the ensembles' 2020 album The Spirit of the Season.

Symphony No. 3 in C Minor, Op. 78, "Organ": II. Maestoso performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Fireworks for Brass and Organ (2007).

Variations on an Old Welsh Air performed by the Concert Band of the United States Air Force Band of the Golden West. Track 3 from Holiday Fantasies (2000). Captain Douglas Monroe, conductor.[1]

Drum Cadence (6/8 time) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 46 from disc 1 of Ceremonial Music (2005).

National Emblem (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

This is a "recreation" of the sounds heard at the beginning of the "alice in wonderland" superbowl tv spot. I used jobro's cinematica 7 in reverse and timbre's bass drum and discordant bells. The ticking sound i made by tapping a pen. I recorded the full "ticking track" (up to :17 in the spot) but didn't have the string hits to make it sound good.

Der Heyser Bulgar (The Hot Bulgar) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "The Boy Scouts of America" (1916) as performed by the United States Marine Band. Track 75 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Panama performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

National Emblem performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 2 of Ceremonial Music (2005).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

Scotland the Brave performed by the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 17 from Glorious Past, Boundless Future (2002).

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

Breathing through a 1. 5 metre didgeridoo to obtain a dramatic sound. Pitch and re verb were used for more effect. Bit rate 288kbps. Ngwave pc software. Sennheiser shotgun microphone. I'm new to this and something happened with the upload. Track is running a fair bit slower than i thought it would but feel it's still unusual enough for an underscore. Any comments are welcome.

The American Red Cross March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 68 from disc 1 of Ceremonial Music (2005).

1 Ruffle and Flourish and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 37 from disc 1 of Ceremonial Music (2005).

My Country, 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 2 of Ceremonial Music (2005).

Air Force Hymn (vocal) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 52 from disc 1 of Ceremonial Music (2005).

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

I went out back to record the robin and also noticed a smaller pileated woodpecker right over on the wood pile. Listen hard and you'll hear it peck the wood. That's the first sound you hear along with the robin and my neighbors kids. Recorded on my yamaha pocketrak and edited on sony vegas with two track duplications. Please comment on what you might use it for. Thanks. :-).

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

The track was taken of a swiftair boeing 734-400 freighter flew over when landing at leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was ec-nml. The slight background noise comes from a nearby motorway. . . If you like it, i would appreciate your comment. Thanks!.

This is a clothing rubbing foley sound, emulates the sound of couch moving, chair adjust, writing on table, moving around in clothing. This in efforts of bringing you easy to use sound that is both editable and low in noise. Thank you and feel free to adjust,cut and boost the track. Some credit wouldn't hurt. Good luck filming. :).

A fast train is going to pass yelahanka train junktion. It is blowing the horn to make space on the rails and to warn people not to walk to close or to cross the track. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Recorded above a go kart race track with fairly heavy kart traffic and minimal crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Recorded next to a go kart race track with moderate kart traffic and sparse crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

I recorded the end of a rain storm with water running off of the house and multitudes and species of frogs in the background. I used my phone to record a mono track and then used audacity to simulate spatial stereo. It made the traffic in the distance sound like spirits moaning. I thought it was pretty cool. (-;.

Spring at noon time, a russian olive tree is swarmed by bees gathering the nectar of the tiny yellow flowers. You can hear a distant motor, magpies, and a wind chim. Recorded with an alesis palm track with the recorder placed directly in the tree, resting on a branch. Processed with soundbooth. Nothing added except gain.

This a spare recording from a short film i was making. It's a stereos track but all sounds are recorded to the left channel. This was recorded on a zoom h4n and a sennheiser me67. The sound is of a woodland near liskeard, cornwall, uk. There are occasionally cars passing, but mostly it's quite clean - and the cars might be useful for somebody.

Simple dminor pad created by layering two minimalistic custom waldorf blofeld patches and a bit of faint korg monotribe. U-he's satin tape emulation on every track. Recorded in cubase 6. 5. It's always nice to hear what projects you use these sounds for. Let me know. ;-).