2,393 Royalty-Free Audio Tracks for "Tracks"

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

Recorded with zoom h2n 3 channel ambisonic b-format (no z track), rail runner train leaving station in abq, nm. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Albuquerque new mexico rail yard market- outdoors. Recorded with zoom h2n 3 channel ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that this is a fuma bformat file converted from ambix format.

Recorded on 06/23/19 at 8:45 a. M. Outside nassau hall, a historic building located in syosset, ny. Sounds that can be heard include: various birds, continuous planes flying overhead, an occasional passing car, a light breeze, a horse snorting (at 9:14 and 9:17), a few distant voices, and insects. A zoom h1n and 3dio fs binaural microphone were to used to record this track.

Birds on the river nature atmosphere recorded with mixpre 6 and audio technica bp4025. If you want you can download a higher resolution on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/birds-and-nature-atmosphere-early-morning. You can also see a picture of recording location there!.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 2 is the organ track, with funky delay.

March Grandioso performed by the Concert Band of the United States Air Force Band of the Rockies. Track 7 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

The Show Boy performed by the Concert Band of the United States Air Force Band. Track 9 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

The Star-Spangled Banner (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

When the Saints Go Marching In performed by the Gateway Brass of the United States Air Force Band of the West. Track 10 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

The American Red Cross March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 68 from disc 1 of Ceremonial Music (2005).

O Holy Night performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from A Christmas Festival (1997). This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton

My Country 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Songs of America (2008). This file has been abridged from the original to cut out the introductory instrumental portion at the beginning.

National Emblem performed by the Concert Band of the United States Air Force Band of the Rockies. Track 8 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).

Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

The Washington Post performed by the Concert Band of the United States Air Force Band of the Rockies. Track 12 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

I recorded hot-water-heating pipes crackling and then looped the sample at progressively faster & harmonically relevant speeds. This is one of twenty-two such samples that i layered together to make a new sample, which became the foundation for this binaural beat meditation track: https://soundcloud. Com/storyofthelie/fractal-heater.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Volte, no. 201 from Terpsichore, Musarum Aoniarum, performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 4 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Part 3 (a drum cadence) of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 13 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

That's Just Me (Crazy Over You) performed by the Silver Wings of the United States Air Force Band. Track 9 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Breathing through a 1. 5 metre didgeridoo to obtain a dramatic sound. Pitch and re verb were used for more effect. Bit rate 288kbps. Ngwave pc software. Sennheiser shotgun microphone. I'm new to this and something happened with the upload. Track is running a fair bit slower than i thought it would but feel it's still unusual enough for an underscore. Any comments are welcome.

Sound created using the wooden rod inside of my coat closet, and recorded on a zoom h2 recorder. This effect was used to create a sort of dungeon ambiance in a musical track. A decent down some steps, some creepy creaking, a little chain movement action, and it all seemed to fit ok. Check it out here: first trackhttps://brookinthebirchwood. Bandcamp. Com/album/disarm-the-mighty. Edited on reaper.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

A train passing through a wooded area. Recorded in rspb stour estuary woods, wrabness, essex, uk. Recorded with a zoom h6 msh-6 stereo mic on a calm summers day.

A nasty cheap telephone ring designed using native instruments fm8 virtual synthesizer, a ring modulator, a moog-like filter (either are included in cockos reaper software), and a free lo-fizer vst plugin. Mono. Used in my own production: https://black-sided-sun. Bandcamp. Com/track/feb-16-day-358. Hopefully it will be useful elsewhere too.

Created by our inhouse finetune music studios artist - dj rds - this drums pack is to help all creators / music producers / artists. Feel free to use / reuse the tracks in this pack for any of your projects. Watch out for this pack as we would keep adding more copyright free music and loops to it.

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

The track was taken of a heavy aerologic (dhl) boeing 777-fzn freighter during line-up and departure from leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was d-aalf. If you like it, i would appreciate your comment. Thanks!.

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

1 Ruffle and Flourish and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 37 from disc 1 of Ceremonial Music (2005).

I Love What I Do performed by Silver Wings of the United States Air Force Band. Track 1 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

That Da-Da Strain performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Auld Lang Syne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 21 from disc 2 of Ceremonial Music (2005).

St. Julian performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

National Emblem performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 2 of Ceremonial Music (2005).

Tiger Rag performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 15 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Hands Across the Sea performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 2 of Ceremonial Music (2005).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

3 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 35 from disc 1 of Ceremonial Music (2005).

Hark the Herald Angels Sing performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

Officer's Center and "Officer of the Day March" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from disc 1 of Ceremonial Music (2005).

Knights of the Road performed by the Concert Band of the United States Air Force Band. Track 10 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Bugles and Drums performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from disc 1 of Ceremonial Music (2005).

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).