2,370 Royalty-Free Audio Tracks for "Tracks"

O Holy Night (with "Lord, Guard and Guide") performed by the Singing Sergeants and Symphony Orchestra of the United States Air Force Band. Track 6 from Holiday Traditions (2007). Michael J. Willen, Conductor[1][2][3][4][5][6][7][8]

Three European Carols I. "Fum, Fum, Fum - Spanish" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

2 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 40 from disc 1 of Ceremonial Music (2005).

1 Ruffle and Flourish and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 41 from disc 1 of Ceremonial Music (2005).

Volte, no. 201 from Terpsichore, Musarum Aoniarum, performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 4 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Officer's Center and "Officer of the Day March" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from disc 1 of Ceremonial Music (2005).

Air Force Hymn (instrumental) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 51 from disc 1 of Ceremonial Music (2005).

Amazing Grace, performed by the Concert Band of the United States Air Force Reserve Band and featuring the United States Air Force Pipe Band with bagpipe soloist SrA John Davis. Track 18 from the band's 1995 album ...For Heroes Proved.

Notes as an arpeggio derived from the chord cadd9b5 fed through a glass viper synth at 120 bpm using a panning notch filter on a soundfile that has been reversed cross faded into the original soundfile stretched to its maximum. Featured at about 6 minutes 15 on this experimental track. Https://soundcloud. Com/klaxonite/klaxonite-5-010515.

Sound created using the wooden rod inside of my coat closet, and recorded on a zoom h2 recorder. This effect was used to create a sort of dungeon ambiance in a musical track. A decent down some steps, some creepy creaking, a little chain movement action, and it all seemed to fit ok. Check it out here: first trackhttps://brookinthebirchwood. Bandcamp. Com/album/disarm-the-mighty. Edited on reaper.

Field recording from sault ste marie, mi. Noon-hour traffic on a 25 mph street cars passing over a bridge. Little or no wind noise. Recorded on a tascam 4-track with a sure hi-z mic, onto a maxell cassette. Circa 1990'sconverted to ; 16bit 44. 1 dual mono (not true stereo).

This a spare recording from a short film i was making. It's a stereos track but all sounds are recorded to the left channel. This was recorded on a zoom h4n and a sennheiser me67. This sound is me walking on several surfaces near a stream in cornwall, uk. I walk in a woodland first, then on a road, then by a stream.

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

An ambient track for a horror game or clip that i made for a project i'm working on. Let me know what you think of it. The sound was made from various vst's in fl studio about a month back. I just sequenced out a melody i vaguely remembered from an old horror game and improvised from there. You're allowed to do whatever you want with it.

Compiled a number of different clips with background field sounds all recorded on a nikon d3200 dslr using windows moviemaker and then converting the sound track into wav format. Consist of walking to shed door in wellies(very poor sounds), opening shed door, rustle of taking apples out of plastic bag followed by chopping noises, closing of shed door then sniffing and chomping of apples by three horses.

This is a short sample from a noise track i just completed. It sounds a lot like someone screaming/roaring into a microphone, but it's actually a roland juno-6 played through various fx pedals (boss metal zone, boss xtortion, boss me-30 on ring mod setting, danelectro fish & chips, and a sprinkling of various other fx pedals throughout the recording). Recorded direct to sound card.

Sitting close to the track of a norwegian horse race. Sounds of the announcer over speakers and the hooves of the horses running by. Recorded in stereo with an sony pcm-m10. Please use this and any of my sounds for anything you like, for free! but i really appreciate a message, as it's fun to know where my sounds end up :).

Recorded with zoom h2n 3 channel ambisonic b-format (no z track), rail runner train leaving station in abq, nm. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Albuquerque new mexico rail yard market- outdoors. Recorded with zoom h2n 3 channel ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that this is a fuma bformat file converted from ambix format.

Free sounds. . . Use it with much reverb. . Echo. . . Chourus and so far. . . Cut and paste to the right place. I have done it just for expriments and for free. Please let me know if you done something with that. So i help you with your track and you help me to work with my voice always and again. Thank you!.

A half second (0. 54ish) 8bit sound effect made with pico-8. Sounds like an arcade missile launch or a big jump. Could also be a space invader ship being killed, but not epic enough for player defeat. . . No rights reserved. Notes to help me keep track: jerimee richir pico-8 2017 sfx3. Wav.

A soft sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

I wrote a beat with a beat bass and percussion, then i've added the sound of synth and it looks completely. It sounds like broken, but i like it. Could be in the base of the track in a style like: world/dub or something else.

Birds on the river nature atmosphere recorded with mixpre 6 and audio technica bp4025. If you want you can download a higher resolution on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/birds-and-nature-atmosphere-early-morning. You can also see a picture of recording location there!.

When the Saints Go Marching In performed by the Gateway Brass of the United States Air Force Band of the West. Track 10 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

The U.S. Army Song performed by the Concert Band of the United States Air Force Heritage of America Band. Track 54 from disc 1 of Ceremonial Music (2005).

O Holy Night performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from A Christmas Festival (1997). This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton

This is my four years old kid singing a long version of the abc's song. The idea of this version is to learn the sounds of every letter in the alphabet. The voice was recorded using the app "tape" by focusrite, with the an ipad's microphone without using any metronome or background track. The song was recorded in february 2014, in quito ecuador.

Festival Overture on the American National Air performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

That Da-Da Strain performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

I had to make a background track of roman senators talking for a comedy radio theater production. I recorded myself 5 times in different voices (other than my own) and got this track. There's a dumb senator in there, an old man senator, and three other random senator voices. :). You may do whatever you like with this sound. . . No attribution required, although i'd appreciate it if you would! :). Comments are always appreciated! :). P. S. Try to see if you can tell what the dumb senator is saying. . . That was the one that always got my friends laughing. Hint: it starts out with something like this (duuuhh) does any-body know what 'appened to julius caesar? well i see he died, but who knows? etc. Then he starts talking about how dumb he is and how everybody should imitate him because he's so dumb. . . Etc. :). All of the voices are done by me and none of these voices here are my normal voice. Xd.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Tale of Tsar Saltan, Op. 57: "Flight of the Bumblebee" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Hands Across the Sea (2007).[1][2][3]

Battle Hymn of the Republic (with poetic narration) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Part 9 ("The Star-Spangled Banner") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 19 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

I steve reiched a 'tune' i made with the celeste sample from my edirol orchestral plug-in and i think it makes good atmospheric music for a variety of things, depending on where you are in the track. It only really gets going from about 1:35 but after that i think it makes good fairy tale, horror, meditation, relaxation and mystical/cosmic soundtracks.

In this sound track, someone is handling a bag of crisps with strong intent on making rumple noises. The motion is holding and folding the bag of crisps. The sounds has a metallic quality to it, the motion is done at random. Useful for sample slicing. It is recorded with a simple tie microphone and then edited on audacity to reduce noise and isolate the sound.

It Came Upon a Midnight Clear, Deck the Halls (a holiday mashup) performed by the A Cappella Singers of the United States Air Force Band of the Rockies. Track 8 from Christmas from the Rockies (1993).

Adjutant's Call and "Men of Ohio" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 1 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Hail to the Spirit of Liberty performed by the Concert Band of the United States Air Force Heritage of America Band. Track 19 from disc 2 of Ceremonial Music (2005).

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

Le Divin Enfant (a jazzy arrangement of "Il est né, le divin Enfant") performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 10 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

World War V performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 13 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Airman First Class Kevin Burns, trumpet

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the Rockies. Track 21 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]

My Country 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Songs of America (2008). This file has been abridged from the original to cut out the introductory instrumental portion at the beginning.

Skates on ice: here is a very specific sound effect. The metallic slash through ice when it is being skated on. There are multiple variations of this in this track due to the amount of contact the blade of the skate has to the ice and also the force being put into the movement. It is a sharp and cold sound. Recorded with the zoom h6, rode ntg.