2,370 Royalty-Free Audio Tracks for "Tracks"

Skates on ice: here is a very specific sound effect. The metallic slash through ice when it is being skated on. There are multiple variations of this in this track due to the amount of contact the blade of the skate has to the ice and also the force being put into the movement. It is a sharp and cold sound. Recorded with the zoom h6, rode ntg.

In this sound track, someone is handling a bag of crisps with strong intent on making rumple noises. The motion is holding and folding the bag of crisps. The sounds has a metallic quality to it, the motion is done at random. Useful for sample slicing. It is recorded with a simple tie microphone and then edited on audacity to reduce noise and isolate the sound.

World War V performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 13 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Airman First Class Kevin Burns, trumpet

Adjutant's Call and "Men of Ohio" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 1 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the Rockies. Track 21 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]

My Country 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Songs of America (2008). This file has been abridged from the original to cut out the introductory instrumental portion at the beginning.

Le Divin Enfant (a jazzy arrangement of "Il est né, le divin Enfant") performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 10 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

It Came Upon a Midnight Clear, Deck the Halls (a holiday mashup) performed by the A Cappella Singers of the United States Air Force Band of the Rockies. Track 8 from Christmas from the Rockies (1993).

Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Falcon Fight (the United States Air Force Academy fight song) performed by the Concert Band of the United States Air Force Band of the Rockies. Track 10 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Bowed cymbal swellsrare 18" zildjian eak crash rideviolin bowrecorded in 24 bit at 48khz with an mxl 603 mic through yamaha mg16xu mixer and motu audio express a/d in reason 6 with subtle modulation and filtering. Clips are cut from track with no fade-in/out. July 21st 2015 high noon in nyc during very hot-feeling 88º with high low-level ozone and abusive humidity of 74%.

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.

Ambiance of a shopping mall or crowded store. Great for shopping or retail sound effects. This sound is in the public domain so its a bonus.

Hey, guys, i know it's been a while, but i'm making up for it with another cool sound effect - this one is a field recording during a rain storm. This track is good for ambience, and loops fairly seamlessly. Have fun with it!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

I needed a sound fx of a dog scratching itself for a 3d animation, so i did this foley recording. First i tapped a bunch of keys to simulate the tags jingling. Then i scratched my pants to the timing of first track. Feel free to use this for any purpose, including commercial use. Don't forget to leave a comment if you like it, and tell us about your project. Enjoy!.

You guys are probably wondering why i haven't been posting many sounds for the last month well number one so i can upload a lot of sounds at once and two i have been pretty busy with track and play practice. So now here is a bunch of sounds that were created by me either covering up or bumping my mic which i hope you will enjoy.

I live next to a car repair place and they have a couple of hot rods that they fire up now and then. This is a '55 chevy and to me the idle sounds like a dragon breathing. He does a couple of slight burnouts and you can hear the echo off the buildings. Recorded with my yamaha pocketrak and edited with sony vegas with one track duplication. Please comment on what you may use it for. :-).

By manuel de falla. Not the complete song. I love this song on a classical guitar,(and i love to fish) but wanted to try it my way. No set tempo with some fermatas. Recorded with my squire telecaster and squire mini-bass through the focusrite interface and walrus slo pedal on 'dream setting. 'guitar is triple tracked and bass is single track. Edited in reaper. Please comment on what you may use it for. Thanks. :-).

I really needed something that sounded like a group of horses galloping in the distance and couldn't find anything. So i busted out my zoom h6 and set it on my futon comforter and then just tapped my fingertips on the surface right next to the stereo mics. Then i put that track in premiere and made four layers, all offset to get different rhythm and i thought it turned out pretty good so wanted to share it.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-003. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-004. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-005. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Similar to my popular 2016 recording. Many birds are audible, as well as distant dogs. This clip is highly processed, for a much less processed version, check out the raw version of this track. Recorded during the 2019 world series of birding competition in nj. Feel free to use in commercial projects. --------------------------two em172 mic capsules -> zoom h1 recorder -> high-pass filter -> noise reduction.

Wachet auf, ruft uns die Stimme ("Awake, calls the voice to us" or "Sleepers, Wake"), BWV 140, performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 5 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Celebration of Carols (a medley of "Joy to the World", "Hark the Herald Angels Sing", and "O Come All Ye Faithful") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 14 from Christmas from the Rockies (1993).

Carols of the Season (a holiday medley of "Silent Night", "Joy to the World", "Hark! The Herald Angels Sing", and "O Come All Ye Faithful") performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 13 from Christmas on Stage and Screen (1996).

While creating an ambient haunted house track, i created 4 slightly different versions of a grandfather clock chime by layering tube bells, hand bells, and a vibraphone at varying dynamics and articulations in musescore 2. 0. The chime rings at a b2. I obviously had a clock in mind when creating these sounds, but you could also use this as a singing bowl, a bell or gong, or as any number of sound effects.

Recorded at silverstone circuit from becketts grandstand for the fia formula 3 (race 1) for the 2022 season. Recording captures the entire lap, from the exhaust sound from them coming through the loop, aintree and the wellington straight with them coming past the microphone at maggots, becketts and chapel corners. No copyright, but please do share any projects where you use this sound!.

User name fmagrao's sound 80761__fmagrao__siren was stretched, put in a sampler and played as described but of varying duration and it would appear that there is an optimum frequency range for these sirens. I will create a lower frequency version in due course and a foghorn/siren hybrid. The sound features on the following track along with other uncredited sounds downloaded from this site and i am genuinely grateful for all those contributions. Https://soundcloud. Com/klaxonite/klaxonite-3-190415.

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

The Couch performed by Wild Blue Country of the United States Air Force Academy Band. Track 4 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]

Part 8 (a drum cadence followed by the last strain of "The Stars and Stripes Forever") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 18 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

This sound is a pitched down recording of a metal knife striking the prongs of a metal fork. I added some reverb and adjusted the eq to make it sound like distant swords striking each other. This was used to simulate the ambient sounds of cutlasses in a pirate battle. In addition to clashing swords, this track could be adjusted to mimic the sounds of a blacksmith working at his anvil or flint and steel in lighting a fire, among other sound effects.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.

Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Process: a while ago i worked on a game and recorded several sound effects, one track after another. With the session set up the way it was, i opened all the channels and selected a section and exported it. After exporting, i threw it into paulstretch, and rendered that at the default settings. This is the result. If you use it, shoot me a message with a link to the project! i'd love to see how it's used!.