2,370 Royalty-Free Audio Tracks for "Tracks"

Here's my first field recording and first upload on here. I recorded my friend's fireplace in his apartment for a theater production through my college for which i was the sound designer and sound board operator. I used a zoom q3hd with its built-in stereo xy microphones at about a foot or so away from the fire (on the bricks directly encasing the fireplace) with some make-shift baffling around the fireplace (safe, i know). This track is an edited version, a sort of "best of".

Surround recording of a hiking track in the biokovo mountain national park in croatia. Good, clean mediterranian summer-atmo, ideal for motion-picture or broadcast work. It is noon, very hot and sunny and millions of crickets are chirping. In the distance, some goat-bells can be heard, otherwise the place is deserted. Recorded with a zoom h2. This file contains the rear channels, recorded with 120° dispersion.

I recorded this with my yamaha pocketrak at the paramount theater in seattle on feb. 29th, 2016 with one track duplication. This is the applause for stewart copeland and the seattle rock orchestra. Copeland scored the music for the silent version of 'ben hur' and the show was great as you can hear from the final applause. You can hear my friend brian at the end asking for some coffee. :^) please comment on what you may use it for. Thanks.

This high quality recording is of a cargo logistics train leaving the port of fremantle, pulling many, at least 50, sea containers on rail-cars through a railway crossing on a bend, curve of the line. You can hear the signal bell on the drop gate with flashing red lights and the steel rail-car wheels screeching on the curved track.

This is the new talking traffic signal in town. I got the idea to speed it up from listening to some radio commercials where the person talks a mile a minute to cram as many words into the commercial as possible. They really are damned annoying when they do it, but i get a laugh out of my version. Recorded on my yamaha pocketrak with one track duplication and edited in sony vegas. Please comment on what you will use it for. Thanks. :^).

Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

Several different takes combined, recorded from the second floor apartment of an nyc townhouse. The rain is hitting a neighboring rooftop which sits next to the window. The thunder is in the distance and slowly moves away, fading as the track goes on. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

Winter city park atmosphere with crows, wind and people recorded with olympus lsp4. If you want you can download a higher resolution of this file (24bit/96khz wav file) on bandcamp for a small fee and support me with it:https://richardatmo. Bandcamp. Com/track/city-park-with-crows-people-and-street-noises-in-winter-2. You can also see a picture of recording location there!.

Second Suite in F for Military Band, Op. 28, No. 2: III. "Song of the Blacksmith" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: IV. "Fantasia on the Dargason" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Rubber Grommets and Liquor performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 12 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander TSgt Jeff Sofet, alto saxophone SSgt Steve Knowis, trombone SSgt Scott Vignassi, trumpet

Livin' the Dream performed by Wild Blue Country of the United States Air Force Academy Band. Track 3 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2][3]

1 Ruffle and Flourish - Last 32 of The Stars and Stripes Forever"" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 42 from disc 1 of Ceremonial Music (2005).

Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Free Man performed by Wild Blue Country of the United States Air Force Academy Band. Track 6 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

St. Louis Blues March performed by the Shades of Blue jazz ensemble of the United States Air Force Band of Mid-America. Track 5 from Heroes Lost And Fallen (1997). Recorded January 28-31, 1997 at the Scottish Rite Cathedral, St. Louis, Missouri. Major Sam Pohl, conducting.[1][2][3][4][5]

Squadron Song performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 (B5) from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Second Suite in F for Military Band I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the 553rd United States Air National Guard Band of the Northeast. Track 2 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Electric guitar melody #7 recorded with psr standart + boss pocket go + zoom f3. You can download a higher resolution (24bit/192khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-7if you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

I recently contributed a track to a triple lp set of krautrock cover versions ("head music 2", released by fruits de mer records, december 2020). The song i chose to cover was kraftwerk's "autobahn". If you know the track, you'll know that it uses synthesised traffic sounds alongside recordings of the same. On my version, i achieved these in three ways:. 1) i downloaded some public domain traffic sound effects from elsewhere here on freesound. Org (thanks, guys!). 2) i got in my car with my zoom recorder and made my own recordings of the engine starting, stopping, etc. 3) i made my own sound effects using virtual synths and effects in ableton live 10. This particular sound falls into the third category. Let me stress that while the song "autobahn" is copyrighted, these are isolated sound effects and are not covered by copyright. I'm making them available here under a public domain licence. If you download and use any of these samples, please let me know in the comments what you did with them. It's not compulsory but it would be interesting to know what people did with these sounds.

Electric guitar melody #11 recorded with psr standart + boss gt1 + ditto+ looper. You can download a higher resolution (24bit/44100khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-11. If you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Basic sound using reason 10. Modular. Edited and rendered in reaper. Loaded into morphagene. Output (left) into erbeverb to create stereo. This fed into dual lpg from buchla (thomas white eurorack version) voltage controlled by random wogglebug trigger into tempi and maths envelop and thence into mimeoophone and into mixer as stereo. Other stereo from morphagene direct through mixer to element 24 to re-edit and render in reaper. Mixer doepfer a-138bp (dual 4 track version). Please excuse the clicks - caused by the analog handling and slight clipping (i´ll do better next time, i promise :).

The track was recorded at one of the last visits of a soviet tupolev tu-154m to prague-ruzyne airport. The plane was owned by slovakia government at that time. By dec 31, 2017 the aircraft, which was the last active tupolev tu-154 in eu at all, has been retired. After that the plane was not wrecked luckily, but went to aviation museum of kosice, slovakia :-) for recording i used a canon eos 6d with a mounted sennheiser mk-400 (mono) mic.

Ambisonic recording of a garbage truck. Truck begins near, gets distant and then near again. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.

Fast train passing, approx less than 3m away from track with tascam dr-05. This is a good recording although:i was glad to find a place to record a passing train without any kind of other disturbing noise and people! but i was really p. . . Off when right after the train passed an older guy with his bicycle stopped right beside me (you can hear him braking and stopping) "are you recording?" - "no, i´m just here planning a train robbery. . . ". .

Five rakes of a large wind chime recorded in the studio. I was producing a track for a singer / songwriter who has a beach type song and we needed some effects to add to the atmosphere and wind chimes was one of a few. This is a clean recording. You can use this in all kinds of outdoor samples etc. I recorded five passes for a few different chimes. This recording is unprocessed and has not been edited. Hope you can use them and thank you!-boot.

This was meant to be a part of a track i was working on, but ended up getting caught up in something else. So, i decided to give this away to those of you who may have use for it. The most important effect used to make this was absynth 5's atherizer. If anyone needs any of my sounds (or sounds not yet uploaded) customized to meet their preferences, please feel free to let me know, and i'll see what i can do.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and placed near the computer. You can hear the cd-player starting up, working, stopping, working again. At one point i skip through a track with winamp creating a choppy sound. When the cd player stops you can hear the base computer noise.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

I was just messing around with audacity again, this time slowing down my recording like a tape record, which not only stretched the time, but also turned down the frequency range which resulted in pitch shift. I stumbled around a sound that sounded like a huge horn exhaust - like those war pipes from celtics. So i experimented a little bit and made this one. Original recording was mono (but recorded to stereo track), however i added a reverb effect which created a nice stereo reverb effect. Feel free to use in games :).

I recorded this quick improvisation with my built-in laptop microphone and track monitoring on in reaper, which resulted in it sounding washed-out, warped, and screechy in the high end. At the beginning you hear the distorted wail of a left click initiating the recording. Somebody walks into the living room at the end and we share an exchange. I didn't add any effects or edit this audio in any way, it's just a fun experiment. Let me know if you use this for something!!!!!.

This sound is a free to use sample from melbourne atmospheres & wildlife sample pack. Check out the full pack for over one hundred more high quality ambient recordings from melbourne city and surrounding areas. 100% of revenue raising funds for land conservation 🌏. 🛒 purchase at: mawsp. Gumroad. Com. Onboard city tram on elizabeth street in melbourne city, myki scanner sound, tram announcements, track sounds, clatter.

Recorded with zoom f3 and clippy em 272 in ab stereo. 08 april 2023dresden germany. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/cafe-atmo-dresden-germany. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

This is pink noise, made with audacity program. I decided to record this in a stereo track and i made this noise for 74 minutes long. The effects i chosen for this sound are fade in and fade out only, with the amplitude of pink noise sets to default settings. You can use this sound for your relaxation session, or if you have problems with tinnitus. For a best experience, you can use headphones. Enjoy it, it's my first sound i created.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Recorded in july of 2019 at blue cliff monastery (pine bush, ny) using a zoom h1n and 3dio fs binaural microphone. At 9:30 p. M the"great togetherness meditation hall" was empty except for two meditators (one of whom can be heard leaving about three and a half minutes into the recording). The natural creaking of the building can be heard throughout. Additional sounds include outside crickets, cars passing on a nearby road, and an occasional airplane. The track volume was maximized using goldwave.

These sounds were created from xpand!'s sitar sound font and musescore's clave sound font. They were used in an ambient track simulating the sounds of exploring an ancient egyptian tomb. This could be used as a transition, when discovering treasure or a secret passage, or any number of events that need an egyptian or middle-eastern flavor. No need to credit me for this sound, but feel free to let me know how it was useful for you in the comment section below.

Yankee Doodle (track 19 of 26 on 2005 Songs of the Soldier album) Українська: «Янкі-Дудл» — американська патріотична пісня у виконанні армійського оркестру США (2005). Yankee Doodle, chanson anglaise devenue un chant patriotique américain, interprété par le Chœur de l'armée américaine. Čeština: Píseń "Yankee Doodle" v podání vojenského souboru United States Army Band. العربية: أغنية "يانكي دودل (الاسم باللغة الأصلية الإنكليزية: Yankee Doodle)" أداء فرقة جيش الولايات المتحدة Эрзянь: "Янки-Дудл (Yankee Doodle)" моронть морыть АВШ-нь умовиень оркестась.

Pretty cool vocal i made for my dubstep track. Maybe someone else might find it useful as well. :)it's loopable, but i left a bit of space at the end for the reverb, so you might want to chop it first, if you're going to loop it. 140 bpm, e minor (probably). Btw i'd be really happy, if you show me what you made with this, but that's fully optional. :d.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Thought this would make the perfect, very unique style to use drums as filler background music during a very important statement or speech. This track is a little over two minutes long and has just enough soft beats to not distract the listener to what is being said. This was recorded using a yamaha keyboards guitarpop style drum rhythm, audacity & a little improvisation. I must admit. . . I like what i hear and i think - so will you!. No acknowledgement to me is necessary but maybe a shout-out to yamaha would seem in order.

Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.