530 Royalty-Free Audio Tracks for "Tradition"

[retro_chinatown_full_version. Wav]. Retro, chinatown!. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ made this with saucillator! ⭐. Enjoy!/matrixxx.

I used cheap mallet sticks made of rubber to play on a ride cymbal. Not really a good tremolo or whatever you call it, but it has its moments!recorded with a tascam dr 100. The ride was bosphorus traditional series. So i think it's 21 inces i guess? correct me there, i lack loads of drum-knowledge. Sorry about the attributional cc. It should've been public domain from the start.

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Cymbals, drums, one voice. Folk music outside of wat phra that doi suthep. You hear one instrument -besides the drum and the common pair of cymbals- which name i ignore -any help with this will be deeply appreciated!this instrument apparently is very common in north thailand and laos. It consists of cymbals hanging in a wood structure that operates with strings! i mean, a totally alien thing for me. Sound record it with -sorry- a gopro camera hero4, then edited with audacity.

Ocean waves recorded from between two rocks. Recorded on a zoom h4 with the mics covered in zeppelin fur at 44100 hz 24-bit. There's some slight wind noise that can be filtered from 150hz downward. This is part of a series of recordings for an ambient music project i'm working on. There are some excellent ocean recordings on freesound if you're looking for a more traditional ocean sound, but my intent with these clips was to try to capture some natural phase-shifting by placing the h4 in cracks and crevices for a more hollow, "closed-in" sound.

[retro_chinatown_short_version. Wav]. Retro, chinatown!. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ made this with saucillator! ⭐. Enjoy!/matrixxx.

The Fighters of Korea (traditional U.S. Air Force songs including "Will You Go Boom Today" [a.k.a "If you fly"], "Itazuki Tower" [a.k.a. Air Force 801, set to "Wabash Cannonball"], and "Jet Combat" [a.k.a "Song of the Sabres" or "The Mission"] performed by the Concert Band of the United States Air Force Band. Track 10 from Heritage to Horizons (2007). Previously published as track 4 from United States Air Force 40th Anniversary (1987).[1][2][3]

Sung by Fazal Hussain Khan. Recorded by William Sinkler Darby in Lahore. Gramophone 2-12765. Gokul Gaav Ke Choriwa – tradycyjna hindustańska pieśń w wykonaniu Fazala Hussaina Khana zarejestrowana w 1904 roku w Lahaurze przez Williama Sinklera Darby'ego. Gokul Gaav Ke Choriwa gesungen von Fazal Hussain Khan. 1904 von William Sinkler Darby in Lahore aufgenommen. Македонски: Традиционалната песна Гокул гав ке чорива снимена во Лахор (во денешен Пакистан), 1904 г.

Tao-chi gong. This is a more sound recording of the large chinese gong, we use daily in our school, before the exercise hour start and after they end. Sound recorded on june, 6th 2014 tao-chi duisburgin the beginning, you may hear sound of tibetan prayer wheels :o). For more information watch:http://www. Freesound. Org/people/the_very_real_horst/sounds/193040/. Use it, if you like it,thanks for interest and peace on your waythe very real horst. .

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Recording of traditional sneaker with hard rubber sole stepping down on glasses on hardwood floor. Moderate room tone present. First takes are extremely near to glasses on floor, then followed by takes done about a meter away and at waist height. Glasses used were a pair of old metal framed earhook with polymer type prescription lens and an all plastic frame "blue light reducing" pair with plastic lens. Recorded on a tascam dr-05 linear pcm recorder around 11pm on 5/20/17.

The Armstrong Twins and Harold Hensley perform Stuck Up Blues, Mandolin Boogie and Bill Cheatum at KXLA's Hometown Jamboree on July 4, 1949. The Hometown Jamboree was one of the west coast's most popular barn dance shows and was led by Cliffie Stone. On Bill Cheatum, Harold Hensley is on fiddle and Eddie Kirk plays guitar. Die Armstrong Twins und Harold Hensley spielen den Stuck Up Blues, den Mandolin Boogie und Bill Cheatum live im KXLA Hometown jamboree am Abend des 4. Juli 1949. Harold Hensley wird bei Bill Cheatum von Eddie Kirk an der Gitarre unterstützt.

Binaural recording of the traditional celebration of correfoc during the festival of "la mercè 2016" in barcelona. From wikipedia:. "correfocs (catalan pronunciation: [ˌkorəˈfɔks], western catalan: [ˌkoreˈfɔks]); literally in english "fire-runs") are among the most striking features present in catalan festivals. In the correfoc, a group of individuals will dress as devils and light fireworks - fixed on devil's pitchforks or strung above the route. Dancing to the sound of a rhythmic drum group, they set off their fireworks among crowds of spectators. The spectators that participate dress to protect themselves against small burns and attempt to get as close as possible to the devils. . . Running with the fire. Other spectators will watch from 'safe' distances, rapidly retreating as necessary. ".

A record of WNOX's Tennessee Barn Dance airing every saturday night. Emcee was Lowell Blanchard. The first tune to hear on this recording is the theme song "Gonna Raise A Ruckus Tonight", later Larry Mathis plays the "Dixie Breakdown" with the barn dance band. Ein Ausschnitt aus dem WNOX Tennessee Barn Dance, der jedeb Samstanabend gesendet wurde. Moderator war Lowell Blanchard. Der erste Titel in dieser Aufnahme ist "Gonna Raise A Ruckus Tonight". Später spielt Larry Mathis zusammen mit der Hausband den "Dixie Breakdown".

El Noi de la Mare, a Catalan folk song on guitar. Das katalanische Weihnachtslied "El Noi de la Mare" ("Der Mutter Kind"), auf einer Konzertgitarre vorgetragen. "El Noi de la Mare", villancico catalán del siglo XVI interpretado con guitarra clásica. Македонски: Каталонска божиќна песна El Noi de la Mare („Мајчин син“) во инструментална изведба на класична гитара.

Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.

A test recording of a top-loading washing machine accelerating to 1000rpm on its final spin cycle. Note that it's not as high-quality as i would've liked, but i'll try again soon. Recorded with an oppo reno 8 lite 5g phone and edited with audacity. You may also hear birds chirping, which i had trouble editing out with this recording. The machine in question is a fisher & paykel quicksmart 5. 5kg (mw513) running on 240v 50hz power. This machine utilises a "direct drive" bldc motor instead of the traditional induction motor and pulley.

A summer morning field recording at newport lakes reserve, a former bluestone quarry and rubbish tip in the western melbourne suburb of newport. The area is now a vast suburban park with a native nursery and twin human-made lakes, popular with many species of birds and people. This recording was made using a sony pcm-m10 recorder's built-in omnidirectional stereo microphones. It was taken on january 15 2011 at 8. 30am, on unceded boon wurrung land, part of the eastern kulin nations. I acknowledge the sovereignty of the traditional owners and pay my respects to their elders and all first nations people.

I noticed there were no dry ice on oven rack sounds here so here is a recording of dry ice interacting with a steel oven rack. As the dry ice melts it creates vibrations on the metal that evolve as the material travels across the surface. It is an awful sound resembling a combination of saxophone, violin, bagpipe and screaming (any species). This was recorded on halloween 2018. It was a tradition in my family when i was a kid to get some dry ice on halloween and fill beakers with colored water to surround the candy display. The addition of dry ice on oven rack sound effects developed later and truly scared a lot of kids because it is so loud and terrible. These days we make some dry ice kief as well which makes the holiday even more festive and weird.

Recording was taken in the night from 22. 04. 2000 to 23. 04. 2000 in the so called 'leine masch' what is a floodplain of our river called leine. I was on the way back from our easterfire, an old german tradition in the night before easter sunday. Similar to the bonfire in august in britain. I heard the nightingale singing, went at home took my sennhiser me80 with the windshield basket and recorder zoom h4. I returned to the place i heard the nightingale and the bird was still singing. On the recording you can hear the ambient of chemical factory of honywell seelze, a street with cars sometimes, a second nightingale far away answering our nightingale near by. And some frogs. At the beginning of the recording there is also some handgrabbing noise, later i fixed the mic on the saddle of my bike and there is no longer the handgrabbing. Enjoy the beautyful singing, cheers.

Live recording. Uday Shankar and his company of hindu dancers and musicians: Vishnudass Shirali, Sisir Sovan, Rabindra (Ravi Shankar), Dulal Sen, Nagen Dey, Brijo Behari. Čeština: Skladba Raga Tilanga (1937), na sitár hraje Ravi Šankar při své návštěvě New Yorku. Raga Tilanga (1937), Ravi Shankar's first recording, in New York, during a tour organized by his elder brother Uday Shankar. हिन्दी: राग तिलंग (१९३७), बड़े भाई उदय शंकर द्वारा आयोजित एक दौरे के दौरान रवि शंकर की न्यूयॉर्क में पहली रिकॉर्डिंग। Македонски: Рага Тиланга (1937) — првата снимена изведба на истакнатиот индиски класичен музичар Рави Шанкар (1920 - 2012). Raga Tilanga – pierwsze nagranie Ravi Shankara zarejestrowane w 1937 roku w Nowym Jorku podczas tournee grupy tanecznej jego starszego brata, Uday Shankara.

Wax cylinder recording of the Thai Royal Anthem ("Phleng Sansoen Phra Barami") performed by Boosra Mahin Theater Group, a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv. There is a copy of this phonograph cylinder recordings in Thailand preserved by The First Antique Phonograph & Gramophone Museum in Thailand, directed by Mr. Pluethipol Prachumphol. This is the oldest recording of the Thai Royal Anthem. More information are available at http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html ไทย: เพลงสรรเสริญพระบารมี บรรเลงดนตรีไทยโดยคณะละครนายบุศย์มหินทร์ (บุศย์ เพ็ญกุล) บันทึกเสียงในกระบอกเสียงไขผึ้งยี่ห้อเอดิสัน นับเป็นการบันทึกเสียงเพลงสรรเสริญพระบารมีของไทยที่เก่าแก่ที่สุดเท่าที่มีการค้นพบ เพลงนี้ได้บันทึกเสียงเมื่อคณะละครนายบุศย์มหินทร์เดินทางไปเปิดการแสดง ณ กรุงเบอร์ลิน ประเทศเยอรมนี เมื่อวันที่ 24 กันยายน พ.ศ. 2443 (ค.ศ. 1900) บันทึกเสียงโดย ดร. คาร์ล สตัมฟ์ (Carl Stumpf) แห่งมหาวิทยาลัยกรุงเบอร์ลิน กระบอกเสียงดังกล่าวนี้ปัจจุบันได้มีการเก็บรักษาไว้อย่างดีที่ Berlin Phonogramm-Archiv มหาวิทยาลัยกรุงเบอร์ลิน สำเนากระบอกเสียงดังกล่าวในประเทศไทยได้มีการอนุรักษ์ไว้ที่พิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทย กรุงเทพมหานคร ไฟล์เสียงดังกล่าวนี้ ผู้อัปโหลดได้รับอนุญาตจากผู้อำนวยการพิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทยให้อัปโหลดเพื่อการศึกษาและเป็นสาธารณะประโยชน์แล้ว สำหรับข้อมูลเพิ่มเติม สามารถศึกษาได้ที่ http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html

Formatted for use in the make noise morphagene by todd barton. Sounds from "music and poetry of the kesh". "all samples have been remastered from the master 8-channel recording sessions of 1984. It has been fun and fascinating "remixing" them in the morphagene. " - todd. Music and poetry of the kesh is the documentation of an invented pacific coast peoples from a far distant time, and the soundtrack of famed science fiction author, ursula k. Le guin’s always coming home. In the novel, the story of stone telling, a young woman of the kesh, is woven within a larger anthropological folklore and fantasy. The ways of the kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet (le guin’s conlang, so she could write non-english lyrics), and with early editions, a cassette of “field recordings” and indigenous song. Le guin wanted to hear the people she’d imagined; she embarked on an elaborate process with her friend todd barton to invoke their spirit and tradition. Full album available here:. Https://ursulakleguintoddbarton. Bandcamp. Com/album/music-and-poetry-of-the-kesh. Todd has also released a remix of the reel on soundcloud. Post yours in the comments!. Https://soundcloud. Com/user7621213/kesh-8th-house-remix.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781

O Tannenbaum, an 1824 German Christmas carol written and with music arranged by Ernst Anschütz using a traditional folk melody as his basis. Performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. This recording includes the first verse in German, followed by an English translation. CSM Debra L. McGarity O Tannenbaum (Mon beau sapin) interprétée par le chœur de l'armée américaine (U.S. Army Band). Basée sur un chant traditionnel allemand, elle est devenue depuis le début du XXe siècle un chant de Noël associé au traditionnel sapin de Noël. Українська: «О ялиночко!» (O Tannenbaum) — німецька різдвяна колядка у виконанні хору армійського оркестру США «Pershing's Own». Эрзянь: "O Tannenbaum" ("О, куз" эли "Роштувань Чувто") конань моры "Pershing's Own" АВШ-нь ушмовиень оркестрась. Моронть юрокс ашти немецень раськень эськоень моро, сон теевсь XX пингеньть ушодомонтень Роштувань ине морокс, кона сюлмазь Роштувань чувтонть марто. العربية: "أغنية O Tannenbaum" (يا شجرة الميلاد) من أداء جوقة الجيش الأمريكي ("Pershing's Own")، وهي مشتقة من أغنية تقليدية ألمانية، أصبحت إحدى أغاني ميلاد يسوع مرتبطةً بتقليد شجرة الميلاد منذ بدايات القرن العشرين. Čeština: "O Tannenbaum", německá vánoční koleda, vzniklá na základě tradiční německé lidové písně se z počátku 20. století v podání amerického armádního sboru "Pershing's Own".

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

What i hear in this sound is a crashing starship as you regain consciousness surrounded by chaos of the crew and emergency systems. At 00:52 there's a really cool explosion hit that fits the starship in danger vibe. Created from roughly 230 sounds in reaper by looping, batch actions and modulated filtering. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav116395__dean-raul-diarchangeli__tv-static. Wav120107__toc1__bird-wings. Aiff132843__cactus2003__creepy-ambience-background. Wav135506__chriddof__heavenly-computer. Wav138156__triad__hair-clippers-2. Wav14102__adcbicycle__15. Wav145094__crashoverride61088__whoosh-and-vacuum. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. 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Wav412429__florianreichelt__mysterious-accoustic-guitar-film-sound. Wav414671__zouzmusic__short-pigeon-wing-flap. Wav414818__bokal__office-chair-rolling. Mp3416873__simonlabelle__delicate-horse. Wav420728__claypipe__realitycoming. Mp3425090__neospica__pressurized-door-opening. Wav425787__thatkellytrna__wrinkle-bag. Wav427822__asaphelps__filmsocialisme. Mp3432291__schmaddio__rusty-spring. Wav432817__harlemdaw__happy-tune. Mp3433584__jackmurrayofficial__car-starting-and-accelerating. Wav433977__joedozer__rusty-fan. Wav435082__piwikiwi__film-tape. Wav437968__craigsmith__g12-35a-eagle-cries. Wav438620__craigsmith__g39-03-cartoon-boings. Wav441622__danielajq__6-2-aleteo. Wav441966__detringer__glitch-1. Wav442773__qubodup__big-water-splash. Wav443061__schoggimousse__water-cave. Wav445048__bassboybg__touchscreen-keyboard. Wav445958__breviceps__cartoon-bat-mouse-squeak. Wav445960__breviceps__cartoon-duck-quack. Wav446930__sofial1224__20-suspiro-consolidated. Wav447458__florianreichelt__paper-money-sound. Wav448375__audionauten__robot-moves-his-arm. Wav448621__neilsher__ambient-creepy-soundscape. Mp3450042__kyles__phone-telephone-ring-office-nice-iconic-close-to-speaker. Wav452795__cloe-king__sweeping-on-carpet. Wav452931__kyles__crowd-int-crowded-small-theater-lobby-ifc1-nyc-usa. Flac454259__kyles__tv-channel-change-static-blips-scanner-cb-radio-tuning-static-blips-static-sharp-scanner-cb-radio-blips-on-off-good2. Flac455309__free-rush__empty-coffee-machine. Wav455385__thomasomas__recharge-sound. Wav456246__tc630__terminal-velosity. Flac456761__sieuamthanh__ai-bang-con. Wav457043__breviceps__busy-room-ambience-small-crowd-people-talking-in-background. Wav457438__samwd__flourescent-light. Wav458461__prometheus888__carengine. Wav458627__tetrisrocker__clock. Wav458711__fabrizio84__waterfall. Mp3459409__pfannkuchn__small-river-1-slow-close. Wav459573__dougbarrett123__cafe-recording-take-1-zoom0047-lr. Wav459983__florianreichelt__rain-water-dripping-softly. Mp3462462__soojay__seagulls-gaviotas-clean-wildtrack. Wav462889__mycompasstv__frogs-croaking-crickets-at-night-in-jungle-swamp-africa. Mp3462958__bastianhallo__cartoon-jump. Wav462959__lizapenelope__cafe-sounds. M4a464496__kaygrum__river. Wav468164__wintuh__36-corriendomadera. Wav468240__cristian-vogel__bees-around-flowers. Aiff477643__richwise__foggy-morning-at-weston-shore. Wav478306__magmi-soundtracks__creepy-classical-music-01. Wav479050__nuncaconoci__rusty-hatch. Wav484157__tempermode__fluorescent-light-flickering-1. Wav489999__deleted-user-8803593__elevator-music. Wav492378__nicknamelarry__spaceship-take-off-sound-effect. Wav494497__pianofarm__farm-summer-ambience-07-09-2019. M4a495656__aunrea__dog-whimper-1. Wav495711__tosha73__strange-digital-noise-003. Wav495712__tosha73__strange-digital-noise-002. Wav495713__tosha73__strange-digital-noise-001. Wav495795__priesjensen__car-driving-ambience. Wav500146__phonoflora__foghorn. Wav502657__justfornoise__old-film-projector. M4a502680__fission9__train-station-3. Wav503815__neezen__sweep. Wav506157__sifujordan__big-splash. Wav507081__paulprit__einarrson-fast-retrieve. Wav507088__paulprit__einarrson-slow-retrieve. Wav507471__danjocross__long-distant-foghorn. Aiff507472__danjocross__great-echoing-foghorn. Aiff509440__claudiachaveslopes__teclado-sms. M4a510917__lydmakeren__seagulls-short. Wav511485__mattleschuck__cartoon-wink-magic-sparkle. Wav514234__nicknamelarry__sound-effect-flight. Wav514486__whammy__office-stamp. Wav515164__stuntstudio__1920s-style-cartoon-motif. Wav515293__breviceps__propeller-plane. Wav516928__mariethompson__waterfall4. Mp3518037__rvgerxini__fan-motor. Mp3521967__kastenfrosch__megaphone-radio-gibberish-4. Ogg523016__tripjazz__lightning-discharge. Wav523399__cyoung510__waves-lapping. Wav524205__dylanh-sound__radio-sign-off. Wav524934__mc5__electrical-noise. Wav52780__guitarguy1985__data. Wav527845__d-jones__elephant-trumpets-growls. Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav543111__clusman__bird-flapping-5. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav545611__bandslam33__wings-03. Wav545613__bandslam33__wings-04. Wav547016__neopolitansixth__classic-computing-sound. Wav551748__jpbillingsleyjr__finger-banging. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp382610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp391919__filipe-chagas__water-lapping-rocky-beach-ambiance. Wav93337__polymorpheva__cicadas-rbg. Wav.