530 Royalty-Free Audio Tracks for "Tradition"

Retreat (solo) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from disc 1 of Ceremonial Music (2005).

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 3 from Spirit of the Land (2001).[1][2][3] Credits: Soprano Patricia Wolfe, soloist Conductor Chad Steffey

Carry On performed by the Concert Band of the United States Air Force Heritage of America Band. Track 14 from disc 1 of Ceremonial Music (2005).

Enregistrement de l'exposition coloniale

Three ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 13 from Esprit de Corps (1997).

Four ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 14 from Esprit de Corps (1997).

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

Sound demo 'annie is my darling' (simon fraser) by using the akkordica vst plugin, a virtual accordion, harmonica and melodica software that covers a wide range of sounds, by combining the traditional accordion performance and modern digital functionality. Suitable for a wide range of musical styles, be it traditional, popular or classical. Features:. 1. - piano accordion2. - anglo concertina3. - strasser accordion4. - hohner accordion5. - musette accordion6. - harmonica natural7. - harmonica vibrato8. - melodica (pianica)9. - accordina (harmonicon).

Pajarito it's the name of the song. What you hear are jacanas, the small traditional guitars used by jarocho's musicians, and one requinto guitar (and some kids laughing). Playing jaranas: elías meléndez, who i personally dubbed as "the muddy waters of son jarocho" -he passed away on 2017-; arturo barradas, leader of soneros del tesechoacan, a famous jarocho music band, and his son, young elías barradas. Playing the requinto guitar is adrián luna, who for many years was a member of the grammy awardees group los cojolites. Adrián luna's voice is on one song (el conejo) included in the soundtrack of the two oscars winner and internationally recognized movie frida (2002). Recorded with zoom, in 2013, in tuxtepec, oaxaca, during a jam session. Rip elías meléndez.

My Country, 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 2 of Ceremonial Music (2005).

Small fireworks. Happy new year 2018!. Small fireworks echoing in the neighborhood. Firework recordings are a tradition on freesound. This is my take. First recording with this device. Will lower recording level to next year. . . I wonder how "auto" works on fireworks?extreme transients. . .

Musique traditionnelle. Danses Balouka du Moyen-Congo ; recueillies et enregistrées par H. Pepper ; quatre chanteurs accompagnés du luth Ngonfi

Mess Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 1 of Ceremonial Music (2005).

Four ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 18 from Esprit de Corps (1997).

Adjutant's Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 17 from disc 1 of Ceremonial Music (2005).

Attention performed by the Concert Band of the United States Air Force Heritage of America Band. Track 10 from disc 1 of Ceremonial Music (2005).

Retreat performed by the Concert Band of the United States Air Force Heritage of America Band. Track 19 from disc 1 of Ceremonial Music (2005).

English lyric for a traditional French carol, sung a cappella

Bury Me Out on the Prairie by Bradley Kincaid. I'm not quite sure if this is the Gennett cut from 1928 or if it's a later Brunswick recording. Bury Me Out on the Prairie von Bradley Kincaid. Es ist nicht sicher, ob dies die Gennett-Aufnahme von 1928 oder eine spätere Brunswick-Einspielung ist.

Recall performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from disc 1 of Ceremonial Music (2005).

Officers Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 11 from disc 1 of Ceremonial Music (2005).

Audio sample: 'festa in autumn' (folk okinawa) testing virtual koto, shamisen and shakuhachi vst presets with shamikoto and dal flute.

An'im Zmirot (Shir Hakavod), Jewish traditional melody An'im Zmirot (Shir Hakavod), überlieferte jüdische Melodie; im Gotteslob (2013), Diözesanteil Hamburg-Hildesheim-Osnabrück, mit dem Text "Herr, mache mich zum Werkzeug deines Friedens" (Nr. 868)

Echo Taps performed by the Concert Band of the United States Air Force Heritage of America Band. Track 24 from disc 1 of Ceremonial Music (2005).

First Sergeant's Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 26 from disc 1 of Ceremonial Music (2005).

Grabación realizada en el zócalo de la ciudad de méxico, en julio 2019. Se escucha un tambor tradicional mexica (huéhuetl) y el rumor de la gente en la plaza. Recording made at downtown mexico city, in july 2019. A traditional mexican drum (huéhuetl) and the rumor of people in the square are heard.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

O Holy Night (with "Lord, Guard and Guide") performed by the Singing Sergeants and Symphony Orchestra of the United States Air Force Band. Track 6 from Holiday Traditions (2007). Michael J. Willen, Conductor[1][2][3][4][5][6][7][8]

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Farmer milking a goat by hand. Bucket is half-full of milk. Goats and bucket stands on a wooden platform. Goat-milking sound samples recorded in a small traditional goat-farm in the south of francerecorded with tascam dr-10048000 hz stereo, 16-bit wave pcm uncompressed.

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Auld Lang Syne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 21 from disc 2 of Ceremonial Music (2005).

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

Recording of a day of the dead celebration at the museum of native american history in washington, d. C. (2014) features drumming, flute playing, chanting, yelling / whooping, whip crack sounds. Drenched in natural reverb (recorded from top floor of a circular performance space with a stone ceiling), with lots of low-frequency rumble. Possible use: could be processed for horror ambience.

Opening and closing the cutlery drawer. -----------these sounds are part of the compose with sounds kitchen soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.

La guacamaya (the macaw) one of the most popular songs of the traditional son jarocho genre. The interpreters are soneros del tesechoacán, a group originally from playa vicente, veracruz. They play those small guitars -imagine a ukelele in hands of a mexican- they call jaranas and also a 4 string guitar they call requinto. Recorded in oakland california. January 2012. I used a h2 zoom.

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains. Tradycyjna kongijska piosenka w języku lingala nagrana w 1931 roku podczas międzynarodowej wystawy kolonialnej (fr. exposition coloniale internationale) w Paryżu. Čeština: Tradiční píseň z Konga v jazyce ngalština předváděná v roce 1931 na výstavě Paris Colonial Exposition v Paříži. Traditional Congolese song in Lingala recorded in 1931 at the Paris Colonial Exposition. Македонски: Конгоанска народна песна на јазикот лингала. Снимка од Париската колонијална изложба, 1931 г. Традиционная конголезская песня на лингала, записанная в 1931 году на Парижской колониальной выставке.

I made this pad sound by starting with a traditional saw wave and mixing various effects together such as reverb and chorus. The wav file also has pre-defined loop points that can be used in samplers that support the functionality. Note: there is a slight static noise that is present when the sound is played through the freesound player on the website, however, the static is not present when played outside of the freesound audio player. Made with fl studio 11. Enjoy!.

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Car driving past on a quiet lane. -----------these sounds are part of the compose with sounds external soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Harp player from gambia, africa playing the chora, a typical harp used in gambia or senegal, in western africa, by the so called "griot", a singer, storyteller, singing songs and stories, thus beeing part of the oral tradition of his country and people. The recording was made during the berlin carnival of cultures in the summer of 2011, the harp player and the drummer (djembe) were sitting among the crowd of listeners open air at the bluecher platz. Zoom h4n.

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

The year of the roster began on january 28, 2017. The night before, january 27, as traditions dictate chinese family gather to have a great dinner and get lose with baijiu -chinese white liquor-. After dinner, a little tipsy, chinese went to the street and start firing all kind of pyrotechnic. Amazing spectacle -even been disastrous for the air you breathe for the next few days-. I recorded this firecracker with a zoom ii from the balcony of my 19th-floor apartment in beijing.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.