75 Royalty-Free Audio Tracks for "Twelve Measures"

Theme to Paganini's Caprice No. 24 for violin.

Ah je vous dirai maman Var 5

Ah je vous dirai maman Var 8

Ah je vous dirai maman Var 7

Ah je vous dirai maman Var 1

Ah je vous dirai maman theme

Nono- Il Canto sospeso all-interval series, as Midi

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in C, block chords.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Standard Walking bass of a Boogie

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

First 8 bars of musical notation

Bo Diddley beat.

False relation typical in the music of the Baroque period. This particular chord sequence is common in the works of J.S. Bach. I guessed at the tempo.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Arbitrary example to quickly show variation in musical dynamics.

Oh, Susannah is an example of rounded binary form: A-B-½A.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

Baa Baa prosody example. What if it started on 4 instead of 1?

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

3-2 son clave.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

6/8 clave rhythm.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Blast beat drum pattern.

Blast beat drum pattern.

Delayed backbeat (last eighth note in each measure) as in funk music. Created in Sibelius. en:Image:Delayed backbeat.png

Basic shuffle rhythm. Created by Hyacinth (talk) 22:04, 28 July 2008 in Sibelius.

Shuffle triplet-like performance.

Shuffle pattern with staggered thirds played on piano.

Heavy metal gallop rhythm as drum pattern.

Beethoven, Diabelli Variation No. 13

Corelli Violin Sonata Op 5 No 9, performing version by Geminiani, Tempo di Gavotta

Corelli Violin Sonata Op 5 No 9, Tempo di Gavotta

Theme by Anton Diabelli

Lanner's Schönbrunner, Op. 200, No. 4, mm. 17-23

9/8 drum pattern.

3/4 drum pattern.

Backbeat pattern on snare drum. Created in Sibelius. en:Image:Backbeat pattern snare drum.png

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.