2,102 Royalty-Free Audio Tracks for "Two"

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*Two-hundred-ninety-seventh harmonic on C = D↑. Just: 297/256 = 257.18 cents. Limit: 11-limit. MIDI pitch bend: 38,50

*Two-hundred-thirty-fifth harmonic on C = B. Just: 235/128 = 1051.82 cents. Limit: 47-limit. MIDI pitch bend: 74,48

*Two-hundred-seventy-fifth harmonic on C = C↑♯. Just: 275/256 = 123.95 cents. Limit: 11-limit. MIDI pitch bend: 84,71

*Two-hundred-eighty-fifth harmonic on C = D. Just: 285/256 = 185.78 cents. Limit: 19-limit. MIDI pitch bend: 57,59

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU

*Two-hundred-eighty-ninth harmonic on C = C. Just: 289:256 = 209.91 cents. Limit: 17-limit. MIDI pitch bend: 21,67

*Two-hundred-forty-fifth subharmonic on C = C-. Just: 256/245 = 76.03 cents. Limit: 7-limit. MIDI pitch bend: 42,88 on PU

*Two-hundred-ninety-ninth harmonic on C = D. Just: 299/256 = 268.80 cents. Limit: 23-limit. MIDI pitch bend: 2,86 on M2

*Two-hundred-forty-fifth harmonic on C = C+. Just: 245/128 = 1123.97 cents. Limit: 7-limit. MIDI pitch bend: 85,39 on P8

*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68

L'Estro Armonico, Op. 3, Concerto No. 5 in A major for two violins and strings, RV 519

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

L'Estro Armonico, Op. 3, Concerto No. 2 in G minor for two violins, cello and strings, RV 578

*Two-hundred-ninth harmonic on C = A↑♭. Just: 209:128 = 848.83 cents. Limit: 19-limit. MIDI pitch bend: 80,79

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

Two examples of tone-cluster notation as first used by Henry Cowell.

*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5

Period (two phrases) in Haydn's Feldpartita.

Tritone scale on C.

Janacek Sinfonietta 2nd movement, opening bars

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Musical score example of two voices in oblique motion. Created by Hyacinth (talk) 22:10, 2 February 2012 (UTC) using Sibelius 5.

Two ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 12 from Esprit de Corps (1997).

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

Two ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 16 from Esprit de Corps (1997).

Prolation Canon, Agnus Dei from the earlier of the two Missa l'homme armés by Josquin des Prez (1450 to 1455–1521).

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

Luigi Boccherini's Sonata for Two Cellos in C Major, 1st movement: Allegro moderato performed by Alisa Weilerstein and 8 year-old Sujari Britt at the w:White House Evening of Classical Music

The most common and simple blastbeat. Two measures repeated (four measures total).

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

F major scale in two octaves played on western concert flute F-durskala i to oktaver sammenbundet spillet på tværfløjte

Simple quadruple drum pattern: divides four beats into two. Created in Sibelius.

Just augmented sixth on C. 225:128 = 976.54 cents.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Short sample of Entre dos Aguas (Between two seas) by Paco de Lucia, played by Michael Laucke

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.