8 Royalty-Free Audio Tracks for "Vclfo"

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

I have tried to make a patch similar to the one i did in vcv-rack herehttps://freesound. Org/people/gis_sweden/sounds/421725/not exactly the same. Don't remember. . . Then i did https://freesound. Org/people/gis_sweden/sounds/421752/cool, but i think i forgott to connct one oscillator. . . Now! a "faster" version. 4 vclfos are spitting out cv! yeah!fun!still no glitch!.

A modular synth experiment. 1 - noise/vclfo/slew - the brighter sound2 - noise/vcf - the bassy soundx - the bass drum is very unrandom. 5 minutes of random. . .

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.