120 Royalty-Free Audio Tracks for "Vocoder"

A growl bass i made in ni massive;. Free for use for any purpose. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!. .

Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

A bass a made using the monophonic synth in logic x. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.

Deep -sounding pad , with vibarionen, 120bpmi create it with the atmos-synth (magix musik maker 2016) + 2 effects (efx_phaser and vocoder)i have it , used in this songhttps://soundcloud. Com/talan-pl/creye-ycreycymon.

Here's another vocal sample of "reaction" ran thru audioterm into a waldorf blofeld as a wavetable. Scanning the position of the wavetable is done by the mod wheel so it's fun to play. Not a sampler, not a vocoder! this one is in d.

Generated in audacity by applying the vocoder effect to a sine-wave tone from a spoken work, "yes", recording and then removing the voice component. A short sine-wave tone was then appended to the end of each pulse to create a futuristic heartbeat sound. File available in. Wav,. Mp3, and. Aiff formats.

The soundscape is created by using behringers pro-1 and crave. I recorded into logic via a yamaha mixer and steinbergs ur22 mk1. In logic i destroyed the sound completely with a bunch of effects. Effects used: space delay, microphaser, a vocoder and of course my beloved bitcrusher. Did some equalizing too.

A sound i created using the sound "old door 5", (http://www. Freesound. Org/people/robinhood76/sounds/81286/,) proccessed through a handy dandy bit of free software called "soundmorpher". I proccessed a drum loop through the old door sound, and here's what i got. Get soundmorpher today at http://www. Elisanet. Fi/victorx/soundmorpher. Htm. Made with soundmorpher.

Random sci fi sentences said in a very futuristic robotic way !pretty adequate for games/videos/movies set in a futuristic secret lab or a spaceship or something. If you like the sound but would like other sentences, just say so in the comments and i can upload them ! or just pm me, also works. Wav files, 24bit, 48000 hz.

Glitchy robot scream, made for a game with robot enemies. I made it by using audacity's "import raw data" function to import random program files which creates all kinds of crazy noises. (all the sounds in this pack came from the files of an emulated ps2 game. ) i then put a vocoder on the sounds i found to make them sound even more robotic.

An experimental sound i did while messing with audacity. Just like i did in that end sound, i just used my table to do the sound, but instead of pounding, i tapped it (man, my table is kinda useful for sfx. Xd). And after that, i added the vocoder, some reverb, and the echo effect then viola! this effect was born!.

This is me reading a list of numbers to type in to create a sonic effect on my computer. (think -514. 0001. ) i first reversed it and added reverb to it and reversed it again. Then i duplicated it two times and changed the pitch of the duplicates by five semitones up and down. Enjoy, and above all, don't be creeped out! made with audacity.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

I used audacity and text-to-speech to recreate a voice line spoken by the cybermen from the 1967 doctor who episode "the moonbase". The video clip is available in the public domain. Transcript:. Cyberman 1: they have blown up the accessways to the moon base. Cyberman 2: the machine from earth must first be destroyed. There are 14 minutes left.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

These are a series of gunshots that are supposed to resemble a laser sort of weapon, like an alien weapon. To make this, i used a filter that has a vocoder, polyvox, and talkbox, with distortion added. The initial sound i'm making is a chirping with my mouth and the filter does the rest. I think this works well on its own but it should work well mixed in with another sound effect if you choose to mix it. There is no reverb added or environment effects so its very flexible. Feel free to use it however you like. Credit is appreciated but not necessary. If you do want to give credit, please give credit to cooljunk productions. Thank you.

This is a little rock beat pieced together with a paint scrapper, five gallon bucket, and a no. 10 can. Loops. Recorded at 150 bpm. I got really cool results(edm, industrial,. . . ) with various vocoders, delays, distortion.